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The story of the man who strung the telegraph across Australia, and the woman who gave her name to Alice Springs. In 1855 an impoverished young scientist from Greenwich told his guardian that he was off to chance his luck in Australia - as Government Astronomer and Superintendent of Telegraphs for the small colony of South Australia. With him went his young wife Alice - after whom Alice Springs would be named. For Charles Todd was following a dream - the near impossible task of stringing a telegraph wire across one of the last uncrossed colonial wilderness, and finally connecting Australia with Britain. In 1997, their great-great-granddaughter Alice followed in their footsteps. Her plan was to track the telegraph and her ancestors, from Adelaide over the thousands of miles of desert, outback, swamp and mountain that Charles Todd had crossed in the 1860s with his 400 men.
Build your voice up—and bring the house down! Some people are born with naturally beautiful voices, but even the best can get better by applying training that can make a performance truly soar. Singing Exercises For Dummies shows you how to do just that. Following the drills and exercises found both in the book and online examples, you'll be able to refine your technique; develop consistency, power, and endurance; and increase your vocal range so you can achieve a voice that stands out from (and always wows) the crowd! Professional singing coach and respected performer Pamelia S. Phillips is your friendly tutor and guide, starting you out with warm-ups and instructions on correct posture before leading you melodically through the intricacies of scales, chords, rhythm, pitch, tone, and much, much more. Advance your technique and control Work out your range Harmonize with others Practice like a pro Whether you're studying under a tutor or are working to your own plan, Singing Exercises For Dummies will have you quickly scaling up the ladder to vocal perfection—and even more! P.S. If you think this book seems familiar, you'’re probably right. The Dummies team updated the cover and design to give the book a fresh feel, but the content is the same as the previous release of Singing Exercises For Dummies (9781118281086). The book you see here should'n’t be considered a new or updated product. But if you'’re in the mood to learn something new, check out some of our other books. We’'re always writing about new topics!
This book is an unique resource which directly addresses all performers who sing and act, whether in opera, musical theatre or music-theatre. By looking beyond the separate acts of singing and acting the performer builds up a greater awareness of how the two interrelate to form a single powerful expression. Using games, exercises and discussion, The Singing and Acting Handbook takes a stimulating approach to the demands made upon today's performers, and will equip both the experienced professional and the student to take full advantage of rehearsal and performance. With advice on approaches to learning music, interpreting scores, and building characters, it provides a long-awaited innovative resource for performers, directors, workshop leaders and teachers.
Everyone from budding professional to church choir soloist will be drawn to this step—by—step program that promises to teach people to sing like pros. This easy—to—use book starts with common singing terms, moves on to the importance of range and resonance, and continues with solid instruction on training the voice. A special chapter on vocal technique enriches the text, and the book's vocal exercises and tips for sight reading, learning music, and recognizing different musical forms all add value. Information about further study and finding a singing teacher, and answers to frequently asked questions, round out this useful text.
For moe than 80 years, BARRON's has been helping students achieve their goals. Prep for the AP® Music Theory exam with trusted review from our experts.
Some pieces of music survive. Most fall into oblivion. What gives the ten masterpieces selected for this book their exceptional vitality? In this penetrating volume, Harvey Sachs, acclaimed biographer and historian of classical music, takes readers into the hearts of ten extraordinary works of classical music in ten different genres, showing both the curious novice and the seasoned listener how to recognize, appreciate, and engage with these masterpieces on a historical and compositional level. Far from what is often thought, classical music is neither dead nor dying. As a genre, it is constantly evolving, its pieces passing through countless permutations and combinations yet always retaining that essential élan vital, or life force. The works collected here, composed in the years between 1784 and 1966, are a testament to this fact. As Sachs skillfully demonstrates, they have endured not because they were exceptionally well-made or interesting but because they were created by composers—Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky—who had a particular genius for drawing music out of their deepest wellsprings. “Through music,” Sachs writes, “they universalized the intimate.” In describing how music actually sounds, Ten Masterpieces of Music seems to do the impossible, animating the process of composing as well as the coming together of disparate scales and melodies, trills and harmonies. It tells us, too, how particular compositions came to be, often revealing that the pieces we now consider “classic” were never intended to be so. In poignant, exquisite prose, Sachs shows how Mozart, a former child prodigy under constant pressure to produce new music, hastily penned Piano Concerto No. 17 in G major, one of his finest piano concertos, for a teenage student, and likewise demonstrates how Goethe’s Faust, Part One, became a springboard for the musical imagination of the French composer Berlioz. As Sachs explains, these pieces are not presented as candidates for a new “Top Ten.” They represent neither the most well-known nor the most often-performed works of each composer. Instead, they were chosen precisely because he had something profound to say about them, about their composers, about how each piece fits into its composer’s life, and about how each of these lives can be contextualized by time and place. In fact, Sachs encourages readers to form their own favorites, and teaches them how to discern special characteristics that will enhance their own listening experiences. With Ten Masterpieces of Music, it becomes evident that Sachs has lived with these pieces for a veritable lifetime. His often-soaring descriptions of the works and the dramatic lives of the men who composed them bring a heightened dimension to the musical perceptions of all listeners, communicating both the sheer improbability of a work becoming a classic and why certain pieces—these ten among them—survive the perilous test of time.
Everyday social life is deeply tied to the ways in which people talk, interact, and engage in joint activities with each other. This book examines language use and social interaction through the lens of complexity, focusing on how participants establish and maintain shared understanding in multi-layered situations and settings. This book will find readership among students and scholars who use video-based methods and are interested in interaction, intersubjectivity and multimodality.
In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.