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Morte Darthur is investigated for its reflection of the contemporary political concerns Malory shared with the gentry class for whom he wrote.
Reading, writing and the prosecution of warfare went hand in hand in the fifteenth century, demonstrated by the wide circulation and ownership of military manuals and ordinances, and the integration of military concerns into a huge corpus of texts; but their relationship has hitherto not received the attention it deserves, a gap which this book remedies, arguing that the connections are vital to the literary culture of the time, and should be recognised on a much wider scale. Beginning with a detailed consideration of the circulation of one of the most important military manuals in the Middle Ages, Vegetius' De re militari, it highlights the importance of considering the activities of a range of fifteenth-century readers and writers in relation to the wider contemporary military culture. It shows how England's wars in France and at home, and the wider rhetoric and military thinking those wars generated, not only shaped readers' responses to their texts but also gave rise to the production of one of the most elaborate, rich and under-recognised pieces of verse of the Wars of the Roses in the form of 'Knyghthode and bataile'. It also indicates how the structure, language and meaning of canonical texts, including those by Lydgate and Malory, were determined by the military culture of the period.
The Paston family have long been famous for the large collection of letters and papers which bear their name. However, only recently have the 'Paston Letters' been used systematically by historians of fifteenth-century England: they are both attractive to read and fiendishly difficult to use as source material for the historian. This, the second volume in Colin Richmond's individual and compelling study of the Pastons, describes the bitter disputes over the will of Sir John Fastolf (d. 1459) which dogged the family for many years, and which hold a wider significance for the law, English country society, and the complex politics of the fifteenth century. Professor Richmond uses his mastery of the Paston documents to illuminate many obscurities surrounding the will, and at the same time creates an insightful and sympathetic picture of this fascinating, often troubled family.
This is the third and final volume in the trilogy by Colin Richmond on the Paston family in the 15th century, completing the sequence which began with The First Phase and continued with Fastolf's Will. This volume deals with the later years of the century and those topics and themes which arise at that point in the family's history. The principal characters are John Paston II, his younger brother John Paston III, and their mother, Margaret Paston. Richmond deals with a variety of issues, some of which have arisen in previous volumes and attempts some judgements on the role of the English gentry in the later middle ages.
Latest research on the chivalric ethos of western Europe 10c-15c. from the practical [houses, armour], to the intellectual [concept of holy war, loyalty, etc.]
The Paston family papers have long been consulted for their infomation about social history and politics in the fiftenth century, both within East Anglia and also nationally. Parts I and II of Paston Letters and Papers of the Fifteenth Century, edited by Norman Davis, were originally published by the Clarendon Press in 1971 and 1976, and were reissued with corrections by EETS in 2004. Part III completes the edition. It contains the texts of 120 additional letters and papers, many of them relating to Sir John Fastolf and his circle. These texts are previously unprinted, or printed only in part; some only came to light after the publication of Parts I and II. The texts have been edited according to the principles established by Norman Davis, and are accompanied by an Introduction and Bibliography, as well as a consolidated index to all three parts of the edition, a glossary to the entire edition, a concordance of the principal editions and origal sources, and a working chronology of the documents. Richard Beadle is Reader in English Literature and Historical Bibliography at the University of Cambridge; Colin Richmond is Emeritus Professor of Medieval History at the University of Keele.
Romance and the Gentry in Late Medieval England offers a new history of Middle English romance, the most popular genre of secular literature in the English Middle Ages. Michael Johnston argues that many of the romances composed in England from 1350-1500 arose in response to the specific socio-economic concerns of the gentry, the class of English landowners who lacked titles of nobility and hence occupied the lower rungs of the aristocracy. The end of the fourteenth century in England witnessed power devolving to the gentry, who became one of the dominant political and economic forces in provincial society. As Johnston demonstrates, this social change also affected England's literary culture, particularly the composition and readership of romance. Romance and the Gentry in Late Medieval England identifies a series of new topoi in Middle English that responded to the gentry's economic interests. But beyond social history and literary criticism, it also speaks to manuscript studies, showing that most of the codices of the "gentry romances" were produced by those in the immediate employ of the gentry. By bringing together literary criticism and manuscript studies, this book speaks to two scholarly communities often insulated from one another: it invites manuscript scholars to pay closer attention to the cultural resonances of the texts within medieval codices; simultaneously, it encourages literary scholars to be more attentive to the cultural resonances of surviving medieval codices.