Download Free Singing The Coast Book in PDF and EPUB Free Download. You can read online Singing The Coast and write the review.

Singing the Coast offers readers a rare opportunity to visit the heart of Gumbaynggirr culture and trace the shaping of place and identity in coastal Australia.
While indigenous languages have become prominent in global political and educational discourses, limited attention has been given to indigenous children’s everyday communication. Voices of Play is a study of multilingual play and performance among Miskitu children growing up on Corn Island, part of a multi-ethnic autonomous region on the Atlantic Coast of Nicaragua. Corn Island is historically home to Afro-Caribbean Creole people, but increasing numbers of Miskitu people began moving there from the mainland during the Contra War, and many Spanish-speaking mestizos from western Nicaragua have also settled there. Miskitu kids on Corn Island often gain some competence speaking Miskitu, Spanish, and Kriol English. As the children of migrants and the first generation of their families to grow up with television, they develop creative forms of expression that combine languages and genres, shaping intercultural senses of belonging. Voices of Play is the first ethnography to focus on the interaction between music and language in children’s discourse. Minks skillfully weaves together Latin American, North American, and European theories of culture and communication, creating a transdisciplinary dialogue that moves across intellectual geographies. Her analysis shows how music and language involve a wide range of communicative resources that create new forms of belonging and enable dialogue across differences. Miskitu children’s voices reveal the intertwining of speech and song, the emergence of “self” and “other,” and the centrality of aesthetics to social struggle.
Will Thorfinn choose the princess who promises wealth, the princess who promises power, or the princess who is full of love?
NOW A MAJOR MOTION PICTURE—The #1 New York Times bestselling worldwide sensation with more than 18 million copies sold, hailed by The New York Times Book Review as “a painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature.” For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens. Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.
Following three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coastal communities, Frances Wilkins documents and analyses current singing practices in this book by placing them historically and contemporaneously within their respective faith communities. In ascertaining who the singers were and why, when, where, how and what they chose to sing, the study explores a number of related questions. How has sacred singing contributed to the establishment and reinforcement of individual and group identities both in the church and wider community? What is the process by which specific regional repertoires and styles develop? Which organisations and venues have been particularly conducive to the development of sacred singing in the community? How does the subject matter of songs relate to the immediate environment of coastal inhabitants? How and why has gospel singing in coastal communities changed? These questions are answered with comprehensive reference to interview material, fieldnotes, videography and audio field recordings. As one of the first pieces of ethnomusicological research into sacred music performance in Scotland, this ethnography draws important parallels between practices in the North East and elsewhere in the British Isles and across the globe.
From one of Granta’s Best Young British Novelists, a stunningly insightful, emotionally powerful new novel about an outsider haunted by an inescapable past: a story of loneliness and survival, guilt and loss, and the power of forgiveness. Jake Whyte is living on her own in an old farmhouse on a craggy British island, a place of ceaseless rain and battering wind. Her disobedient collie, Dog, and a flock of sheep are her sole companions, which is how she wants it to be. But every few nights something—or someone—picks off one of the sheep and sounds a new deep pulse of terror. There are foxes in the woods, a strange boy and a strange man, and rumors of an obscure, formidable beast. And there is also Jake’s past, hidden thousands of miles away and years ago, held in the silences about her family and the scars that stripe her back—a past that threatens to break into the present. With exceptional artistry and empathy, All the Birds, Singing reveals an isolated life in all its struggles and stubborn hopes, unexpected beauty, and hard-won redemption. This eBook edition includes a Reading Group Guide.
The Whole Singing Ocean is a poetic narrative that circles around the central story of a boy and a whale, and the 2013 investigation into the École en bateau, a French countercultural "boat school," or school at sea, which was based not only on the ideals of the sixties, but also on twisted ideas about child psychology, the theories of Foucault and an abolition of the separation between adults and children. The narrative begins with a boat builder and his encounter with a whale when he was a student of the École en bateau himself, and moves on to explore threads of philosophy, memory and various kinds of destruction, fragmentation and wholeness. The text weaves in several voices and threads of rapture and horror, as it explores adventure, childhood, abuse and environmental degradation. This work becomes a self-conscious documentation of the boat builder's story as it unfolds, and as the narrator learns more of what happened and uncovers echoes from her own life and family history. Her discoveries cause the narrative to take some unexpected, and at times resisted, turns. Themes of memory and trauma, reliability and unreliability, binaries and magic, and the question of how to hold two very different things at once, are at the heart of this book.
Ever since she was a small child, Helma Swan, the daughter of a Northwest Coast chief, loved and learned the music of her people. As an adult she began to sing, even though traditionally Makah singers had been men. How did such a situation develop? In her own words, Helma Swan tells the unusual story of her life, her music, and how she became a singer. An excellent storyteller, she speaks of both musical and non-musical activities and events. In addition to discussing song ownership and other Makah musical concepts, she describes songs, dances, and potlatch ceremonies; proper care of masks and costumes; and changing views of Native music education. More generally, she speaks of cultural changes that have had profound effects on contemporary Makah life. Drawing on more than twenty years of research and oral history interviews, Linda J. Goodman in Singing the Songs of My Ancestors presents a somewhat different point of view-that of the anthropologist/ethnomusicologist interested in Makah culture and history as well as the changing musical and ceremonial roles of Makah men and women. Her information provides a context for Helma Swan’s stories and songs. Taken together, the two perspectives allow the reader to embark on a vivid and absorbing journey through Makah life, music, and ceremony spanning most of the twentieth century. Studies of American Indian women musicians are rare; this is the first to focus on a Northwest Coast woman who is an outstanding singer and storyteller as well as a conservator of her tribe’s cultural traditions.
“A passionate coming-of-age story.”—Kirkus Reviews Finalist, Eric Hoffer Book Awards 2024 Distinguished Favorite, Audiobook-Fiction, Independent Press Awards 2023 Finalist, Indies Today Book Awards Finalist, Fantasy, Book Excellence Awards All magical gifts are wild. The seer’s gift is wildest of all. Dasha, Tsarinovna of all of Zem’, was expected to have great magical gifts. Why else would the gods have arranged her conception? But instead of anything useful, Dasha’s gifts first manifested themselves as visions of terror and destruction. Then, just when it seemed she might be gaining some control over them, they abandoned her entirely. That’s unfortunate, because Dasha could really use some guidance right now. She’s volunteered to be her people’s envoy to the Rutsi, their warlike neighbors to the West. Dasha wants to make peace with the Rutsi, but the only way they want to make peace with her is by conquest—or marriage. Dasha leaves behind her home and everything she knows on a dangerous journey to treat with the Rutsi. As she travels through a new land, she discovers new powers, new dangers, and the oldest magic of all—love. Dasha’s gift is wild, but she’s about to find out that the heart is wilder still. Her exploration of forbidden passion and forbidden magic might be the key that unlocks all her untapped promise as the strongest sorceress of her generation—or it could be the weapon that destroys her and everything she cares about. A high fantasy saga that combines spiritual exploration with a touch of spicy romance, The Singing Shore I: Sea and Song is the first installment in the trilogy sequel to the award-winning miniseries The Breathing Sea. If you loved the Winternight trilogy, The Wolf and the Woodsman, and the Kushiel series, or you just want to immerse yourself in some subversive, snarky epic fantasy set in a matriarchal, Slavic-inspired world, come visit the land of Zem’! Reading order for The Zemnian Series: The Zemnian Series: Slava’s Story The Midnight Land I: The Flight The Midnight Land II: The Gift The Zemnian Series: Dasha’s Story The Breathing Sea I: Burning The Breathing Sea II: Drowning The Singing Shore I: Sea and Song The Singing Shore II: Sky and Stone (forthcoming) The Singing Shore III: Spirit and Flame (forthcoming) The Zemnian Series: Valya’s Story The Dreaming Land I: The Challenge The Dreaming Land II: The Journey The Dreaming Land III: The Sacrifice
Offers a decade-by-decade history of American singing groups, from the Ames and Mills Brothers, to the Platters and the Beach Boys, to Destiny's Child, the Backstreet Boys, 'N Sync, and many others, covering more than 380 artists and furnishing information on each group's career, key members, influences, photos, and discographies. Original.