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Seniors at Middlehurst College, four very different women--brainy Reva, pampered society girl Opal, insecure beauty Precious, and prim and proper Faith--seek solace in their powerful friendship as they each experience the trials and tribulations of life. Original. 15,000 first printing.
The papers in this volume address the general question what type of lexical specifications we need in a generative grammar and by what principles this information is projected onto syntactic configurations, or to put it differently, how lexical insertion is executed. Many of the contributions focus on what the syntactic consequences are of choices that are made with respect to the lexical specifications of heads. The data in the volume are drawn from diverse languages, among which: Brazilian Portuguese, Bulgarian, Dutch, English, French, German, Icelandic, Italian, Mohawk, Norwegian, Polish, Russian.
For fans of Bryony Gordon and Dolly Alderton, The Sisterhood is an honest and hilarious book which celebrates the ways in which women connect with each other. 'My five sisters are the only women I would ever kill for. And they are the only women I have ever wanted to kill.' Imagine living between the pages of Pride And Prejudice, in the Bennett household. Now, imagine how the Bennett girls as they'd be in the 21st century - looking like the Kardashian sisters, but behaving like the Simpsons. This is the house Daisy Buchanan grew up in, Daisy's memoir The Sisterhood explores what it's like to live as a modern woman by examining some examples close to home - her adored and infuriating sisters. There's Beth, the rebellious contrarian; Grace, the overachiever with a dark sense of humour; Livvy, the tough girl who secretly cries during adverts; Maddy, essentially Descartes with a beehive; and Dotty, the joker obsessed with RuPaul's Drag Race and bears. In this tender, funny and unflinchingly honest account Daisy examines her relationship with her sisters and what it's made up of - friendship, insecurity jokes, jealousy and above all, love - while celebrating the ways in which women connect with each other and finding the ways in which we're all sisters under the skin.
Cleft constructions have long presented an analytical challenge for syntactic theory. This monograph argues that clefts and related constructions cannot be analysed in a straightforwardly compositional manner. Instead, it proposes that the locality conditions on modification (for example by a restrictive relative clause) must be reformulated such that they account for the apparent compositionality of DP-internal modification whilst also permitting 'discontinuous' modification of the type which is independently needed for constructions such as relative clause extraposition. The empirical focus of the book is on clefts in English and Russian, which have a similar interpretation but considerably divergent syntactic structures. The author argues that, despite these syntactic differences, both types of cleft are mapped to their semantic interpretations in the same manner. This monograph will be essential reading for those working on cleft constructions and copular sentences more generally, and will be of interest to those working on the syntax-semantics interface.
The fully updated new edition of the essential single-volume reference, covering the full fields of linguistics and phonetics Now in its seventh edition, A Dictionary of Linguistics and Phonetics remains the definitive resource work for students of linguistics and phonetics. Originally created by David Crystal and revised for the new seventh edition with Alan C. L. Yu, this dictionary features a wealth of new entries by a team of experts in phonetics, phonology, syntax, semantics, sociolinguistics, and psycholinguistics. Throughout the text, most pre-existing entries have been updated to reflect the current body of knowledge in the areas of linguistics and phonetics. Covering more than 5,100 terms, the new seventh edition reflects the latest state of the field and accounts for evolutions in research and theory since the publication of the prior edition. The entries provide clear and authoritative definitions of each term and are supported by additional information such as the historical context in which a term was used or the relationship between a term and others from associated fields. This useful work: Features new and updated entries reflecting the way established terms are now perceived in light of changes in the field Integrates ideas from the minimalist program, situating linguistic theory in the broader cognitive sciences Includes tables of abbreviations, symbols, and the International Phonetic Alphabet Offers unique insights into the historical development of linguistics Identifies major lexical variants as separate headwords, enabling readers to quickly find the location of a term Provides word-class identifiers and usage examples for single-word headwords, especially useful for non-native English speakers A Dictionary of Linguistics and Phonetics, Seventh Edition is an invaluable reference work for professionals, students, and general readers alike, and remains an essential resource for anyone studying linguistics or phonetics at the university level.
Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism. Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women’s studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences. As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as “the beginning of a new era, where the ‘women’ in women’s studies will no longer mean ‘white.’” Coeditors Akasha (Gloria T.) Hull, Patricia Bell-Scott, and Barbara Smith are authors and former women's studies professors. Brittney C. Cooper is a professor of Women's and Gender Studies and Africana Studies at Rutgers University. She is the author of several books, including Eloquent Rage, named by Emma Watson as an Our Shared Shelf read for November/December 2018.
"Anthony Huso pushes the conventions of epic fantasy to their limits in this tale that that is not quite horror, not quite fantasy, and much more than both. Reminiscent of the novels of China Mieville and Glen Cook, this should appeal to fans of steampunk and epic fantasy."—Library Journal on Black Bottle Tabloids sold in the Duchy of Stonehold claim that the High King, Caliph Howl, has been raised from the dead. His consort, Sena Iilool, both blamed and celebrated for this act, finds that a macabre cult has sprung up around her. As this news spreads, Stonehold—long considered unimportant—comes to the attention of the emperors in the southern countries. They have learned that the seed of Sena's immense power lies in an occult book, and they are eager to claim it for their own. Desperate to protect his people from the southern threat, Caliph is drawn into a summit of the world's leaders despite the knowledge that it is a trap. As Sena's bizarre actions threaten to unravel the summit, Caliph watches her slip through his fingers into madness. But is it really madness? Sena is playing a dangerous game of strategy and deceit as she attempts to outwit a force that has spent millennia preparing for this day. Caliph is the only connection left to her former life, but it's his blood that Sena needs to see her plans through to their explosive finish. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
“A feast for serious fiction readers.” —Wendy Smith, The Washington Post “A dead-serious, dead-funny, no-he-didn't marvel.” —Joshua Cohen, author of The Netanyahus A thrilling, witty, and slyly original Cold War mystery about a ragtag group of Jewish refuseniks in Moscow. On his wedding day in 1976, Viktor Moroz stumbles upon a murder scene: two gay men, one of them a U.S. official, have been axed to death in Moscow. Viktor, a Jewish refusenik, is stuck in the Soviet Union because the government has denied his application to leave for Israel; he sits “in refusal” alongside his wife and their group of intellectuals, Jewish and not. But the KGB spots Viktor leaving the murder scene. Plucked off the street, he’s given a choice: find the murderer or become the suspect of convenience. His deadline is nine days later, when Henry Kissinger will be arriving in Moscow. Unsolved ax murders, it seems, aren’t good for politics. A whip-smart, often hilarious Cold War thriller, Paul Goldberg’s The Dissident explores what it means to survive in the face of impossible choices and monumental consequences. To help solve the case, Viktor ropes in his community, which includes his banned-text-distributing wife, a hard-drinking sculptor, a Russian priest of Jewish heritage, and a visiting American intent on reliving World War II heroics. As Viktor struggles to determine whom to trust, he’s forced to question not only the KGB’s murky motives but also those of his fellow refuseniks—and the man he admires above all: Kissinger himself. Immersive, unpredictable, and always ax-sharp, The Dissident is Cold War intrigue at its most inventive. It is an uncompromising look at sacrifice, community, and the scars of history and identity, from an expert storyteller.
Curtis Macurdy would have been content to spend his life with his wife Varia earning a living by tilling his land in the American Midwest. But Varia is from Yuulith, and when the Sisterhood called her home, she refused to go. Their big mistake was kidnapping her. For Curtis may seem like an ordinary farmer, but underneath lurks a strategic genius of the highest order.