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Sista, Stanap Strong! is an anthology of new writing from Vanuatu by three generations of women—and the first of its kind. With poetry, fiction, essay, memoir, and song, its narrative arc stretches from the days of blackbirding to Independence in 1980 to Vanuatu's coming of age in 2020. Most of these writers are ni-Vanuatu living in Vanuatu. Some have set down roots in New Zealand, Fiji, the Solomon Islands, and Canada. Some were born overseas and have made Vanuatu their home. One is just twenty; another is an octogenarian. The writers in this anthology have chosen to harness the coloniser's language, English, for their own purposes. They are writing against racism, colonialism, misogyny, and sexism. Writing across bloodlines and linguistic boundaries. Professing their love for ancestors, offspring, and language— Bislama, vernacular, and English. What these writers also have in common is a sharp eye for detail, a love of words, a deep connection to Vanuatu, and a willingness to share a glimpse of their world. Includes a foreword by Viran Molisa Trief. Cover art: Juliette Pita
What, then, for the work of poetry? It's at the very periphery of popular speech, niche even among the arts, yet it's also rooted in the most ancient traditions of oral storytelling, no matter where your ancestors originate from. And, as we were reminded by an audience member at the New Zealand Young Writers Festival in 2020, who are we to say poetry cannot change the world?A poem may not be a binding policy or strategic investment, but poems can still raise movements, and be moving in their own right. And there is no movement in our behaviours and politics without a shift in hearts and minds. Whether the poems you read here are cloaked in ironic apathy or bare their hearts in rousing calls to action, they all arise from a deep sense of care for this living world and the people in it.Our poets are eulogists and visionaries, warriors and worriers. Most of all, they're ordinary people prepared to sit and stare at a blank page, trying to do something with the bloody big troubles looming over our past, present and future.— from the introduction by the editors
Bombarded with the equivalent of one Hiroshima bomb a day for half a century, Pacific people have long been subjected to man-made cataclysm. Well before climate change became a global concern, nuclear testing brought about untimely death, widespread diseases, forced migration, and irreparable destruction to the shores of Oceania. In The Ocean on Fire, Anaïs Maurer analyzes the Pacific literature that incriminates the environmental racism behind radioactive skies and rising seas. Maurer identifies strategies of resistance uniting the region by analyzing an extensive multilingual archive of decolonial Pacific art in French, Spanish, English, Tahitian, and Uvean, ranging from literature to songs and paintings. She shows how Pacific nuclear survivors’ stories reveal an alternative vision of the apocalypse: instead of promoting individualism and survivalism, they advocate mutual assistance, cultural resilience, South-South transnational solidarities, and Indigenous women’s leadership. Drawing upon their experience resisting both nuclear colonialism and carbon imperialism, Pacific storytellers offer compelling narratives to nurture the land and each other in times of global environmental collapse.
All around us, life is both teeming and vanishing. How do we live in this place of so many others and so many last things? How to Live With Mammals is not a book of instruction but a book of reimagining and a book of longing. In these funny and often poignant poems, Ash Davida Jane asks how we might reorient ourselves, and our ways of loving one another, as the futures that we once imagined grow ever more precarious.'Urgent, funny and tender: these poems shine.' --Louise Wallace
Best friends tell you everything; about their kitchen renovation; about their little girl's new school. They tell you how he's leaving her for a younger model. Best friends don't tell lies. They don't take up residence on your couch for weeks. They don't call lawyers. They don't make you choose sides. Best friends don't keep secrets about their past. Best friends don't always stay best friends.
"A new Bislama dictionary is a substantially updated version of the first edition, which reflects the ever-changing vocabulary of Bislama, the national language of Vanuatu."--Back cover.
This is a trilingual dictionary of Vurës, with meanings provided in both English and Bislama, the national language of Vanuatu. Vurës is an Oceanic language spoken on the island of Vanua Lava in Vanuatu. The dictionary is a companion volume to A Grammar of Vurës, Vanuatu (Malau 2016). There is no established tradition of writing in Vurës and most speakers are not literate in their own language. This dictionary is intended to have a dual purpose: to support the learning of literacy skills in the Vurës community, and as a reference work for linguists. There are four parts to the dictionary. The main part is the most comprehensive and provides the English and Bislama definitions of Vurës words, as well as example sentences for many of the entries, additional encyclopaedic information, scientific names for identified species, lexical relations, and etymological information for some entries. The dictionary contains approximately 3,500 headwords and has a strong emphasis on flora and fauna with close to a third of the entries belonging to these semantic domains. The dictionary has benefited from collaboration with a marine biologist and botanists, who have provided scientific identifications for named species. The main dictionary is followed by English–Vurës and Bislama–Vurës finderlists. The final part of the dictionary is a thesaurus, in which Vurës words are grouped according to semantic categories. The thesaurus has been included primarily so that it can be used to support teaching of literacy skills and cultural knowledge within the community.
First published in 1989 and reprinted numerous times, Six by Six remains the definitive introduction to the classic New Zealand short story.Six by Six is a big, generous book. It shows the full range and vitality of New Zealand fiction published in the twentieth century. These are stories of pace and invention, mischief and melancholy, darkness and joy. From a two-page sketch by Patricia Grace to Maurice Duggan' s short novel &‘ O' Leary' s Orchard' . From classics like Katherine Mansfield' s &‘ The Garden Party' and Frank Sargeson' s &‘ Conversation with My Uncle' to the contemporary brilliance of Owen Marshall and Janet Frame.Edited by Bill Manhire.
The pa' u is the pulse of the Cook Islands, a rhythm carrying narratives of a culture to its people. But beyond the reach of its sound, on another shore, a community is working over the course of decades to build a new life.Kura lands in the footsteps of his father, whose twenty-year estrangement has come to a head. Katerina starts planning for a future, but must bend to the whim of another. Ana is received into a sacred sisterhood. And an Island Mama sets out the rules for love.Beats of the Pa' u is a collection of stories about first- and second-generation Cook Islands New Zealanders living in 1950s to modern-day New Zealand. Powerful, poignant and gently funny, Beats portrays life lived uneasily in the tempo of a different place, by characters who are woven together through community, family and home.
Kuessipan is an extraordinary, meditative novel about life among the Native Innu people of northeast Quebec. With the grace and perfect pitch, author Naomi Fontaine (herself an Innu) conjures up a world that reads like no other, and a community—of nomadic hunters and fishers, of mothers and children—who endure a harsh and sometimes cruel reality with quiet dignity. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.