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A short history of the 51 Wren-designed churches in the city of London.
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
Sir Christopher Wren (1632–1723) is now mostly remembered as a genius of architecture – but he was also an accomplished polymath, who only came to architecture quite late in life. Most famous as the mastermind behind the rebuilding of St Paul's Cathedral and more than fifty parish churches after the Great Fire of London, among his countless other projects Wren also designed the Royal Hospital at Chelsea, the Royal Naval Hospital at Greenwich, and much of Hampton Court Palace. Replete with colourful images of his buildings, this concise biography tells the story of a man whose creations are still popular tourist attractions to this day, but also casts light on Wren's credentials as an intellectual and a founding member of the Royal Society.
When Jacob Portman was a boy, his grandfather regaled him with stories of his fantastic life at Miss Peregrine's home during the Second World War, even sharing photos of the remarkable children with whom he resided. As Jacob grew up, though, he decided that these photos were obvious fakes, simple forgeries designed to stir up his youthful imagination. Or were they...? Following his grandfather's death - a scene Jacob literally couldn't believe with his own eyes - the sixteen-year-old boy embarks on a mission to disentangle fact from fiction in his grandfather's tall tales. But even his grandfather's elaborate yarns couldn't prepare Jacob for the eccentricities he will discover at Miss Peregrine's Home for Peculiar Children!
An engaging new history of the Royal Society of London, the club that created modern scientific thought Founded in 1660 to advance knowledge through experimentally verified facts, The Royal Society of London is now one of the preeminent scientific institutions of the world. It published the world's first science journal, and has counted scientific luminaries from Isaac Newton to Stephen Hawking among its members. However, the road to truth was often bumpy. In its early years-while bickering, hounding its members for dues, and failing to create its own museum-members also performed sheep to human blood transfusions, and experimented with unicorn horns. In his characteristically accessible and lively style, Adrian Tinniswood charts the Society's evolution from poisoning puppies to the discovery of DNA, and reminds us of the increasing relevance of its motto for the modern world: Nullius in Verba-Take no one's word for it.
The dynamics of medieval societies in England and beyond form the focus of these essays on the Anglo-Norman world. Over the last fifty years Ann Williams has transformed our understanding of Anglo-Saxon and Norman society in her studies of personalities and elites. In this collection, leading scholars in the field revisit themes that have beencentral to her work, and open up new insights into the workings of the multi-cultural communities of the realm of England in the early Middle Ages. There are detailed discussions of local and regional elites and the interplay between them that fashioned the distinctive institutions of local government in the pre-Conquest period; radical new readings of key events such as the crisis of 1051 and a reassessment of the Bayeux Tapestry as the beginnings of theHistoria Anglorum; studies of the impact of the Norman Conquest and the survival of the English; and explorations of the social, political, and administrative cultures in post-Conquest England and Normandy. The individualessays are united overall by the articulation of the local, regional, and national identities that that shaped the societies of the period. Contributors: S.D. Church, William Aird, Lucy Marten, Hirokazu Tsurushima, Valentine Fallan, Judith Everard, Vanessa King, Pamela Taylor, Charles Insley, Simon Keynes, Sally Harvey, K.S.B. Keats-Rohan, David Bates, Emma Mason, David Roffe, Mark Hagger.
British architect Nicholas Hawksmoor is recognized as one of the major contributors to the traditions of British and European architectural culture. This title reconsiders his architecture in relation to urbanism. The publication focuses on a series of important London churches the architect designed during the early of the 18th century.