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Who really wrote the plays of Shakespeare?
The question of who wrote Shakespeare’s plays has been the subject of furious debate among scholars for over 150 years. Everything known about the facts of William Shakespeare’s life seems incompatible with the extraordinary genius of his writing. How could a man who left school at the age of 13, and apparently never travelled abroad have authored the incomparable Sonnets or so intricately described Renaissance Venice? Shakespeare ‘candidates’ abound, among them Sir Francis Bacon, The Earl of Oxford, even Queen Elizabeth I herself, but none have stood up to serious scrutiny. Until now.... This remarkable, intriguing, and provocative book offers a completely plausible new candidate; Sir Henry Neville.
Shakespeare historian Brenda James reveals that the true author of the Bard's works is Sir Henry Neville. This work outlines her investigation that unravels the mysteries behind the sonnets and explains some of the most obscure references in the plays.
As part of a routine research project, Brenda James applied a 16th century code-breaking technique to a small passage of Shakespeare's writing. What she discovered will stun the literary world. She discovered the true identity of the man who wrote Shakespeare's works.
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
Shakspere's history plays are more than dramatized history lessons. They explore contemporary dangers inherent in royal succession at a time when Elizabeth I decreed that mere discussion of who would inherit the throne was treason. The plays were political and therefore dangerous. Yet William Shakspere from Stratford-upon-Avon was never arrested for his writing nor spent time in prison, unlike his fellow playwrights Marlowe, Kyd and Jonson. In 1601 Sir Henry Neville was imprisoned and "Shakespeare" stopped writing history plays. The identification of Neville as an authorship candidate, put forward by James and Rubinstein (2005), urges reinterpretation of the plays. Neville enjoyed privileged access to the Holinshed Chronicles (1587), a primary source for the plays. He was ambassador to France and spoke French (see Henry V), knew the descendants of Jack Cade (Henry VI Part 2), was familiar with Crosby Place (Richard III) and lived in Blackfriars (Henry VIII). This book reveals new evidence of Neville's authorship, with examples of annotation found in books from Neville's library suggesting they were source material for the plays. Numerous anomalies in the plays indicate Shakespeare's consistent bias in portraying the Nevilles in a positive light, revealing the hidden author's political viewpoint and true identity.
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Who really wrote the Shakespeare plays? This important literary and cultural controversy is livelier and more widely discussed than ever before. Here, nine leading experts offer their version of who wrote the plays. Why does this issue matter? Because a full understanding of the author can make a huge difference to our wider appreciation of the life and times, the literature, and the culture of the period. William Shakespeare is universally regarded as the greatest writer who ever lived. Every year sees vast amounts of critical, philosophical and contextual interpretations of his works. There is endless biographical analyses of his life in relation to this work. And yet, despite this vast output, Shakespeare remains an enigmatic figure. He remains a man who seems to have understood humanity so well but whose life as a writer is absent in records of the time. This truth has led to many questions about the real author behind the title-pages, the real nature of Shakespeare the man, and how this nature relates to Shakespeare the writer. In new essays especially written for this book nine leading 'Shakespearean' authors present their version of the man. Ros Barber, Barry Clarke, John Casson with William Rubinstein & David Ewald, William Leahy, Alan H. Nelson, Diana Price, Alexander Waugh and Robin Williams each offer their ideas. Each essay is founded in scholarly research and provides a positive case for why the Shakespeare Authorship Controversy needs to be taken seriously. These versions of Shakespeare are realistic and compelling. Each in its turn will provoke the reader to see various aspects of Shakespeare in a different light. And they will help us understand the enigmatic fascination that Shakespeare (and the authorship question) continues to generate.