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Originally published in 1860, the formative Gothic novel ‘Sir Rohan’s Ghost’ by Harriet Prescott Spofford (1835–1921), one of nineteenth-century America’s most significant woman writers, relates the tale of a tormented British aristocrat who struggles to retain his sanity while suffering horrifying visitations from the spectre of his dead lover amid the agonies of an already fragile mind. Setting her tale in the enigmatic Sir Rohan’s beautiful-yet-decaying estate, Spofford immerses readers in a ghost story that marries lush imagery with an atmosphere of impending, mysterious doom. Upon its initial publication, a reviewer writing for ‘The Baltimore Sun’ deemed ‘Sir Rohan’s Ghost’ as ‘a strange, weird production, fascinating and exciting [...] A work of genius and not without moral significance’. Dating from a time when women writers like Spofford were increasingly making their voices heard by reshaping the character of popular American literature, ‘Sir Rohan’s Ghost’ remains to this day an engaging and important work of Gothic fiction.
Scare Tactics identifies an important but overlooked tradition of supernatural writing by American women. Jeffrey Weinstock analyzes this tradition as an essentially feminist attempt to imagine alternatives to a world of limited possibilities. In the process, he recovers the lives and works of authors who were important during their lifetimes and in the development of the American literary tradition, but who are not recognized today for their contributions. Between the end of the Civil War and roughly 1930, hundreds of uncanny tales were published by women in the periodical press and in books. These include stories by familiar figures such as Edith Wharton, Harriet Beecher Stowe, and Charlotte Perkins Gilman, as well as by authors almost wholly unknown to twenty-first-century readers, such as Josephine Dodge Bacon, Alice Brown, Emma Frances Dawson, and Harriet Prescott Spofford. Focusing on this tradition of female writing offers a corrective to the prevailing belief within American literary scholarship that the uncanny tale, exemplified by the literary productions of Irving, Poe, and Hawthorne, was displaced after the Civil War by literary realism. Beyond the simple existence of an unacknowledged tradition of uncanny literature by women, Scare Tactics makes a strong case that this body of literature should be read as a specifically feminist literary tradition. Especially intriguing, Weinstock demonstrates, is that women authors repeatedly used Gothic conventions to express discontentment with circumscribed roles for women creating types of political intervention connected to the broader sphere of women's rights activism. Paying attention to these overlooked authors helps us better understand not only the literary marketplace of their time, but also more familiar American Gothicists from Edgar Allan Poe to Shirley Jackson to Stephen King.
The life and writings of one of the most popular and talented authoresses of the nineteenth century whose work has a permanent value for American literature.