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This technical handbook on studying singing provides what few others do: both a scientific basis and practical guide. In it, Arabella Hong-Young, who has been a singer for 60 years and a teacher for 40 years, explains the vocal apparatus and process in simple, comprehensible terms. She also offers extensive exercises to guide students through detailed steps in learning to sing. The vocal techniques she presents are geared to solve specific challenges throughout the range from the simplest approaches for the beginner-proper posture, breath control, voice placement-to the more advanced study for professional students, including: the adaptation of a classical technique for improving vocal quality and control in musical theatre, pop, rock, and jazz singing "Zen in the Art of Studying Singing" for focusing the mind to get the most out of one's studies "How to Audition" for the complete process from the audition package, attitude, preparation, and presentation to controlling fear. For this revised edition, Hong-Young offers a new featured chapter, "Conquer the Hole in the Voice," in which she supplies unusual insight into handling the upper and lower passaggio changes in voice. Passing from one register into another requires adjustment in vocal placement and Hong-Young explains exactly how this is achieved. Her detailed and numerous exercises help singers solve this universal problem. Anyone serious about singing, whether amateur or professional, will benefit from the wealth of instruction in this book. It is also ideal as a supplement and reference guide for students, teachers, and classes.
Guide by faculty member of the Juilliard School of Music explains what students can and cannot expect from singing lessons, plus musical notation and theory, ear training, languages, and related subjects.
Guides the aspiring singer through the unfamiliar world of commercial singing, from the physical processes of voice to effective microphone technique and proper studio protocol.
This book presents a method created from a variety of classical vocal techniques that have been adapted for the musical theatre. This technical handbook will also be helpful to opera singers who seek a vocal approach suitable for musical theatre.
In some ways, the successor of vaudeville and an extension of the opera and operetta, the stage musical has evolved into a worldwide juggernaut. Musicals are staged not only across the globe but are offered in a variety of settings, from the high school stage and major theater to the big screen. The stage musical has become a staple for the professional singer and the object of close study by students of singing. In So You Want to Sing Music Theater: A Guide for Professionals, singer and scholar Karen S. Hall fills an important gap in the instructional literature for those who sing or teach singing to those seeking their fortunes in music theatrical productions. Developed in coordination with the National Association for Teachers of Singing, this work draws on current research from the world of voice scholarship to advance the careers of singers seeking to make a foray into or already deeply embedded in the world of music theater. So You Want to Sing Music Theater covers a vast array of topics. It includes a brief history of music theater; the basics of vocal science and anatomy; information on vocal and bodily health and maintenance, from diet to exercise to healing techniques; advice on teaching music theater to others, with focuses on breath, posture, registers, range, and tone quality; repertoire recommendations for voice and singing types, from female and male belting to classical and contemporary styles; a survey of music theater styles, such as folk, country, rock, gospel, rhythm and blues, jazz, and pop; insights on working with other music theater stakeholder, from singing teacher, vocal coach and accompanist, to acting teacher, director, dance instructor, composer, and music director; and finally sage advice on working with and without amplification or microphones, auditioning tips, and casting challenges. So You Want to Sing Music Theater includes guest-authored chapters by singing professionals Scott McCoy and Wendy LeBorgne. This work is not only the ideal guide to singing professionals, but the perfect reference works for voice teachers and their students, music directors, acting teachers, dance instructors and choreographers, and composers, and conductors. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Music Theater features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Singing can be a healthy, invigorating activity for people of every age, and participating in this fully athletic exercise remains enjoyable through each season of life if the singer and singing teacher adjust expectations regarding tone quality, range, agility, and stamina. Brenda Smith systematically presents methods by which anyone can enjoy a long, healthy life of singing in So You Want to Sing for a Lifetime. This book contains chapters on the basics of singing (relaxation, posture, breathing, and resonance), practical examples of exercises and lists of repertoire suited to each age group, and suggestions for negotiating individual musical obstacles related to aging. Featuring guest-authored chapters on voice science, vocal health, and how age affects the physiology of the human voice, the book serves as a useful guide to amateur and professional singers, music educators, choral conductors, church musicians, and private voice teachers. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing for aLifetime features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Singers, get ready for success! Learn how to become “Strictly Professional”. Master vocal coach and industry singer, Susan Diane Howell, MBA unravels the mysteries of a successful singing career. How do talented singers work their way into industry circles? What choices do singers have in today’s market? Careers are as unique as the individual and knowledge is power. Singing careers require strategic planning, vision and unshakable belief in one’s talent and abilities. Susan Diane Howell condenses five years of research and a lifetime vocal journey into a book that will change your vision, work routines and measurable results for a professional singing career. Many singers don’t figure out their game plan until their best years are almost over. You will learn how to organize your skills, act on recognizable opportunity and assert your talents with confidence and clarity. Wherever you are in vocal skill and career timing, this book is a must for evaluating your progress and forging to higher levels of earnings and public recognition. Most singers don’t know how to build a career and leave their success to luck, fate and relationships. Real success starts in the mind. Learn how to think like an industry executive. Realize that all singers share common vulnerabilities and you are not so different, and certainly not less deserving if you are applying the right formulas and working through adversities. This book will change how you work, inspire you to work harder and teach you how to work smarter. A life empowering insight into how Star Divas (and Virtuosos) are created. Your singing career will never be the same.
Through interviews with some of today's most accomplished and renowned concert and operatic singers, Master Singers provides vocalists making the transition from student to professional with indispensable advice on matters ranging from technique and its practical application for effective stage projection to the practicalities of the business of professional singing and maintaining a career to recommendations for vocal hygiene and longevity in singing.
The art of singing is constantly evolving and reflecting our changing world, proving the importance of versatility for opening oneself to other cultures and styles, enriching the experience of communicating with the human voice, and most importantly, enjoying more opportunities for professional performance. While singers explore the myriad ways to communicate emotion and ideas, they experiment with different timbres, instruments, languages, and musical genres. As situations vary, the demands on the voice as a musical instrument, and the act of singing itself, must be modified. In this follow up to her 1999 volume, The Professional Vocalist, author Rachel L. Lebon continues to give expert advice on the singing profession, describing the musical and vocal adjustments essential to becoming a versatile vocalist. She addresses proprioception, the kinesthetic feedback, vocal adjustments associated with "crossing over" and exploring new sounds and styles, and performing authentically within contrasting performance situations. Many facets of performance are considered: differing venues—from small studios or clubs to large concert halls; singing acoustically or with sound reinforcement; singing in various styles of music—be it commercial, popular, jazz, or classical; and varieties of instrumental accompaniment—whether a single instrument, a small ensemble, a full orchestra with strings, a big band with horns blaring, or rock bands with wailing guitars. The book discusses factors that influence vocal approaches, including recording studio technology, live sound reinforcement, speech, language, and microphone styles and their affect on musical genres. Practical aspects of music preparation, song learning, rehearsal techniques, and achieving vocal longevity are given, as well as "real world" strategies and advice from Lebon and other working professionals.