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Detroit PI Amos Walker steps into a lethal family feud when the beautiful widow of a powerful industrialist hires him to find her late husband’s illegitimate children Leland Stutch was building automobiles before Henry Ford ever dreamed up the Model T. He dominated Detroit for most of the 20th century as the auto industry soared and then began its long, slow descent. When Stutch’s widow contacts Amos Walker, the private eye expects to meet a doddering old lady. Instead he encounters Rayellen, a 30-something beauty with washboard abs and 1 of the most unusual propositions he’s ever heard. Unconcerned with matrimonial vows, the most powerful man in Detroit left mistresses—and love children—all over Michigan. To stave off any future paternity suits, Rayellen hires Walker to locate Stutch’s illegitimate offspring and pay them off—a seemingly simple task that draws the detective into a dysfunctional family’s war zone and a violent case of kidnapping and murder. Sinister Heights is the 15th book in the Amos Walker Mysteries, but you may enjoy reading the series in any order.
Loren Estleman is the quintessential noir detective writer, and Amos Walker is his quintessential noir detective. Walker has made a lot of friends--and a few enemies--in his years as a detective in Detroit, but he has never had to deal with quite the trouble he finds when he agrees to grant the death-bed wish of Beryl Garnet. Beryl was a madam, but she had a son a long while ago, and asks Walker to make sure that her son gets her ashes when she's gone. He finds her son, who has been in Canada since the 1960s, evading the law since he was a Vietnam War protester. A simple favor, melancholy, but benign. Except that before he can get settled back in Detroit Garnet's son is dead, with him as the prime suspect. He has little choice but to find out who might have done the deed and tried to pin the blame on him. . . and in the process he discovers another murder, of a boxer from the 1940s, Curtis Smallwood, who happens to have been the man's father. If that wasn't bad enough, his task is made much more complicated by the fact that the two murders, fifty-three years apart, were committed with the very same gun. And in a place where it was impossible for a gun to be.
Shoot: a Loren D. Estleman's Valentino mystery! Valentino, a mild-manner film archivist at UCLA and sometime film detective, is at the closing party for the Red Montana and Dixie Day museum when he is approached by no less than his hero and man-of-the-hour Red Montana, western film and television star. Red tells Valentino that he is being blackmailed over the existence of a blue film that his wife, now known throughout the world as the wholesome Dixie Day and the other half of the Montana/Day power couple, made early in her career. With Dixie on her deathbed, Red is desperate to save her the embarrassment of the promised scandal, and offers Valentino a deal-find the movie, and he can have Red's lost film, Sixgun Sonata, that Red has been hiding away in his archives. Don't accept, and the priceless reel will go up in flames. Feeling blackmailed himself, Valentino agrees and begins to dig. In the surreal world of Hollywood, what is on screen is rarely reality. As he races to uncover the truth before time runs out, his heroes begin their fall from grace. Valentino desperately wants to save Sixgun Sonata...but at what cost? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The film business is tough. For Valentino, it's murder.
There were a million stories in the naked cities of film noir and this ultimate noir compendium tells 'em all--from classics like DOUBLE INDEMNITY and NIGHT AND THE CITY to lost gems such as PITFALL and TRY AND GET ME! Eddie Muller weaves stunning images with a savvy, sharp text that propels you down every side street of those haunting cityscapes. color photos.
In this true story—a haunting saga of medical murder set in an era of steamships and gaslights—Gregg Olsen reveals one of the most unusual and disturbing criminal cases in American history. In 1911 two wealthy British heiresses, Claire and Dora Williamson, arrived at a sanitorium in the forests of the Pacific Northwest to undergo the revolutionary “fasting treatment” of Dr. Linda Burfield Hazzard. It was supposed to be a holiday for the two sisters, but within a month of arriving at what the locals called Starvation Heights, the women underwent brutal treatments and were emaciated shadows of their former selves. Claire and Dora were not the first victims of Linda Hazzard, a quack doctor of extraordinary evil and greed. But as their jewelry disappeared and forged bank drafts began transferring their wealth to Hazzard’s accounts, the sisters came to learn that Hazzard would stop at nothing short of murder to achieve her ambitions.
Five-time Spur Award-winning author Estleman delivers a fascinating depictionof the life of Isaac Parker, the West's legendary Hanging Judge.
"A killer is reenacting the deaths of Hollywood's blond bombshells, and Valentino must stop him before it's too late ... UCLA film archivist and sometime film detective Valentino doesn't take friend and former actress Beata Limerick very seriously when she tells him that she quit acting because of the curse on blond actresses ... But when Valentino finds Beata's body staged the way [Marilyn] Monroe was found, 'Diamonds are a girl's best friend' playing on repeat, he knows Limerick's death was no accident. Police detective Ray Padilla doesn't quite suspect Valentino is the killer, but he can't let him off that easy. After all, the film archivist seems to be involved in more than his share of intrigue and death, which makes him a prime suspect. But Valentino is also a walking encyclopedia of Hollywood knowledge. When another washed-up actress is killed, the crime scene a copy of Thelma Todd's last moments, Padilla enlists Valentino's help in catching a serial killer of doomed blondes before he can strike again"--