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A facsimile of the 1931 edition with 14 orange and black prints cut and pasted by hand. 13 of the are prints loose and tipped on a cream wove paper as issued. William Spratling wrote the original 1931 preface and Raquel Tibol adds the 1992 introduction. 16 pages plus 13 loose plates with facsimile woodcuts. Wraps in in glassine folder. Text in English and Espa'ol.
An exhibition of mainly 19th and 20th century prints in the Museum of Modern Art.
An insightful biography of the committed and exciting life of the famed Mexican muralist, by an American artist who spent 10 years as his assistant.
This book is a catalog of an exhibition held at the Museo Nacional de Arte, Mexico City, Nov. 28, 1996-Feb. 16, 1997, the Santa Barbara Museum of Art, Mar. 8-May 11, 1997, and the Museum of Fine Arts, Houston, June 1-July 22, 1997.
Featuring more than fifty works by artists such as José Guadalupe Posada, Diego Rivera, José Clemente Orozco, and Leopoldo Méndez, this issue of the Bulletin explores the rich artistic legacy of printmaking in Mexico from the mid-eighteenth to mid-twentieth century. Curator Mark McDonald traces the origins of The Met’s remarkable holdings of nearly two thousand Mexican prints first collected by the French-born artist Jean Charlot, who had been active in Mexico when the art form rose in prominence amid concerns of national identity following the Mexican Revolution (1910-1920). Highlighting a variety of styles and techniques, including silkscreen, letterpress, and woodcut, this vibrantly illustrated publication offers a richer understanding of Mexican prints through an analysis of how they were used as modes of political expression, education, and resistance in Mexico.