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The contributions to this volume examine: geotechnical hazard acknowledging the deversity of local ground conditions and environmental factors which play a decisive role in designing engineering structures in Danubian countries.
This book presents state-of-the-art information on seismic ground response analysis, and is not only very valuable and useful for practitioners but also for researchers. The topics covered are related to the stages of analysis: 1. Input parameter selection, by reviewing the in-situ and laboratory tests used to determine dynamic soil properties as well as the methods to compile and model the dynamic soil properties from literature;2. Input ground motion; 3. Theoretical background on the equations of motion and methods for solving them; 4. The mechanism of damping and how this is modeled in the equations of motions; 5. Detailed analysis and discussion of results of selected case studies which provide valuable information on the problem of seismic ground response analysis from both a theoretical and practical point of view.
This book is a collection of invited lectures including the 5th Nicholas Ambraseys distinguished lecture, four keynote lectures and twenty-two thematic lectures presented at the 16th European Conference on Earthquake Engineering, held in Thessaloniki, Greece, in June 2018. The lectures are put into chapters written by the most prominent internationally recognized academics, scientists, engineers and researchers in Europe. They address a comprehensive collection of state-of-the-art and cutting-edge topics in earthquake engineering, engineering seismology and seismic risk assessment and management. The book is of interest to civil engineers, engineering seismologists, seismic risk managers, policymakers and consulting companies covering a wide spectrum of fields from geotechnical and structural earthquake engineering, to engineering seismology and seismic risk assessment and management. Scientists, professional engineers, researchers, civil protection policymakers and students interested in the seismic design of civil engineering structures and infrastructures, hazard and risk assessment, seismic mitigation policies and strategies, will find in this book not only the most recent advances in the state-of-the-art, but also new ideas on future earthquake engineering and resilient design of structures.
A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Site-specific installations are created for specific locations and are usually intended as temporary artworks. The Perpetuation of Site-Specific Installation Artworks in Museums: Staging Contemporary Art shows that these artworks consist of more than a singular manifestation and that their lifespan is often extended. In this book, Tatja Scholte offers an in-depth account of the artistic production of the last forty years. With a wealth of case studies the author illuminates the diversity of site-specific art in both form and content, as well as in the conservation strategies applied. A conceptual framework is provided for scholars and museum professionals to better understand how site-specific installations gain new meanings during successive stages of their biographies and may become agents for change in professional routines.