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It is difficult today to imagine life before standard time was established in 1884. In the middle of the nineteenth century, for example, there were 144 official time zones in North America alone. The confusion that ensued, especially among the burgeoning railroad companies, was an hourly comedy of errors that ultimately threatened to impede progress. The creation of standard time, with its two dozen global time zones, is one of the great inventions of the Victorian Era, yet it has been largely taken for granted. In Time Lord, Clark Blaise re-creates the life of Sanford Fleming, who struggled to convince the world to accept standard time. It’s a fascinating story of science, politics, nationalism, and the determined vision of one man who changed the world. Set in a time marked by substantial technological and cultural transformation, Time Lord is also an erudite exploration of art, literature, consciousness, and our changing relationship to time
Sandford Fleming knew fame and many honours later in life, but the path was not always easy. His beginnings are revealed in these early diaries that record his thoughts as an eighteen-year-old leaving his family home in Scotland for Canada. After unsuccessful attempts to get work as a surveyor, he finally made important contacts in Toronto, and through involvement with the Mechanics' Institute and the (Royal) Canadian Institute, became connected to the leading architects and engineers in the community. His work on major projects, including an ambitious plan for the Toronto Harbour and The Esplanade, ultimately led to his first big railway appointment in 1852. Best known for his role in mapping the Canadian Pacific Railway, he also designed Canada's first adhesive postage stamp, the three-penny Beaver; was an early promoter of the Pacific cable; and is recognized around the world as the inventor of Standard Time. The recipient of many honours, Fleming was knighted by Queen Victoria in 1897.
Chief Engineer is the story of one of the most creative, adventurous, and yet too-often overlooked giants of the Industrial Age — Canada’s Sandford Fleming. His influence spanned the North American continent and beyond. As chief engineer of the Intercolonial and Canadian Pacific railways, he shaped and steered the greatest engineering challenge of his day: the laying of the ribbons of railway steel that bound together a fledgling country. He can be credited as well with the telegraph cables that began to criss-cross the globe. Few are aware that it was Fleming who gave us the system of universal time. He also designed the first Canadian adhesive postage stamp, which was issued in 1851. Sandford Fleming’s triumphs are all the greater considering the natural and human adversities obstructing every step of his way. Jealousies, back-stabbing, pork-barrel politics, and bureaucratic ineptitude were as intrinsic to mega-projects then as they are now. Fleming’s life story constitutes a compelling and universal drama.
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The fascinating personal story of one of the most celebrated talents in today’s music scene The star of the Metropolitan Opera's recent revival of Dvorak's Rusalka, soprano Renée Fleming brings a consummately beautiful voice, striking interpretive talents, and compelling artistry to bear on performances that have captivated audiences in opera houses and recital halls throughout the world. In The Inner Voice—a book that is the story of her own artistic development and the “autobiography” of her voice—this great performer presents a unique and privileged look at the making of a singer and offers hard-won, practical advice to aspiring performance artists everywhere. From her youth as the child of two singing teachers through her years at Juilliard, from her struggles to establish her career to her international success, The Inner Voice is a luminous, articulate, and candid self-portrait of a contemporary artist—and the most revelatory examination yet of the performing life.
Exploring Toronto’s history through tantalizing true tales of romance, marriage, and lust. Toronto’s past is filled with passion and heartache. The Toronto Book of Love brings the history of the city to life with fascinating true tales of romance, marriage, and lust: from the scandalous love affairs of the city’s early settlers to the prime minister’s wife partying with rock stars on her anniversary; from ancient First Nations wedding ceremonies to a pastor wearing a bulletproof vest to perform one of Canada’s first same-sex marriage ceremonies. Home to adulterous movie stars, faithful rebels, and heartbroken spies, Toronto has been shaped by crushes, jealousies, and flirtations. The Toronto Book of Love explores the evolution of the city from a remote colonial outpost to a booming modern metropolis through the stories of those who have fallen in love among its ravines, church spires, and skyscrapers.
Since the rise of the small-sum lending industry in the 1890s, people on the lowest rungs of the economic ladder in the United States have been asked to pay the greatest price for credit. Again and again, Americans have asked why the most fragile borrowers face the highest costs for access to the smallest loans. To protect low-wage workers in need of credit, reformers have repeatedly turned to law, only to face the vexing question of where to draw the line between necessary protection and overreaching paternalism. City of Debtors shows how each generation of Americans has tackled the problem of fringe finance, using law to redefine the meaning of justice within capitalism for those on the economic margins. Anne Fleming tells the story of the small-sum lending industry’s growth and regulation from the ground up, following the people who navigated the market for small loans and those who shaped its development at the state and local level. Fleming’s focus on the city and state of New York, which served as incubators for numerous lending reforms that later spread throughout the nation, differentiates her approach from work that has centered on federal regulation. It also reveals the overlooked challenges of governing a modern financial industry within a federalist framework. Fleming’s detailed work contributes to the broader and ongoing debate about the meaning of justice within capitalistic societies, by exploring the fault line in the landscape of capitalism where poverty, the welfare state, and consumer credit converge.
Starting from the Greenwich meridian this book takes the reader east imagining what children are doing at that moment in each of the twenty-four time zones.