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She was my nightmare. Every time I closed my eyes, I watched her fall into that inferno. Over and over, I failed to save her. I hadn't been able to reach her, and the guilt only burned hotter over time. Four years later, I was the unreachable one. Heroes aren't always saints. Sometimes, we're nothing more than jaded sinners driven by sleepless nights and hearts full of darkness. And then I met her. She was a dreamer who managed to soothe my scars and heal my wounds. But, as the flames closed in around us, I feared I wasn't the right man to save her. That is until I realized she was the one woman I'd burn the world down to protect.
Can you imagine what it is like to live in a flowerpot and confuse one animal with another? Our chatty little plants Basil,Rosemary and the sisters know all too well the problems and fun it causes.This illustrated story has been designed for bilingual children and others wishing to read a dual language text in French and English. This book is divided into four sections. In the first part, for ease of understanding the two languages are displayed together mostly one or two sentences at a time. Showing the languages together helps compare words and common expressions easily. The second part, the French only version, allows intermediate students to test their understanding. The third part is in English only and lastly a mobile friendly bilingual English - French version. Reading this fun bilingual story will help you learn French. Excerpt from the tale: The Pansy sisters lived in a green flowerpot below an old oak tree. They shared the pot with Basil, Rosemary and Monkey. Les sœurs Pensées vivaient dans un pot de fleurs vert sous un vieux chêne. Elles partageaient le pot avec Basilic, Romarin et Singe. Rosemary and the Pansy sisters liked picking on Basil. The sisters’ bright colours scared him and he wanted them to be quiet. Romarin et les sœurs Pensées aimaient bien taquiner Basilic. Les couleurs vives des deux sœurs lui faisaient peur et il aurait préféré qu'elles se taisent. "Basil, you’re so daft!" said the sisters, "monkeys climb trees!" Monkey ignored them but he was different. Monkey was an animal. « Basilic, tu es tellement bête ! », dirent les sœurs. « Les singes peuvent grimper aux arbres ! » Singe préférait les ignorer mais il savait bien qu'il était différent. Singe était un animal.
This volume provides a first systematic, comprehensive account of English in Southeast Asia (SEA) based on current research by leading scholars in the field. The volume first provides a systematic account of the linguistic features across all sub-varieties found within each country. It also has a section dedicated to the historical context and language planning policies to provide a background to understanding the development of the linguistic features covered in Part I and, finally, the vibrancy of the sociolinguistic and pragmatic realities that govern actual language in use in a wide variety of domains such as the law, education, popular culture, electronic media and actual pragmatic encounters are also given due coverage. This volume also includes an extensive bibliography of works on English in SEA, thus providing a useful and valuable resource for language researchers, linguists, classroom educators, policy makers and anyone interested in the topic of English in SEA or World Englishes as a whole.
This authoritative dictionary has been compiled with the aim of giving an overview of the English, German, French and Italian names of mammals. The Basic Table contains, in alphabetical order, the scientific names of families, genera, species and sub-species and synonyms with the identified names detailed in all four languages. These are given in the singular for species and sub-species and in the plural for other terms. The synonyms and subspecies are offered in detail. The editor offers numerous alternative spellings of vernacular names. This dictionary is an outstanding guide for every researcher in mammalogy.
From first introductions to deep dives into the wonders of our world, Rivet nonfiction books fascinate young readers. A level 8 reader in the Battle of the Beasts series, Gorilla vs Orangutan: Apes Face Off will feed readers' curiosity about Animals.
Young Duncan Ross thinks he's on his way to Sydney to be a clerk. How wrong could he be? A chance meeting with an attractive woman on a coach and Duncan finds himself on the high seas heading for the Coral Sea and adventure. In the company of swashbucklers and desperadoes of every description Duncan braves storm, shipwreck, sharks, crocodiles, massacre and decapitation in this epic romance of survival amongst the head-hunters of the Torres Strait. The tale plays out along golden beaches and on tropical islands washed by the crystalline waters of the Coral Sea. It is a region of extraordinary beauty and danger as Duncan discovers whilst wending his cautious way betwixt piratical thugs on the one hand and ferocious natives on the other. More than a simple adventure Coral Sea Story brings alive those frantic days when the Queensland frontier was wild; when fortune-seekers and squatters, and drunken captains and pearl-divers, and South Sea Island sailors and Torres Strait warriors battled for control of the Coral Sea and its riches. This is Australian history as you've never seen it; big, bold and a ripping yarn.
This easy-to-use Navajo dictionary is intended primarily for Navajo children learning to read and write the language in bilingual classrooms, but it is also useful for anyone wanting to learn Navajo.
Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune.
Four plays by Richard Bean with an introduction by Chris Campbell. Includes: Harvest, In the Club, The English Game and Up on Roof. 'Funny, poignant with a heart as big as a house, this is a rich Harvest indeed.' The Daily Telegraph on Harvest 'It is rare to spend two hours of unadulterated pleasure in a theatre, even for somebody who occupies theatre seats on a constant basis. This play...is beautifully crafted, well written and as funny as anything currently on stage.' British Theatre Guide on In the Club 'There have been many good plays about cricket before...but none that told us so much about our splintering land.' The Guardian on The English Game 'Wonderful lightness of touch...[his dialogue] takes your breath away.' The Daily Telegraph on Up on Roof