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"When Jesse's family moves to Roanoke, Virginia, in the summer of 1972, she's 12 years old and already mindful of the schism between innocence and femininity, the gap between childhood and the adult world. Her father, a former pastor, cycles through spiritual disciplines as quickly as he cycles through jobs. Her mother is dissatisfied, glumly fetishizing the Kennedys and anyone else that symbolizes status and wealth. The residents of the Bent Tree housing development may not hold what Jesse is looking for, but they're all she's got. Her neighbor speaks of her married lover; her classmate playacts being a Bunny at Hugh Hefner's Playboy Club; the boy she's interested in fantasizes about moving to Hollywood and befriending David Soul. In the midst of it all, Jesse finds space to set up her room with her secret treasures: busts of Emily Dickinson and Shakespeare, a Venus flytrap, her Cher 45s, and The Big Book of Burial Rites, which she reads obsessively. But outside awaits all the misleading sexual mores, muddled social customs, and confused spirituality. Girlhood has never been more fraught than in Jesse's telling, its expectations threatening to turn at any point into delicious risk, or real danger"--
Johnnie Sue Bridges incredible life story began with the release of her first book, the highly acclaimed Shadows And Scars, a beautiful story that captures the essence of living in the mountains of Middlesboro, Kentucky, with vivid imagery, comical moments and raw emotion. In one cold blue night, she writes of an already painful world turning into nothing short of a nightmare. Bitter coldness and survival starts the reader on a journey that portrays a young mothers fight against poverty, loneliness, and alcoholism, concluding in the riot-torn and racially divided city of Detroit. Shadows And Scars reveals a birds-eye view of the child that struggled to maintain stability in her hauntingly unstable world. Readers will gain the knowledge of endurance within themselves, despite adversity. Book # 2 Motown Girl Sister Golden Hair chronicles her roller coaster ride through the early 70s growing up in the inner city of Detroits Westside. Hitting the teen years during the underground time of extreme change, uprisings, experimenting with everything under the sun, came at a very high pricerobbery of her self worth and most importantly, the stolen innocence of the ones she dearly loved. Highly educated in cultured urban habit, she was forevermore restless and ran incessantly. And by the grace of God, she eventually changed and escaped. However, some of those she held closest to her heart paid the piper with their lives. In her own words, No one told us that stuff would kill ya. Book # 3 of the series Run BabyGirl Run Just Published! The year was 1973. A fourteen-year-old girl hitchhiked across the country to the Pacific Coast, then back to the Atlantic Ocean. Her mother died when she was only eleven years old and never knowing a father, there had to be a way of validating her very existence and to discover why she was on this planet. The answers were all around her; however, she would not be able to recognize them until years later. Meeting with many life-threatening situations, its a thousand wonders she is still alive to tell her story. Run BabyGirl Run is written with gutwrenching honesty and allows the reader to see into the very depths of this beautiful young girls soul. Editor: Jackie Hurst www.johnniesuebridges.com
It's the summer of 1972 and girlhood has never been more fraught, but Darcy Steinke captures all of it with an intimate, startling grace. When Jesse’s family moves to Roanoke, Virginia, in the summer of 1972, she’s twelve years old and already mindful of the schism between innocence and femininity, the gap between childhood and the world of adults. Her father, a former pastor, cycles through spiritual disciplines as quickly as he cycles through jobs. Her mother is chronically dissatisfied, glumly fetishizing the Kennedys and anyone else who symbolizes status and wealth. The residents of the Bent Tree housing development may not seem like beacons of the secret knowledge that Jesse is looking for, but they’re all she’s got. Her neighbor tans on the front lawn and tells tales of her married lover; her classmate playacts being a Bunny at Hugh Hefner’s Playboy Club; the boy she’s interested in fantasizes about moving to Hollywood and befriending David Soul. In the midst of her half-understanding, Jesse finds space to set up her room with her secret treasures: a Venus Flytrap, her Cher 45s, and The Big Book of Burial Rites. But outside await new sexual mores, muddled social customs, and confused spirituality. It’s a terrifying time—in the shadow of Manson and the hangover from the idealistic sixties—when alienation overtakes liberation. Girlhood has never been more fraught than in Jesse’s telling, its expectations threatening to turn at any point into delicious risk, or real danger. Darcey Steinke captures all of this with an intimate, startling grace.
As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.
Provides lists of hit songs by date with information on the artist, songwriter, producer, label, and offering interviews with popular artists.
Olivia Osborne is back. She has a demon to find, a past to uncover, and a future to plan. Dive back into the murky recesses of Olivia’s shadowy world as she searches for the truth about life and death, good and evil and the twilight in between. Gran warned against mixing the light with the dark--that magical place where the dark and the light swam together turned everything to grey. The Fruit of the Poison Tree bears it all. Olivia Osborne is many things: a sensitive, an empath, a reader of death. Is she also a demon dealer? Or is she something else?
From one of the most daring and sensuous young writers in America, Jesus Saves, a New York Times Notable Book of the Year, is a suburban gothic that explores the sources of evil, confronts the dynamic shifts within theology, and traces the consequences of suburban alienation. Set in the modern launch pads of adolescent ritual, the strip malls and duplexes on the back side of suburbia, it’s the story of two girls: Ginger, a troubled minister’s daughter; and Sandy Patrick, who has been abducted from summer camp and now smiles from missing-child posters all over town. Layering the dreamscapes of Alice in Wonderland with the subculture of River’s Edge, Darcey Steinke’s Jesus Saves is an unforgettable passage through the depths of the literary imagination.
“Many days I believe menopause is the new (if long overdue) frontier for the most compelling and necessary philosophy; Darcey Steinke is already there, blazing the way. This elegant, wise, fascinating, deeply moving book is an instant classic. I’m about to buy it for everyone I know.” —Maggie Nelson, author of The Argonauts A brave, brilliant, and unprecedented examination of menopause Menopause hit Darcey Steinke hard. First came hot flashes. Then insomnia. Then depression. As she struggled to express what was happening to her, she came up against a culture of silence. Throughout history, the natural physical transition of menopause has been viewed as something to deny, fear, and eradicate. Menstruation signals fertility and life, and childbirth is revered as the ultimate expression of womanhood. Menopause is seen as a harbinger of death. Some books Steinke found promoted hormone replacement therapy. Others encouraged acceptance. But Steinke longed to understand menopause in a more complex, spiritual, and intellectually engaged way. In Flash Count Diary, Steinke writes frankly about aspects of Menopause that have rarely been written about before. She explores the changing gender landscape that comes with reduced hormone levels, and lays bare the transformation of female desire and the realities of prejudice against older women. Weaving together her personal story with philosophy, science, art, and literature, Steinke reveals that in the seventeenth century, women who had hot flashes in front of others could be accused of being witches; that the model for Duchamp's famous Étant donnés was a post-reproductive woman; and that killer whales—one of the only other species on earth to undergo menopause—live long post-reproductive lives. Flash Count Diary, with its deep research, open play of ideas, and reverence for the female body, will change the way you think about menopause. It's a deeply feminist book—honest about the intimations of mortality that menopause brings while also arguing for the ascendancy, beauty, and power of the post-reproductive years.
A brother and sister's search for a new life and new home . . . 5,000 years ago in ancient Mesopotamia during a terrible drought, Jomar and Zefa's father must send his children away to the city of Ur because he can no longer feed them. At fourteen, Jomar is old enough to apprentice with Sidah, a master goldsmith for the temple of the moongod, but there is no place for Zefa in Sidah's household. Zefa, a talented but untrained musician, is forced to play her music and sing for alms on the streets of Ur. Marjorie Cowley vividly imagines the intrigues, and harsh struggle for survival in ancient Mesopotamia.