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With its unique blend of eastern and western traditions of music and poetry, the world of Russian vocal music is rich in spirituality, intimacy, and passion for singers and their audience. Russian song traditions offer an ideal opportunity for self-expression and the forging of a deep connection with one’s listeners. It also presents formidable challenges to singers at every level, ranging from the complexities native to sung and spoken Russian to the intricacies of diction and interpretation that lie behind the nuanced relationship between Russian music and poetry. Founded on the underlying principle that sung language differs dramatically from spoken language, Singing in Russian offers a comprehensive and accessible approach to understanding, mastering, and performing Russian vocal music. After covering the basics of the Cyrillic alphabet and Russian grammar and diction, author Emily Olin encourages readers to take the innovative step of using the music itself to guide the singer’s pronunciation and interpretation. English sound comparisons, linguistic and musical examples, and multifaceted exercises complement textual explanations, reinforcing the techniques Olin has employed for over three decades. The addition of repertoire lists and practical recommendations further equip singers to confidently go from start to stage. Furthermore, the online audio examples contain exercises that demonstrate and reinforce the correct sound and interpretation of everything from the alphabet to the presentation of vowels, consonants, words, and phrases.These can be found at: https://soundcloud.com/user-869634200/sets/singing-in-russian-a-guide-to-language-and-performance Singing in Russian is an invaluable resource for students, performers, teachers, directors, conductors, and coaches seeking to increase their access to Russian opera and art song, master the challenges they present to performance, and expand their personal, professional, and institutional repertoire on stage.
This book examines folk music and dance revival movements in Russia showing how folk 'tradition' in Russia is an artificial cultural construct, which is periodically reinvented.
The Nineteenth century and after (London)
Following the 1917 revolution, thousands of Leo Tolstoy's Russian followers--intellectuals and peasants, workers and former soldiers--inspired by his ideas about the great moral significance of productive labor, joined together in agricultural communes, believing that they would implement the ideals proclaimed by the Russian revolution: the building of a humane, stateless society, free of violence and exploitation. The goals of the Tolstoyans soon came into conflict with the policies of the Soviet state. With the forced collectivization of agriculture in the late 1920s, most of the Tolstoyan cooperatives were closed down; however, one group, the Life and Labor Commune, was permitted to relocate to Siberia, where it became a haven for Tolstoy's peasant followers until it, too, was shut down on the eve of World War II. Persecuted by the authorities and frequently arrested and imprisoned during the 1930s, members of the Life and Labor Commune persisted in their pacifist beliefs, vegetarianism, and commitment to farming. The powerful and moving memoirs presented here throw light on a long-suppressed chapter in the hisory of Tolstoy's religious and social influence in the Soviet Union. They also document the history of the Russian peasantry from what appears to be a unique source--the peasants themselves.
This volume is the first comprehensive study of the “conservative turn” in Russia under Putin. Its fifteen chapters, written by renowned specialists in the field, provide a focused examination of what Russian conservatism is and how it works. The book features in-depth discussions of the historical dimensions of conservatism, the contemporary international context, the theoretical conceptualization of conservatism, and empirical case studies. Among various issues covered by the volume are the geopolitical and religious dimensions of conservatism and the conservative perspective on Russian history and the politics of memory. The authors show that conservative ideology condenses and reworks a number of discussions about Russia’s identity and its place in the world. Contributors include: Katharina Bluhm, Per-Arne Bodin, Alicja Curanović, Ekaterina Grishaeva, Caroline Hill, Irina Karlsohn, Marlene Laruelle, Mikhail N. Lukianov, Kåre Johan Mjør, Alexander Pavlov, Susanna Rabow-Edling, Andrey Shishkov, Victor Shnirelman, Mikhail Suslov, and Dmitry Uzlaner
This is a 1914 pamphlet addressing the anti-war and pacifist elements in Britain entitled "The War That Will End War." Its title became proverbial almost instantly and is used to refer to the First World War even today. Contents: Chapter I. Why Britain Went to War Chapter II. The Sword of Peace Chapter III. Hands Off the People's Food Chapter IV. Concerning Mr. Maximilian Craft Chapter V. The Most Necessary Measures in the World Chapter VI. The Need of a New Map of Europe Chapter VII. The Opportunity of Liberalism Chapter VIII. The Liberal Fear of Russia Chapter IX. An Appeal to the American People Chapter X. Common Sense and the Balkan States Chapter XI. The War of the Mind Herbert George "H. G." Wells (1866 – 1946) was an English writer, now best known for his work in the science fiction genre. He was also a prolific writer in many other genres, including contemporary novels, history, politics and social commentary, even writing textbooks and rules for war games. Wells was now considered to be one of the world's most important political thinkers and during the 1920s and 30s he was in great demand as a contributor to newspapers and journals.