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"Strausbaugh leaves no sacred cow untipped. He is as nonpartisan as he straight shooting taking equal aim at Democrats and Republicans, gays and straights, PETA fanatics, and the Christian right. But all is not lost. Sissy Nation offers "modest proposals" for getting back the gumption that made this culture great."--Jacket.
An innovative exploration of postwar representations of effeminate men and boys.
Mediated Boyhoods: Boys, Teens, and Young Men in Popular Media and Culture brings together work from various disciplines that explores the relationships among the everyday lives of boys and such media platforms as television, films, games, sports, music, urban and suburban culture, fashion, young adult novels, Facebook, MySpace, and YouTube. Offering a comprehensive overview of boyhood studies, chapters consider questions about the current state of boyhood as it is represented in the popular media; the ways that boys are influenced by and work to influence popular culture; the ways that popular texts often reflect adult expectations, anxieties, and prejudices about boys and boyhood; and the ways that boys, teens, and young men are often able to reflect upon and to act, sometimes unpredictably, to resist, subvert, or re-imagine and re-create popular culture and media. The volume serves as a companion to Mediated Girlhoods: New Explorations of Girls' Media Culture, edited by Mary Celeste Kearney.
Imagine a world where imagination is forbidden. Coketown is such a place. Thomas Gradgrind will not permit fanciful thoughts in his school or his home. But what effect will this policy have on his own children, Tom and Louisa? How can he protect them from corrupting influences – especially when the circus comes to town? Dark satanic mills, interrupted by the colour and vibrancy of Sleary's Circus, set the stage for a sweeping tale of suppressed love, seduction and social mores, peopled with the sharply observed exaggerated characters that Dickens is celebrated for.
College students Parker Shaw and Sam Lukas take a trip to the American Southwest after a series of mysterious happenings.
Script of the play based on Charles Dickens novel.
Set in an industrial city in Northern England during the Victorian era, Thomas Gradgrind, a wealthy and retired man, devotes his life to the rationalist philosophy, and raises his children, Louisa and Tom, to never engage in any imaginative activity. The two grow up feeling confused, like something is missing in their lives, yet are unable figure out what exactly that is and affected differently by their upbringing. Louisa struggles to feel joy, and Tom struggles to find ethical standards. When Josiah Bounderby, a crass, rich man, asks for Louisa’s hand in marriage, she cannot find a rational reason not to marry him. He would elevate her social status, was a friend of her father, and employed her brother at his bank. She decides to marry Bounderby, despite feeling no love for him. Meanwhile, Stephen, a poor laborer in one of the city’s factories, who is struggling under the oppression of the upper classes, meets Tom and Louisa, inspiring them in different ways. When the city is shocked by a scandalous and devastating bank robbery, Stephen, Tom, and Louisa’s lives are forever changed, and Gradgrind must question the strict beliefs on which he relies. Hard Times by Charles Dickens is revered not only for its skillfully constructed prose, but also its critique of capitalist and utilitarian philosophy. Dickens’ empathetic portrayal of the effects of such beliefs raises concern and advocates for the conservation of human creativity and joy in a way that is still applicable today. With an eye-catching cover design and a modern font, Hard Times by Charles Dickens is a thought-provoking novel written by the greatest and most influential writers of the Victorian era.