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In his satires of the medieval revival in Punch in the 1850s, Tenniel deyeloped a purely visual, gestural, historicist burlesque that parodied the revival but was also a genuine adaptation of historical forms to a contemporary context. He created a traditionalistic cosmos in which the past permeated and enriched the present - culminating in the great high satire of his Alice work; a triumph of English common sense.
Lady Herringham arrived on the Edwardian art scene with a translation of Il Libro dell' Arte o Trattato della Pittura, Cennini's fifteenth-century handbook on fresco and tempera. It aroused new interest in those techniques and led to the founding of the Society of Painters in Tempera in 1901. To preserve Britain's art heritage from buyers abroad, she provided the money that launched the National Art Collections Fund in 1903, creating what is still a vital and authoritative voice in Britain's cultural life. Her work as the only woman on the NACF's first executive committee prepared her to assist in founding the India Society, which urged respect for indigenous Indian traditions of the fine arts and encouraged appreciation for them in England.
First published in 1965, The Politics of Repeal is primarily concerned with the last great campaign in Daniel O’Connell’s career and its impact on British and Irish politics. The 1840s were marked by a formidable agitation to have the Act of Union repealed and an independent Irish legislature restored. In attacking the Union between Great Britain and Ireland, O’Connell encountered the sustained opposition of Sir Robert Peel and a study of the conflict between the two men is an important feature of the book. Dr. Nowlan also discusses the rise of the Young Ireland movement and the disputes between the Young Irelanders and O’Connell. The political developments during the dark years of the Great Famine are examined and a close study is made of the events leading up to the Irish rebellion of 1848 and of the relations between Irish nationalists and French republicans during that year of revolutions. This book will be of interest to students of Irish history, British history, and political science.
This volume focuses on the creation, structure and evolution of the Irish national system of education. It illustrates how the system was shaped by the religious, social and political realities of nineteenth century Ireland and discusses the effects that the system had upon the Irish nation: namely that it was the chief means by which the country was transformed from one in which illiteracy predominated to one in which most people, even the poorest, could read and write.
An evocative exploration of the impact of the Mediterranean on British culture, ranging from the mid-eighteenth century to today Ever since the age of the Grand Tour in the eighteenth century, the Mediterranean has had a significant pull for Britons--including many painters and poets--who sought from it the inspiration, beauty, and fulfillment that evaded them at home. Referred to as "Magick Land" by one traveler, dreams about the Mediterranean, and responses to it, went on to shape the culture of a nation. Written by one of the world's leading historians of the Mediterranean, this book charts how a new sensibility arose from British engagement with the Mediterranean, ancient and modern. Ranging from Byron's poetry to Damien Hirst's installations, Robert Holland shows that while idealized visions and aspirations often met with disillusionment and frustration, the Mediterranean also offered a notably insular society the chance to enrich itself through an imagined world of color, carnival, and sensual self-discovery.