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Published to coincide with the centenary of Gielgud's birth, this is the remarkable autobiography of one of the greatest actors of the 20th century, seen through his frank, mesmerizing, and intimate letters. of photos. Line drawings.
Sir John Gielgud's acting career was among the most distinguished of his generation. Now, in this insightful biography, Morley traces not only the actor's career, but also gives a refreshingly frank look into Gielgud the man, and how his professional success as an actor often came at the expense of his personal happiness. 48 photos.
Sir John Gielgud displayed a remarkable talent for writing as well as performing, publishing several books about his life and profession. This unique volume brings together two of these for the first time: EARLY STAGES, his classic memoir of childhood, of growing up and taking to the stage, with vivid evocations of his family and the people he knew and worked with, from his great aunt Ellen Terry to Noël Coward, Somerset Maugham and Peggy Ashcroft; and BACKWARD GLANCES, a collection of essays in which Gielgud shares memories of a life lived to the full, reflects on a range of theatrical matters, and draws witty and affectionate portraits of friends and colleagues such as Sybil Thorndike, Vivien Leigh and Charles Laughton. Written with grace, erudition, warmth and wit, GIELGUD ON GIELGUD provides an irresistible insight into the world of Sir John Gielgud.
'In this comprehensive volume, we see the actor in a range of roles: loving son, wicked gossip, star actor, indecisive director, anguished lover, brilliant anecdotist. This splendid book reveals an infinitely complicated and attractive character. We may not look upon his like again' Jonathan Croall, Spectator The above quotes sums it up - this astonishing collection of letters brings us up close to one of the foremost, and best loved, actors of this century. John Gielgud wrote letters almost every day of his adult life. Whether at home in London or abroad, he delighted in recounting what he felt about events around him. Here for the first time - and not previously available to biographers - are Gielgud's love letters. They show that he was not shy is expressing the intimacies of personal relationships. He also loved gossip and writes about his contemporaries, including the great actors of period: Olivier, Richardson, Redgrave, Peggy Ashcroft, Edith Evans and the like. A revealing account but also a hugely warm and compelling insight into a man of many sides.
The acclaimed British actor looks back on his long career in the theater and recalls the many great actors and actresses with whom he has worked
'A sense of delight permeates Gyles Brandreth's John Gielgud: An Actor's Life ... Brandreth combines neat reportage, deft evocation and lovely tales about a man he knew and relished.' – The Times 'A delightful memoir which tells you all you need to know and collects all the anecdotes.' – Daily Mail John Gielgud was born in April 1904. When he died in May 2000, he was honoured as 'the giant of twentieth-century theatre'. In this updated, acclaimed biography, Gyles Brandreth draws from over thirty years of conversations with Gielgud to tell the extraordinary story of a unique actor, film star, director and raconteur. In 1921 Gielgud made his first appearance at the Old Vic in London and through the next eight decades he dominated his profession – initially as a classical actor, later in plays by Harold Pinter and Alan Bennett. In his twenties he had appeared in silent movies; more than half a century later, he emerged as a Hollywood star, winning his first Oscar at the age of seventy-eight. With wonderful anecdotes, and contributions from Kenneth Branagh, Alec Guinness, Paul Scofield, Donald Sinden, Judi Dench and Peter Hall, John Gielgud: An Actor's Life is a compelling, humorous and moving account of a remarkable man.
Gordon Daviot's 'Richard of Bordeaux' was a sensation when it was first produced in 1932. It ran for over a year in London and catapulted its star and producer, John Gielgud, into super-stardom. Audiences loved it for its accessible language, dramatic scenes and the sensitivity with which it dealt with Richard II's relationship with his Queen, Anne of Bohemia.
The villa near a small Tuscan town is everything the Pargeter family could want for three weeks. But when the idyll turns sour, Molly Pargeter begins to wonder about their mysterious absentee landlord.