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Salvatore tells the story of C.L. Franklin, father of Aretha, alongside the rise of gospel, blues, and soul music, with a cast of characters including Martin Luther King, Jr., B.B. King, Art Tatum, Coleman Young, Jesse Jackson, Clara Ward, Mahalia Jackson, and many others.
Singing in a Strange Land explores how the history and cultural conditions of Jewish poetry and poetic production—from the destruction of the Second Temple and Babylonian exile to medieval Spain, the Nazi Holocaust, the contemporary Gulf War, and the second Palestinian intifada—have shaped "Jewish American poetry"; and, through analyses of important poems by significant Jewish American poets, how they shape Jewish American cultural identity.
A prizewinning historian pens this biography of C.L. Franklin, the greatest African-American preacher of his generation, father of Aretha, and civil rights pioneer.
Longlisted for the 2018 Scotiabank Giller Prize Shortlisted for the 2019 Amazon First Novel Award Shortlisted for the 2019 Kobo Emerging Writer Prize Winner of the 2019 Indigenous Voices Award for Published Prose in English Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Fiction Longlisted for the 2019 Sunburst Award From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read. Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them. A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this. Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains. Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.
When Jackie Mittoo and Leroy Sibbles migrated from Jamaica to Toronto in the early 1970s, the musicians brought reggae with them, sparking the flames of one Canada’s most vibrant music scenes. In King Alpha’s Song in a Strange Land, professional reggae musician and scholar Jason Wilson tells the story of how the organic, transnational nature of reggae brought black and white youth together, opening up a cultural dialogue between Jamaican migrants and Canadians along Toronto’s ethnic frontlines. This underground subculture rebelled against the status quo, eased the acculturation process, and made bands such as Messenjah and the Sattalites household names for a brief but important time. By looking at Canada’s golden age of reggae from the perspective of both Jamaican migrants and white Torontonians, Wilson reveals the power of music to break through the bonds of race and ease the hardships associated with transnational migration.
Singing in a Strange Land is a book of imaginative journey, religious resources, and suggestions for action designed especially for North American Christians to pray with poor and marginalized, and to act for justice on their behalf. Its underlying theme is orthodox: that spirituality and action for justice are necessarily interconnected in the Christian faith. Seven imaginative narratives elicit a sense of the connections that both bind people socially and create and maintain conditions that foster poverty and marginalization. Biblical reflections and prayers from world religions provide a sound basis upon with readers can begin to pray with those who fall outside the mainstream.
Leaving his life of petty crime and drug abuse behind, young Douglas flees from Minneapolis to Edinburgh, Scotland, to his stern but fairminded Grandma McLaren, who will take him in if he can support himself. Fortunately, few cities are friendlier than Edinburgh to a guitarist with a talent for spontaneous rhyme, and soon Douglas is making a decent living as the busker who can write a song about you on the spot. But Edinburgh has its dangers for the unwary. The annual arts festival, biggest in Europe, draws all manner of footloose sorts, and tempted by the drugs offered by a mysterious young girl, Douglas stumbles. What follows isn't what he expects. Suddenly, Douglas can see the fey folk who invisibly share Edinburgh's ancient streets—in all their beauty and terrifying cruelty. Worse, they can see him, and they're determined to draw him into their own internecine wars--wars that are fought to the death. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This picture book of Dee Snider's classic song of empowerment and self-determination will strike a chord with kids everywhere. Oh we're not gonna take it No, we ain't gonna take it Oh we're not gonna take it anymore We're Not Gonna Take It is a playful picture book echoing 1980s hair band Twisted Sister's most popular antiestablishment anthem. As part of their triple-platinum album Stay Hungry, "We're Not Gonna Take It" spent fifteen weeks on the Billboard Hot 100 chart, reaching number twenty-one. With lyrics by Dee Snider and illustrations by Margaret McCartney, this picture book follows three toddlers on a mission to defy their parents, whether it be lunchtime, bath time, or bedtime. We're Not Gonna Take It is a story both parents and children can relate to, and a song they can enjoy together. Released in 1984, "We're Not Gonna Take It" is a signature rock anthem of the 1980s The song was a Hot 100 top forty hit and reached the top ten on the Billboard Mainstream Rock chart The album it appeared on, Stay Hungry, was the band's breakthrough and a US top twenty hit Its anthemic quality has propelled the song to become a US pop culture touchstone The song has an iconic music video "'We're Not Gonna Take It' was a watershed moment in hard rock. It delivered a defiant song that originally shook up the establishment." --Christa Titus, Billboard "'We're Not Gonna Take It' is an indelible hit, whose instantly recognizable hook practically invites the listener to shout along." --Rachel Martin and Phil Harrell, NPR
A Hugo Award-winning author and music journalist explores the weird and wild story of when rock ’n’ roll met the sci-fi world of the 1970s As the 1960s drew to a close, and mankind trained its telescopes on other worlds, old conventions gave way to a new kind of hedonistic freedom that celebrated sex, drugs, and rock ’n’ roll. Derided as nerdy or dismissed as fluff, science fiction rarely gets credit for its catalyzing effect on this revolution. In Strange Stars, Jason Heller recasts sci-fi and pop music as parallel cultural forces that depended on one another to expand the horizons of books, music, and out-of-this-world imagery. In doing so, he presents a whole generation of revered musicians as the sci-fi-obsessed conjurers they really were: from Sun Ra lecturing on the black man in the cosmos, to Pink Floyd jamming live over the broadcast of the Apollo 11 moon landing; from a wave of Star Wars disco chart toppers and synthesiser-wielding post-punks, to Jimi Hendrix distilling the “purplish haze” he discovered in a pulp novel into psychedelic song. Of course, the whole scene was led by David Bowie, who hid in the balcony of a movie theater to watch 2001: A Space Odyssey, and came out a changed man… If today’s culture of Comic Con fanatics, superhero blockbusters, and classic sci-fi reboots has us thinking that the nerds have won at last, Strange Stars brings to life an era of unparalleled and unearthly creativity—in magazines, novels, films, records, and concerts—to point out that the nerds have been winning all along.
An award-winning and extraordinary story of a boy who protects a baby whale that locals believe is threatening their livelihood. Winner of the Margaret Mahy Book of the Year New Zealand Book Awards for Children and Young Adults 2015 Young Adult Category Winner New Zealand Book Awards for Children and Young Adults 2015 Storylines Notable Young Adult Fiction Award 2015 Will Jackson is hiding out, a city boy reluctantly staying with his uncle in small town New Zealand while he struggles to recover from a brutal attack and the aftermath of a humiliating YouTube clip gone viral. After he discovers a young abandoned orca whale his life is further thrown into chaos, when he rallies to help protect it against hostile, threatening interests. This threatens to tear apart the small fishing community and forever changes Will’s life. The boy and the whale develop a special bond, linked by Will's love of singing. With echoes of classic book and film The whalerider this powerful connection is utterly convincing on the page. An exciting plot-driven story full of drama, tension and romance, this magical book captures both heart and mind to hold the reader enthralled from start to finish. These qualities, along with its lyrical use of language and its compelling and persuasive exploration of many global concerns, makes this a beautifully touching, rich and multi-layered story by an award-winning writer for young adults. Singing Home the Whale will appeal to all readers of high-quality New Zealand fiction.