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"In explaining why Vanbrugh's buildings look the way they do, Hart allows his novel architectural forms to be understood for the first time as expressions of the visual and psychological theories of his friend and fellow Whig Joseph Addison."--BOOK JACKET.
Sir John Vanbrugh is celebrated today as one of England's finest country house architects. His masterpieces include palatial private homes such as Castle Howard and Blenheim Palace, greatly admired by any enthusiast of English Baroque architecture. However, his work extended far beyond such projects, and included a remarkable variety of temples, belvederes, pyramids and many other features which he designed for the gardens and parks of the estates at which he worked. The originality of such work has shown that Vanbrugh played a crucial role in the development of the eighteenth-century English garden, and this unique and fascinating book uses the fruits of new research to assess just what contribution this great man made to our heritage.
The country houses designed by Sir John Vanbrugh (1664-1726) are some of the most original and memorable works of architecture in Britain. He was rightly judged 'The Shakespeare of architects' by Sir John Soane, and was the designer of Castle Howard in Yorkshire, and Blenheim Palace in Oxfordshire, two of the great iconic houses of their age. He also designed or remodelled a string of amazing country houses, sometimes described as 'enchanted castles' such as Seaton Delaval Hall in Northumberland and Grimsthorpe Castle in Lincolnshire. Vanbrugh's life was even more remarkable than his houses. The son of a merchant of Dutch extraction, his grandfather left Haarlem to avoid religious persecution as a protestant; his mother was related to many of the great landed families of the day, including the Earl of Abingdon and the Duke of Devonshire. He began his career as a merchant, travelled to India in the service of the East India Company, served as an army officer, was arrested, as a civilian in France and imprisoned on suspicion of being a spy, worked as both playwright and theatrical impresario, writing and producing successful comedies such as The Relapse and then, in 1699 he turned his lively mind to architecture. This new book, brings together 200 of the finest photographs of his country houses, taken for Country Life magazine over the last 100 years, and is introduced by a short biography covering his remarkable life and character and his important relationship with his assistant, Nicholas Hawksmoor. The breathtaking colour and duotone images that illustrate the book are accompanied with well-researched and readable accounts of his great houses and their landscapes. Jeremy Musson is an architectural historian, writer and broadcaster who worked for Country Life for 12 years, first as architectural writer and then as architectural editor; he has also worked as a curator for the National Trust and presented a popular BBC 2 series The Curious House Guest and is author of The English Manor House and How to Read a Country House.
Presenting a captivating collection of the most beloved humorous plays by the dramatist of the restoration comedy of manners, Sir John Vanbrugh. The volume features two of his argumentative and outspoken Restoration comedies, 'The Relapse' and 'The Provoked Wife,' which are stage favorites but initially gained much controversy. Contents include: The Relapse; Or, Virtue in Danger. The Provok'd Wife, with a new Scene. Æsop, in two Parts. The False Friend.