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Sir Frank Packer, was a controversial figure in the sporting, newspaper, political and financial worlds. The personal and public aspects of Frank Packer's life are explored in this biography.
Legendary media baron Sir Frank Packer was pugnacious, autocratic and always controversial. After joining forces with Labor politician E.G. Theodore to establish Australian Consolidated Press and the Women's Weekly in the 1930s, his empire grew to encompass newspapers, magazines and the Nine television network.
money & finance.
Before Superman, before Batman, there was—the Phantom! Making its debut as an American newspaper comic strip in 1936, The Phantom was the forerunner of the comic-book superhero genre that today animates vast billion-dollar franchises spanning print, film, television, video games, and licensed merchandise. But you’ve probably never heard of it—you probably think Superman inaugurated the genre. That’s because, despite its American origins, The Phantom comic strip has enjoyed far greater popularity with international audiences, most notably in Australia, Sweden, and India, where it has appeared in newspapers, magazines, and comic books. The paradox of the character’s relative obscurity in the United States, offset by his phenomenal success in these three markedly different countries, is the subject of The Phantom Unmasked. By tracing the publication history of The Phantom in magazines and comic books across international markets since the mid-1930s, author Kevin Patrick delves into the largely unexplored prehistory of modern media licensing industries. He also explores the interconnections between the cultural, political, economic, and historical factors that fueled the character’s international popularity. The Phantom Unmasked offers readers a nuanced study of the complex cultural flow of American comic books around the world. Equally important, to provide a rare glimpse of international comics fandom, Patrick surveyed the Phantom’s “phans”—as they call themselves—and lets them explain how and why they came to love the world’s first masked superhero.
It is time to reassess the work of Geoffrey Blainey, and consider his role in Australian history, politics and public life. Geoffrey Blainey has steered Australian history into the nation's conversation. No one would dispute that he is a courageous public intellectual, a writer of rare grace and a master storyteller. And he has indeed provoked a rare fuss, both public and professional, with some of his comments on Asian immigration and Aboriginal land rights. Blainey has challenged the academic history profession, not only with his ideas but also by his practice. A brilliant student, he looked set for Oxford but chose instead the austere west coast of Tasmania for his postgraduate research. For the next decade he earned a living with his pen. And instead of political history in the traditional academic mould, he wrote corporate histories that dispensed with footnotes. Always probing and speculative, Blainey has dislodged many of the keystones in our understandings of Australia's past. He was one of the first to write about the expansive social history of this land before 1788; he questioned whether Botany Bay was founded primarily as a convict colony; he argued that the Eureka uprising had economic rather than political causes; and he identified sport as a neglected key to the Australian character. His controversial views earned such newspaper headlines as 'Brave Man Set Upon by Thugs for Telling Truth'. In The Fuss That Never Ended a lively and distinguished assembly of fellow historiansandmdash;of various ages, interests and political stancesandmdash;take a fresh look at Blainey's remarkable and sometimes controversial career.
Comic empires is an innovative collection of new scholarly research, exploring the relationship between imperialism and cartoons, caricature, and comic art.
Murdoch's Flagship provides the first in-depth overview of the Australian, mapping its uneven and uncharted progress across its first three decades. While the Fairfax and Packer media groups have received detailed historical coverage over the years, Rupert Murdoch's News Limited and the Australian have not been given the same systematic attention by historians. Denis Cryle draws on a vast amount of secondary print material, his own extensive interviews with past and present staff and a detailed reading of the Australian's newspaper files to capture the vitality of the newspaper over three seminal decades.
The fascinating biography of a brilliant man who captured the nation's imagination and boldly showed Australians who we were and how we could change In the 1960s, Donald Horne offered Australians a compelling reinterpretation of the Menzies years as a period of social and political inertia and mediocrity. His book The Lucky Country was profoundly influential and, without doubt, one of the most significant shots ever fired in Australia's endless culture war. Ryan Cropp's landmark biography positions Horne as an antipodean Orwell, a lively, independent and distinct literary voice 'searching for the temper of the people, accepting it, and moving on from there'. Through the eyes – and unforgettable words – of this preternaturally observant and articulate man, we see a recognisable modern Australia emerge. Shortlisted for the 2024 National Biography Award 'A compulsive read about a writer who shaped the way we Australians think about ourselves' —Judith Brett 'Unmissable for anybody interested in the intellectual life of this country' —Sean Kelly 'Ryan Cropp's thoughtful life of Donald Horne … charted the restless and provocative habits of his subject with care and elegance, and animated decades of faded news and current affairs with colour and poise.' —Patrick Mullins, Australian Book Review 'Books of the Year 2023' 'In his accomplished and insightful biography … Cropp has captured a full life, well lived, that was a tribute to the importance of paying attention and making a difference.' —Julianne Schultz, The Conversation
Arguably Australia's most influential political journalist, Alan 'The Red Fox' Reid covered Australian politics from the 1930s to the 1980s. During his career he was both a chronicler of, and a player in, Australian politics. In this book Ross Fitzgerald and Stephen Holt take us into a Machiavellian behind-the-scenes world of recurrent plots, crises and leadership challenges, and show how it was possible for a skilled journalist to help shape both public perceptions and actual outcomes of political power plays.