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Sir Banister Fletcher's Global History of Architecture is the acknowledged classic reference work for architectural history. It has been essential reading for generations of architects and students since the first edition was published in 1896 - and this tradition continues today as the new 21st edition provides the most up-to-date, authoritative and detailed account of the global history of architecture available in any form.Thousands of major buildings from around the world are described and explained, accompanied by over 2,200 photographs, plans, and drawings. Architectural styles and traditions are placed within a clear framework, and the chronological and geographical arrangement of the work's 102 chapters allows for easy comparative analysis of cultural contexts, resources, and technologies.
Why did the colonial Americans give over a significant part of their homes to a grand staircase? Why did the Victorians drape their buildings ornate decoration? And why did American buildings grow so tall in the last decades of the 19th century. This book explores the history of American architecture from prehistoric times to the present, explaining why characteristic architectural forms arose at particular times and in particular places.
A fresh take on the history of architecture, using cultural timelines to reveal little-known connections between society, engineering, and design. Roman architect and engineer Vitruvius defined architecture’s characteristics to include firmitas, utilitas, and venustas—essentially, structural integrity, usefulness, and beauty. Amazingly, all three Vitruvian characteristics can be found one way or another in most buildings and constructions from antiquity through the present. A Chronology of Architecture is a groundbreaking survey that examines—together—engineering and architectural accomplishments. Sites are arranged within a sociocultural timeline that examines them in terms of historic events and trends, social change, economic developments, and technological innovations—factors that all helped shape architecture and engineering design solutions over millennia. The text is organized into seven chapters that chronicle these achievements and each chapter includes snappy “In Focus” sections that target sociocultural observations and technological developments related to particular sites and people. A Chronology of Architecture is an invaluable and comprehensive overview of architecture’s history. This will be a wonderful resource for architecture lovers and for those who want to better understand the world around them.
This book traces the evolution of the great palaces of the Louvre and Versailles, from Pierre Lescot’s designs for expanding the former in the mid-16th century to the successive grands projets for the transformation of the latter over the course of the 18th century. Detailed architectural analysis is set in the context of the development of the medieval monarchy towards absolutism, the significance of Hispano-Burgundian court etiquette as a formative influence on planning, and the effect of the French monarchy’s financial incontinence on royal building ambitions. On the basis of exhaustive original research, recalling contemporary testimony and re-examining the works themselves, the book challenges recent scholarly accounts of the contributions of Claude Perrault and François Mansart to the Louvre and demonstrates the influence of schemes by Italian masters Pietro Cortona and Bernini on Ange-Jacques Gabriel’s designs for rebuilding Versailles. Finally, the book looks at the influence of the great French palaces on those seeking to emulate their ambition, from Stockholm in the late-17th century to the deliriously opulent late-19th century palace of Ludwig II of Bavaria at Herrenchiemsee. The book includes a wealth of illustrative material and supporting documents, which bring this comprehensive and authoritative text to life.
What is a right? What, if anything, makes rights different from other features of the normative world, such as duties, standards, rules, or principles? Do all rights serve some ultimate purpose? In addition to raising these questions, philosophers and jurists have long been aware that different senses of ‘a right’ abound. To help make sense of this diversity, and to address the above questions, they developed two types of accounts of rights: models and theories. This book explicates rights modelling and theorising and scrutinises their methodological underpinnings. It then challenges this framework by showing why the theories ought to be abandoned. In addition to exploring structural concerns, the book also addresses the various ways that rights can be used. It clarifies important differences between rights exercise, enforcement, remedying, and vindication, and identifies forms of legal rights-claiming and rights-invoking outside of institutional contexts.
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A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.