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Westchester Co., NY – 2008. Panic engulfs the financial district, but the privileged youth of Tarrytown and Sleepy Hollow is not feeling the sting just yet. For the children of bankers and Wall Street sharks, the summer holds the promise of rock concerts, boat rides on the Hudson and flippant hookups. Gregory King spends the final weeks of the school year skipping classes, playing guitar and toying with Islam. Greg has a secret vice: he likes to take other people's things. For a while he manages to get away with petty theft – until he becomes obsessed with Cyntie van Vossen, his classmate’s girlfriend. Their affair sets off a chain reaction of treachery and violence. The bars of the gilded cage start bending beneath the weight of the secrets encasing the community where money solves every problem. How will Gregory pay for his mistakes after his trust fund runs out? Sirens over the Hudson will herald his misery.
Troubled by PTSD and struggling to reintegrate into society. ex-Marine Evan Hunter is a haunted man. When a sailing trip ends in disaster, he's stranded in a secret ocean facility called the Dome. And now he's hallucinating. Mermaids don't exist...do they? Then his colleagues begin disappearing. Some show up strangely maimed. Trapped deep below the waves, Evan isn't sure who he can trust. That includes the mysterious beauty he's falling in love with. Sariana has her own mission: revenge. But the closer she gets to Evan, the more she begins doubting herself. Do all the humans deserve her vengeance? Time is running out for Evan and Sariana. Both must pick a side to fight for. But what happens if they don't choose the same one?
New York City attorney Victor takes his Ukrainian-born former lover, Siren Myskina, for dead until he receives an unexpected phone call at work. Jolted by the voice from his past, Victor must unearth the true identity of the woman who had warned him to run when they made love for the first time. Siren's Silence portrays the tale of two young lovers whose relationship comes to an abrupt end shortly after their cross-country journey to Stillwater, Minnesota. Victor Frantiska - the handsome son of a four-star general - and Siren Myskina - a stunning mysterious green-eyed girl - are both freshmen at Duke when they first meet. Siren immediately captured Victor's heart. What strings their fate together is not Siren's beauty but her oddity of personality, a personality that spawns Victor's desperate attempts to root out the source of her elusiveness. This contemporary literary work, influenced by authors such as Thomas Wolfe and F. Scott Fitzgerald, weaves in lyrical elements to create a tapestry that narrates an intricate tale of love, lust, obsession and suspense that vividly reflects the reality of our time. It is for students, teachers, scholars, and avid readers of classic literary novels. The theme of this novel - love is war - serves as a reminder to all of us that love can bring peace, or it can bring terror, uncertainty, and unbearable pain.
West Germany, 1915. Marie Stahl, a stoic combat nurse in her late twenties, unhindered by her own ailments, converts her family countryside estate into a convalescent home for soldiers slapped with the controversial diagnosis "shell shock". Her only helpers are two taciturn factory girls of Slavic descent. Marie's altruistic endeavor brings on the wrath of her embittered brother Fritz, a Sergeant-Major in the Germany army. Having lost a foot in the trenches, he considers these men traitors, deserving of execution, not sympathy. The one he detests most is Christoph Ahrens, an engineering student nicknamed "Nutcracker" for his unusually strong jaw. Despite her morose disposition, Marie finds herself intrigued by the haunted youngster, who turns out to be a pupil of her godfather, Dr. Drosselmeyer, a physics lecturer at the University of Cologne and a military technology pioneer. As Marie and Christoph grow closer, he confides in her about his nightmares. The most horrifying images are not of his experiences in the trenches but of Germany's future—the old country they have been proud to serve will not exist twenty years later. As a woman of science, Marie rejects the notion of clairvoyance, although a part of her cannot help but wonder if there is some truth to his predictions. In the meantime, the atmosphere at the convalescent home grows more hostile as the patients turn on each other and Marie begins to question her altruism. Set against the violence and paranoia of the Great War, Unshelled is a gritty, sinister retelling of the Christmas classic.
Philadelphia, 1982 Hazel, a truant teenager, takes refuge in a seedy alley off South Street dubbed “Nicotine Alley” under the protection of Logan Massey, a cannabis activist who dominates the alternative scene. Her most prized possession is an Olympus camera that supposedly has a soul and is able to capture the unseen. Seduced by Logan's anarchist ideology, Hazel aspires to expose the corruption inside the pharmaceutical industry. Martin Thomasson is Philadelphia's most eccentric medical student, whose body had been shattered in a car accident and reassembled by the city's top trauma experts using bolts, rods and wires to hold his skeleton together. Despite the constant pain and hallucinations, the young man is studying to become a surgeon under the auspice of Dr. Dean McArthur, a languid, marble-faced sociopath. Such wonders can only happen at EuroMedika, a mysterious and eerie facility where chemical formulas and religious dogma mingle in a Petri dish. These two worlds collide when Hazel sets off to infiltrate EuroMedika and bring down Dr. McArthur. Her quest proves to be short lived, as the overreaching urchin quickly realizes that she is no match for a mad scientist. When she finds herself framed for a string of crimes, all of her high principles fly out the window. To save herself, Hazel must give in to Dr. McArthur's demands— which go beyond sexual favors—and assist him in a secret experiment with her old friends as test subjects. Martin Thomasson, whose loyalty to the institute has begun to waver, could very well be her only hope for salvation. Wandering the sinister glass halls of EuroMedika, she learns that behind every miracle there is a blood sacrifice.
After serving time for nearly killing his student—a crime he maintains he didn't commit—Sean McLaine, a puny drama teacher finds himself broke and friendless on the streets of South Boston at the peak of the Great Recession. His joints have been destroyed by compulsive weightlifting and his mind poisoned by the subtly sadistic prison psychologist. Salvation comes in the form of an Irish mobster who welcomes Sean into his clan and offers him a chance at a new life. A few plastic surgeries, fake documents, and a sham marriage help the underdog reinvent himself as a philanthropist. His radiant face now fronts one of the largest organ trade enterprises. To add a finishing touch to his saintly image, he adopts a mentally ill orphan named Casey. Diagnosed with juvenile schizophrenia and believed to be a menace to society, the girl spends most of her days in isolation with no access to electronics. When the flimsy child morphs into a moderately attractive teenager and catches the eye of a film student, Sean's lukewarm paternal affection takes a sinister turn. His inner demons that had been dormant for years become more active, and the weight of his secrets becomes a bit too heavy for his shoulders. Amidst the political upheavals and school violence of post-election America, the battle for Sean's soul begins. Very soon he discovers that hell has no bottom—you can always sink lower.
The cultures of ancient China and ancient Greece have exerted immeasurable influence on later civilizations. The texts and cultural values of classical China spread throughout East Asia and became the foundation of learning in Korea, Japan and Vietnam. Greek learning and culture receive credit for many of the intellectual paradigms of the West. Probably the one which is most distinctly Western is the tradition of logical proof and the related assumption that, as Aristotle put it in 'Metaphysics' 980, 'we all desire to know.' In contrast, the Chinese tradition, as exemplified by Laozi's 'Dao de jing,' cautions that through our desire to know we may forfeit wisdom, thus engendering a split between knowledge and wisdom. 'The Siren and the Sage' is a comparative study of what some of the most influential writers of ancient China and ancient Greece thought it meant to know and whether they distinguished knowledge from wisdom. It surveys selected works of poetry, history and philosophy from roughly the eighth through the second centuries BCE, focusing on the 'Odyssey,' the ancient Chinese 'Classic of Poetry,' Thucydides' 'History of the Peloponnesian War,' Sima Qian's 'Records of the Historian,' Plato's 'Symposium,' Laozi's 'Dao de jing' and the writings of Zhuangzi. The intention, through such juxtaposition, is to introduce foundational texts of each tradition, texts which continue to influence most of the world's peoples. It is intriguing to ask what awareness, if any, these distinctive cultures had of each other. A considerable body of scholarship comparing ancient Greece and ancient China now exists. Scholars are presenting evidence that the two cultures may actually have been aware of each other's presence, even though that awareness was presumably indirect, perhaps mediated by the nomadic peoples of Central Asia. While not directly contributing evidence, the authors argue that comparing the cultures of Greece and China will continue to be an irresistible and important scholarly debate. The book offers a provocative study which is accessible to students and general readers and at the same time contributes to the debate.
A feminist critique of the Odyssey
It has long been argued that opera is all about sex. Siren Songs is the first collection of articles devoted to exploring the impact of this sexual obsession, and of the power relations that come with it, on the music, words, and staging of opera. Here a distinguished and diverse group of musicologists, literary critics, and feminist scholars address a wide range of fascinating topics--from Salome's striptease to hysteria to jazz and gender--in Italian, English, German, and French operas from the eighteenth to the twentieth centuries. The authors combine readings of specific scenes with efforts to situate these musical moments within richly and precisely observed historical contexts. Challenging both formalist categories of musical analysis and the rhetoric that traditionally pits a male composer against the female characters he creates, many of the articles work toward inventing a language for the study of gender and opera. The collection opens with Mary Ann Smart's introduction, which provides an engaging reflection on the state of gender topics in operatic criticism and musicology. It then moves on to a foundational essay on the complex relationships between opera and history by the renowned philosopher and novelist Catherine Clément, a pioneer of feminist opera criticism. Other articles examine the evolution of the "trouser role" as it evolved in the lesbian subculture of fin-de-siècle Paris, the phenomenon of opera seria's "absent mother" as a manifestation of attitudes to the family under absolutism, the invention of a "hystericized voice" in Verdi's Don Carlos, and a collaborative discussion of the staging problems posed by the gender politics of Mozart's operas. The contributors are Wye Jamison Allanboork, Joseph Auner, Katherine Bergeron, Philip Brett, Peter Brooks, Catherine Clement, Martha Feldman, Heather Hadlock, Mary Hunter, Linda Hutcheon and Michael Hutcheon, M.D., Lawrence Kramer, Roger Parker, Mary Ann Smart, and Gretchen Wheelock.
In the aftermath of the massacre in Las Vegas, Kylee Paradox has no choice but to run. Her siren caused innocent lives to be lost, and now Fate is bound to carry out Kylee’s punishment for breaking her contract. If Fate catches her before she can find a loop hole, Kylee will be on a one way train to a tortured eternity in the fiery pits of hell.