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In 1978, Siouxsie and the Banshees declared 'We don't see ourselves in the same context as other rock'n'roll bands.' A decade later, and in the stark aftermath of a devastating storm, the band retreated to a 17th-century mansion house in the deracinated Sussex countryside to write their ninth studio album, Peepshow. Here, the band absorbed the bygone, rural atmosphere and its inspirational mise en scène, thus framing the record cinematically, as Siouxsie Sioux recalled, 'It was as if we were doing the whole thing on the set of The Wicker Man'. Samantha Bennett looks at how Siouxsie and the Banshees' Peepshow is better understood in the context of film and film music (as opposed to popular music studies or, indeed, the works of other rock'n'roll bands). Drawing upon more than one hundred films and film scores, this book focuses on Peepshow's deeply embedded historical and aesthetic (para)cinematic influences: How is each track a reflection of genre film? Who are the various featured protagonists? And how does Peepshow's diverse orchestration, complex musical forms, atypical narratives and evocative soundscapes reveal an inherently cinematic record? Ultimately, Peepshow can be read as a soundtrack to all the films Siouxsie and the Banshees ever saw. Or perhaps it was the soundtrack to the greatest film they never made.
This offical biography documents Siouxsie and the Banshees unsteady birth through their creative height with 1993's Superstition album and their split in 1996. Now reformed, they are launching their Best Of... album in 2002. The book features exclusive interviews and photos and is written by personal friend and journalist Paul Mather, from London.
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
Nelson Mandela is about to die. Again. Black militants and white nationalists prepare for war as a politician's daughter is killed in mysterious circumstances. Incredulous Moshoeshoe- Goth DJ and part-time isangoma-is hired to find out what really happened. Forced to partner with a tragically uncool white Pentecostal preacher, Incredulous must use his knowledge of local lore, his occult powers and his connections in the alternative scene to prevent a South African civil war. Incredulous Moshoeshoe and the Lightning Bird is like Frank Peretti making out with Samuel L Jackson at a Black Panther rally. It's Dracula for DJs, Supernatural for the subcontinent. Afrocentric urban fantasy with a Spotify playlist for a chapter list and monsters as fresh as a highveld thunderstorm. Praise-songs for Incredulous Moshoeshoe and the Lightning Bird 'Langley's blend of pop culture, humour, politics and horror is a blast and reading it is to be air dropped directly into a wild world, fizzing with energy and ideas. While the rest of us keep mining the same old monsters time and again, he opens up a rich cave of folklore too long ignored. Recommended.' -- Peter Laws, author of Purged and The Frighteners 'A unique and thoroughly engaging tale, sardonically animated and richly crafted as only JW Langley can. It's Africa, her lore, and her people, through an imaginative lens of irreverent reverence.' -- Ashton Nyte, author of Waiting for a Voice. 'The motto of the Montag Press Collective is 'Books Worth Burning, ' and Jonty Langley's modern African folk-tale Incredulous Moshoeshoe and the Lightning Bird fits the bill perfectly. In its brilliant mélange of traditional African folk characters such as the Tokoloshe and the eponymous Lightning Bird himself with a cross-section of diverse twenty-first-century subculture figures, from Goths to racist punk cops, from Marxist-antifascists to Afrikaner politicians, Incredulous Moshoeshoe (what a sublime name!) and the Lightning Bird has literally everything that the firemen from Station 451 would hate. Which makes it the perfect book for you - who follow Montag and Clarisse into the forest - to pick up. And memorise.' -- Charles S. Kraszewski, author of Accomplices, You Ask? 'This is the book Stephen King would have written if he was possessed by the mischievous spirit of Douglas Adams, and was also an African, a poet and more than a little mentally disturbed.' -- Helgard deBarros, author of The Second Skin. 'This is a terrific book. JW Langley plays with language like a dolphin plays with waterspouts - not many writers could come up with a simile like, "Fat and slow as a successful lion". Incredulous Moshoeshoe riffs on music, theology, politics, and much else besides. I don't know whether to describe it as divine humanism or humane divinity. Either way, it's brilliant.' -- Mark Woods, author of Does the Bible Really Say That? 'To borrow a phrase, this guy can "preach like a motherfucker". Italics mine, because it's a line I wish I'd written. The soul-flaying juxtaposition of sun-scoured sand and silver black glitter perfectly evokes the searing unknown and dim- remembered familiarity permeating JW Langley's aggressively alien South Africa. Like a child possessed by dark and alien things, the novel wears a skin that can only hint at what writhes inside. Incredulous Moshoeshoe navigates a world both modern and ancient, as open as a drawn gun and as closed off as beaten wife. There are old stories here, told in a new and incomparable manner that demands as much as it promises. A relentless, kinetic tale of monsters inhabiting the darkness within and without, rich with spitfire dialogue and unforgettable characters. Memorable as dancefloor blowjob.' -- Paul d. Miller, author of Albrecht Drue, ghostpuncher.
In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound-influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock-the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track. However, Rio wasn't a success everywhere at first; in fact, the LP had to be buffed-up with remixes and reissued before it found an audience in America. The album was further buoyed by colorful music videos, which established Duran Duran as leaders of an MTV-driven second British Invasion, and the group's cutting-edge visual aesthetic. Via extensive new interviews with band members and other figures who helped Rio succeed, this book explores how and why Rio became a landmark pop-rock album, and examines how the LP was both a musical inspiration-and a reflection of a musical, cultural, and technology zeitgeist.
After his breakthrough with Ziggy Stardust and before his U.S. pop hits "Fame" and "Golden Years" David Bowie produced a dark and difficult concept album set in a post-apocalyptic "Hunger City" populated by post-human "mutants." Diamond Dogs includes the great glam anthem "Rebel Rebel" and utterly unique songs that combine lush romantic piano and nearly operatic singing with scratching, grungy guitars, creepy, insidious noises, and dark, pessimistic lyrics that reflect the album's origins in a projected Broadway musical version of Orwell's 1984 and Bowie's formative encounter with William S. Burroughs. In this book Glenn Hendler shows that each song on Diamond Dogs shifts the ground under you as you listen, not just by changing in musical style, but by being sung by a different "I" who directly addresses a different "you." Diamond Dogs is the product of a performer at the peak of his powers but uncomfortable with the rock star role he had constructed. All of the album's influences looked to Bowie like ways of escaping not just the Ziggy role, but also the constraints of race, gender, sexuality, and nationality. These are just some of the reasons many Bowie fans rate Diamond Dogs his richest and most important album of the 1970s.
Expanded anniversary edition of this 1990 classic by America's most provocative performance artist, as outrageous, insightful and relevant as ever.
Gothic effigy brings together for the first time the multifarious visual motifs and media associated with Gothic, many of which have never received serious study before. This guide is the most comprehensive work in its field, a study aid that draws links between a considerable array of Gothic visual works and artifacts, from the work of Salvator Rosa and the first illustrations of Gothic Blue Books to the latest Gothic painters and graphic artists. Currently popular areas such as Gothic fashion, gaming, T.V. and film are considered, as well as the ghostly images of magic lantern shows. This groundbreaking study will serve as an invaluable reference and research book. In its wide range and closely detailed descriptions, it will be very attractive for students, academics, collectors, fans of popular Gothic culture and general readers.
Ambrose McEvoy was one of the most modern and daring English society portrait painters of the early 20th century. His quick, confident style of painting drew the attention of many leading society figures, from Winston Churchill to Lady Diana Cooper, and in particular subjects who craved something beyond a simple "likeness" in paint. Despite his success, when McEvoy died unexpectedly at the peak of his career in 1927, his name was soon forgotten. 'Divine People' is the first major written study of McEvoy's life and work and aims to firmly place this long-neglected artist back into the canon of 20th-century British art. Many of McEvoy's friends and contemporaries including Augustus and Gwen John, William Rothenstein and William Orpen have become familiar names to British art enthusiasts, but McEvoy has remained on the side-lines. This is partly due to the fact that many of his most accomplished works have remained tucked away in private collections or left languishing in museum stores, however, it is also due to the absence of any reliable literature on his life and work. This publication hopes to restore him to his rightful place. Exhibition: Philip Mould & Co., London, UK (26.11.2019-24.01.2020)
Miscellany50 celebrates fifty years of Sunday Miscellany, RTÉ Radio 1's iconic weekly arts programme.