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Singing the Coast offers readers a rare opportunity to visit the heart of Gumbaynggirr culture and trace the shaping of place and identity in coastal Australia.
Will Thorfinn choose the princess who promises wealth, the princess who promises power, or the princess who is full of love?
While indigenous languages have become prominent in global political and educational discourses, limited attention has been given to indigenous children’s everyday communication. Voices of Play is a study of multilingual play and performance among Miskitu children growing up on Corn Island, part of a multi-ethnic autonomous region on the Atlantic Coast of Nicaragua. Corn Island is historically home to Afro-Caribbean Creole people, but increasing numbers of Miskitu people began moving there from the mainland during the Contra War, and many Spanish-speaking mestizos from western Nicaragua have also settled there. Miskitu kids on Corn Island often gain some competence speaking Miskitu, Spanish, and Kriol English. As the children of migrants and the first generation of their families to grow up with television, they develop creative forms of expression that combine languages and genres, shaping intercultural senses of belonging. Voices of Play is the first ethnography to focus on the interaction between music and language in children’s discourse. Minks skillfully weaves together Latin American, North American, and European theories of culture and communication, creating a transdisciplinary dialogue that moves across intellectual geographies. Her analysis shows how music and language involve a wide range of communicative resources that create new forms of belonging and enable dialogue across differences. Miskitu children’s voices reveal the intertwining of speech and song, the emergence of “self” and “other,” and the centrality of aesthetics to social struggle.
To explore the New England Coast is to explore the roots of our nation, from the Pilgrims landing at Plymouth Rock to the Battle of Bunker Hill. It is to experience the traditions that have shaped our culture and livelihood, from the quaint fishing villages at land’s end to the prestigious colleges of Boston. And it is to witness the natural wonders of Cape Cod’s miles of open beach, the rugged cliffs along the Maine Coast, the dense forests of Acadia National Park, and much more. In The New England Coast, writer Kim Knox Beckius and photographer William H. Johnson present the sights and experiences that make this region one of the country’s most popular destinations, beloved by year-round residents and seasonal vacationers alike. As it highlights the coast’s history and culture, the book also offers practical travel information and suggestions for the best ways to explore the region. It is an ideal companion for the millions who flock to the New England Coast every summer, as well as perfect fireside reading during the harsh Atlantic winters.
“A passionate coming-of-age story.”—Kirkus Reviews Finalist, Eric Hoffer Book Awards 2024 Distinguished Favorite, Audiobook-Fiction, Independent Press Awards 2023 Finalist, Indies Today Book Awards Finalist, Fantasy, Book Excellence Awards All magical gifts are wild. The seer’s gift is wildest of all. Dasha, Tsarinovna of all of Zem’, was expected to have great magical gifts. Why else would the gods have arranged her conception? But instead of anything useful, Dasha’s gifts first manifested themselves as visions of terror and destruction. Then, just when it seemed she might be gaining some control over them, they abandoned her entirely. That’s unfortunate, because Dasha could really use some guidance right now. She’s volunteered to be her people’s envoy to the Rutsi, their warlike neighbors to the West. Dasha wants to make peace with the Rutsi, but the only way they want to make peace with her is by conquest—or marriage. Dasha leaves behind her home and everything she knows on a dangerous journey to treat with the Rutsi. As she travels through a new land, she discovers new powers, new dangers, and the oldest magic of all—love. Dasha’s gift is wild, but she’s about to find out that the heart is wilder still. Her exploration of forbidden passion and forbidden magic might be the key that unlocks all her untapped promise as the strongest sorceress of her generation—or it could be the weapon that destroys her and everything she cares about. A high fantasy saga that combines spiritual exploration with a touch of spicy romance, The Singing Shore I: Sea and Song is the first installment in the trilogy sequel to the award-winning miniseries The Breathing Sea. If you loved the Winternight trilogy, The Wolf and the Woodsman, and the Kushiel series, or you just want to immerse yourself in some subversive, snarky epic fantasy set in a matriarchal, Slavic-inspired world, come visit the land of Zem’! Reading order for The Zemnian Series: The Zemnian Series: Slava’s Story The Midnight Land I: The Flight The Midnight Land II: The Gift The Zemnian Series: Dasha’s Story The Breathing Sea I: Burning The Breathing Sea II: Drowning The Singing Shore I: Sea and Song The Singing Shore II: Sky and Stone (forthcoming) The Singing Shore III: Spirit and Flame (forthcoming) The Zemnian Series: Valya’s Story The Dreaming Land I: The Challenge The Dreaming Land II: The Journey The Dreaming Land III: The Sacrifice
“A rollicking good fantasy worthy of both leisure reading and study.”—D. Donovan, Senior Reviewer, Midwest Book Review Blood magic is dark and dangerous. Is it Dasha’s only hope? When Dasha, Tsarinovna of all of Zem’, began a dalliance with her halfblood steppe guard Alik while on a mission of peace to the warlike Rutsi, she never thought it would lead to carrying his spirit in her body. But when he dies saving her from an attack by a magical wolf, Dasha saves his life the only way she can—with forbidden blood magic. Blood magic is dangerous, but that proves to be the least of Dasha’s problems. After her betrothal to a Rutsi prince goes catastrophically awry, Dasha finds herself on the run through a beautiful but hostile landscape, hunted by Rutsi warriors and ravening wolves alike. Her fickle visions, meanwhile, have abandoned her just when she needs them most. Dasha has to fight through her fears and learn to harness the power of blood magic and lovers’ bonds to save herself and those she cares about most. But lost in the woods and with winter coming on, will Dasha be able to survive to the next sunrise, let alone until her visions return? A transcendent high fantasy adventure that combines spiritual exploration and spicy romance against the backdrop of an evocative Finnish landscape, The Singing Shore II: Sky and Stone will appeal to fans of The Bear and the Nightingale, The Wolf and the Woodsman, and anyone who loves smart, subversive, female-centered fantasy. Reading order for The Zemnian Series: The Zemnian Series: Slava’s Story The Midnight Land I: The Flight The Midnight Land II: The Gift The Zemnian Series: Dasha’s Story The Breathing Sea I: Burning The Breathing Sea II: Drowning The Singing Shore I: Sea and Song The Singing Shore II: Sky and Stone The Singing Shore III: Spirit and Flame The Zemnian Series: Valya’s Story The Dreaming Land I: The Challenge The Dreaming Land II: The Journey The Dreaming Land III: The Sacrifice
Vols. for 1911-13 contain the Proceedings of the Helminothological Society of Washington, ISSN 0018-0120, 1st-15th meeting.
The Bungling Host motif appears in countless indigenous cultures in North America and beyond. In this groundbreaking work Daniel Clément has gathered nearly four hundred North American variants of the story to examine how myths acquire meaning for their indigenous users and explores how seemingly absurd narratives can prove to be a rich source of meaning when understood within the appropriate context. In analyzing the Bungling Host tales, Clément considers not only material culture but also social, economic, and cultural life; Native knowledge of the environment; and the world of plants and animals. Clément’s analysis uncovers four operational modes in myth construction and clarifies the relationship between mythology and science. Ultimately he demonstrates how science may have developed out of an operational mode that already existed in the mythological mind.