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Whilst it is not possible to generalise about the role of African women in cinema, there is, nonetheless, evidence that a growing number of women from all parts of the continent are becoming engaged in the various mediums of film, video and television. This book looks at the diverse experiences of both female film pioneers and women film students; through a series of interviews the author discovers what motivated these women to take up film and discusses both the creative aspects of their work and their broader political concerns.
Perhaps the most vital, emotionally complex, and lasting attachments between women occur between sisters. Whether as best friends or antagonists, "sisters remain entangled in a common tapestry of mutual experience and remembrance, family and history," according to author Eva Rueschmann. Although many of the women-centered films in the last three decades depict the relationship between sisters as a pivotal aspect of a character's psychological development, the now substantial body of feminist film criticism has not taken up this theme in any sustained way. InSisters on Screen, Eva Rueschmann explores the sister bond in a wide range of modernist feature films that depart from the conventional cinematic rendering of women's lives. Drawing on the psychoanalytic concept of intersubjectivity, this book emphasizes the role of a woman's relationship and inner world in her continual quest for self-knowledge. Offering an original and absorbing perspective on women's filmic images,Sisters on Screenreveals how post-1960s cinema has articulated the ways in which biological sisters negotiate mutuality and difference, co-author family histories, and profoundly shape each other's political and personal identities. The films in focus question standards of femininity as they probe into memory, fantasy, and desire, bringing women's realities into view in the process. Structuring her discussion in terms of life-cycle stages—adolescence and adulthood—Rueschmann offers an in-depth discussion of such films asAn Angel at My Table,Double Happiness,Eve's Bayou,Gas Food Lodging,Heavenly Creatures,Little Women,Marianne and Julianne,Paura e amore,Peppermint Soda,The Silence,Sweetie, andWelcome to the Dollhouse. Rueschmann draws upon the works of filmmakers from the 1970s to the 1990s. Some of the directors included in her study are Allison Anders, Gillian Armstrong, Ingmar Bergman, Jane Campion, Peter Jackson, Mina Shum, Diane Kurys, Kasi Lemmons, Todd Solondz, and Margarethe von Trotta.Sisters on Screenwill appeal to anyone interested in women's studies, film studies, psychology, psychoanalytic readings of cinema, women directors, and international modern film. Author note:Eva Rueschmannis Assistant Professor of Cultural Studies at Hampshire College.
Monica Appleby and Helen Lewis reveal the largely untold story of women who stood up to the Church and joined Appalachians in their struggle for social justice. Their poignant story of how faith, compassion, and persistence overcame obstacles to progress in Appalachia is a fascinating example of how a collaborative and creative learning community fosters strong voices. Mountain Sisters is a prophetic first-person account of the history of American Catholicism, the war on poverty, and the influence of the turbulent 1960s on the cultural and religious communities of Appalachia. Founded in 1941, The Glenmary Sisters embraced a calling to serve rural Appalachian communities where few Catholics resided. The sisters, many of them seeking alternatives to the choices available to most women during this time, zealously pursued their duties but soon became frustrated with the rules and restrictions of the Church. Outmoded doctrine—even styles of dress—made it difficult for them to interact with the very people they hoped to help. In 1967, after many unsuccessful attempts to persuade the Church to ease its requirements, some seventy Sisters left the security of convent life. Over forty of these women formed a secular service group, FOCIS (Federation of Communities in Service). Mountain Sisters is their story.
"Motivated by the opportunity to obtain real justice for her sister who disappeared twenty years ago, Tracy became a homicide detective with the Seattle PD. When her sister's remains are finally discovered near their hometown in the northern Cascade Mountains of Washington State, Tracy is determined to get the answers she's been seeking"--
Raina Telgemeier’s #1 New York Times bestselling, Eisner Award-winning companion to Smile! Raina can't wait to be a big sister. But once Amara is born, things aren't quite how she expected them to be. Amara is cute, but she's also a cranky, grouchy baby, and mostly prefers to play by herself. Their relationship doesn't improve much over the years, but when a baby brother enters the picture and later, something doesn't seem right between their parents, they realize they must figure out how to get along. They are sisters, after all.Raina uses her signature humor and charm in both present-day narrative and perfectly placed flashbacks to tell the story of her relationship with her sister, which unfolds during the course of a road trip from their home in San Francisco to a family reunion in Colorado.
As TikTokers, YouTubers and traditional artists continue to reimagine the video form, this book explores the value of this medium within medical practice and patient care, as well as everyday creative expression.
Join Kyra and her sisters as they fight the mysterious forces of the forest, and the challenges of drifting apart with age, perfect for transitional readers aging out of the Hilda Graphic Novel series. "A magical, moving celebration of sisterly bonds." —Kirkus Reviews “A sweet story that explores the changing relationships between siblings wrapped in a beautiful fantasy world. A solid read both for those coping with puberty as well as with their younger siblings.” —School Library Journal "In swirling, bold-hued panels, animator Spaaij conjures a liminal space as Margot hovers on the brink of a mystical womanhood in this alluringly high-pitched drama." —Publishers Weekly "Beautiful, funny and atmospheric, using magic to capture the shifts in sibling dynamics as an eldest sister becomes a teenager. Full of personality and life." —Gillian Goerz, Author of the 'Shirley and Jamila' series "It’s not often my kids fight over books but I had to referee turns over this, always the sign of an intriguing book right?" —Kids Lit is Lit Frygea Forest... An ancient and mystical place where trolls lurk in the mossy spaces between tree trunks and changelings scamper about, causing mischief. A place that Kyra and her sisters Margot and Janna return to every year to spend the summer at their grandma’s farm: roasting marshmallows, catching frogs and befriending tiny, grumpy root goblins. But this summer is different, and as teenage Margot drifts apart from her sisters, slamming doors and keeping secrets, Kyra starts to worry. When Margot is enticed into the woods by the mysterious figures in the mist, Kyra resolves to do everything in her power to save her sister from danger, even if that means facing the spooky forces within Frygea Forest with just her kid sister for help. In this lively coming-of-age graphic novel, you’ll never have to let go of the imagination that keeps you young. And if you’re careful, and ever so quiet, you might spot a root goblin marching along the ground, or a glittering alf darting amongst the leaves...
Warm, feisty, and intelligent, the Delany sisters speak their mind in a book that is at once a vital historical record and a moving portrait of two remarkable women who continued to love, laugh, and embrace life after over a hundred years of living side by side. Their sharp memories tell us about the post-Reconstruction South and Booker T. Washington, Harlem’s Golden Age and Langston Hughes, W. E. B. Du Bois and Paul Robeson. Bessie Delany breaks barriers to become a dentist; Sadie Delany quietly integrates the New York City system as a high school teacher. Their extraordinary story makes an important contribution to our nation’s heritage—and an indelible impression on our lives.
David R. Mastbergen is the author of The Marvels of the Healer series. He was born in the Heartland in the city of Worthington, Minnesota. He was raised in Worthington until he enlisted into the United States Navy and spent the next twenty-plus years servicing his country. Upon retiring from the navy as a chief warrant officer, he spent nine-plus years working for the state of Minnesota. David has a Master of Arts degree in management from the College of St. Scholastica and a Bachelor of Science degree in computer science from Coleman College.
Key Selling Points In Heart Sister, a teen filmmaker, reeling from the loss of his twin sister, tries to track down the recipients of her organs. Explores themes of grief and loss and how families cope in the face of inconceivable tragedy. Governor General Award–winning author Caroline Pignat describes it as “raw, real and riveting...a powerful story of hope.” The author is also a screenwriter, which is reflected in the book’s unique structure. A few years ago, the author's brother received a new heart. This story is written in gratitude to the (still anonymous) family of the young woman who gave him a new lease on life.