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Members of a town terrorized by a monstrous evil search for its source in this horror novel by the Bram Stoker Award–winning author of Ink. Something evil has awakened in the town of Pine Deep. While a local newsman tries to piece together the gruesome events of a long-buried crime, others are preparing for the return of an unstoppable scourge. Bodies mutilated beyond description, innocents driven to acts of vicious madness—a monstrous legacy is preying on the living and the dead. There are those in Pine Deep who are not what they seem. Who are driven by a thirst for blood and revenge. And who are quietly building an army of the undead . . . Second in the Pine Deep Trilogy Praise for Ghost Road Blues “Maberry supplies plenty of chills, both Earth-bound and otherworldly, in this atmospheric horror novel . . . . This is horror on a grand scale, reminiscent of Stephen King’s heftier works.” —Publishers Weekly Praise for New York Times bestselling Author Jonathan Maberry “Jonathan Maberry’s horror is rich and visceral. It’s close to the heart . . . and close to the jugular.” —Kevin J. Anderson “Maberry has the chops to craft stories at once intimate, epic, real, and horrific.” —Bentley Little “Maberry spins great stories. His (Pine Deep) vampire novels are unique and masterful.” —Richard Matheson “Maberry’s works will be read for many, many years to come.” —Ray Bradbury
Eddie Jackson is one of the biggest rock stars in the world. When he dies in a car crash, a lot of people stand to lose money, so his death is hushed up. Eddie's bandmate, Clem, is determined the truth must come out. As pressure is put on Clem to play along, he suspects he's part of a bigger conspiracy and that Eddie's death was no accident.
From the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary. “Publishing my lyrics separately from their musical accompaniment is something that I’ve studiously avoided until now. The two, lyrics and music, have always been mutually dependent, in much the same way as a mannequin and a set of clothes are dependent on each other; separate them, and what remains is a naked dummy and a pile of cloth. Nevertheless, the exercise has been an interesting one, seeing perhaps for the first time how successfully the lyrics survive on their own, and inviting the question as to whether song lyrics are in fact poetry or something else entirely. And while I’ve never seriously described myself as a poet, the book in your hands, devoid as it is of any musical notation, looks suspiciously like a book of poems. So it seems I am entering, with some trepidation, the unadorned realm of the poet. I have set out my compositions in the sequence they were written and provided a little background when I thought it might be illuminating. My wares have neither been sorted nor dressed in clothes that do not belong to them; indeed, they have been shorn of the very garments that gave them their shape in the first place. No doubt some of them will perish in the cold cruelty of this new environment, and yet others may prove more resilient and become perhaps more beautiful in their naked state. I can’t predict the outcome, but I have taken this risk knowingly and, while no one in their right mind should ever attempt to set “The Waste Land” to music, in the hopeful words of T. S. Eliot, These fragments I have shored against my ruins.” —Sting, from the Introduction
"Dead Man's Rock: A Romance" by means of Arthur Thomas Quiller-Couch is a captivating story that unfolds alongside the rugged shoreline of Cornwall, mixing elements of romance, mystery, and the supernatural. The tale revolves round Dionysius Williams, a pupil looking for solitude in a secluded cottage near Dead Man's Rock. As Dionysius delves into his academic interests, he will become entangled in the neighborhood legends and eerie happenings surrounding the foreboding Dead Man's Rock. The narrative weaves a compelling tapestry of Gothic atmosphere, full of suspense and the haunting beauty of the ocean. Quiller-Couch's masterful storytelling ability is evident inside the seamless interplay of bright descriptions of the Cornish landscape and the mental intensity of the characters. The novel introduces factors of the supernatural, blurring the strains among reality and legend, as Dionysius grapples with the mysteries of Dead Man's Rock. "Dead Man's Rock" is a captivating exploration of love, journey, and the enigmatic forces that form human destinies. Quiller-Couch's wealthy prose and evocative putting immerse readers in an international wherein the coastal landscape turns into a person in itself, improving the allure of this romantic and mysterious tale.
Kids will love this cumulative and hysterical read-aloud that features a free downloadable song "I was walking down the road and I saw... a donkey, Hee Haw And he only had three legs He was a wonky donkey." Children will be in fits of laughter with this perfect read-aloud tale of an endearing donkey. By the book's final page, readers end up with a spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey Download the free song at www.scholastic.com/wonkydonkey.
Whatever claims this story may have upon the notice of the world, they will rest on no niceties of style or aptness of illustration. It is a plain tale, plainly told: nor, as I conceive, does its native horror need any ingenious embellishment. There are many books that I, though a man of no great erudition, can remember, which gain much of interest from the pertinent and appropriate comments with which the writer has seen fit to illustrate any striking situation. From such books an observing man may often draw the exactest rules for the regulation of life and conduct, and their authors may therefore be esteemed public benefactors. Among these I, Jasper Trenoweth, can claim no place; yet I venture to think my history will not altogether lack interestÑand this for two reasons. It deals with the last chapter (I pray Heaven it be the last) in the adventures of a very remarkable gemÑnone other, in fact, than the Great Ruby of Ceylon; and it lifts, at least in part, the veil which for some years has hidden a certain mystery of the sea. For the moral, it must be sought by the reader himself in the following pages. To make all clear, I must go back half a century, and begin with the strange and unaccountable Will made in the year of Grace 1837 by my grandfather, Amos Trenoweth, of Lantrig in the County of Cornwall. The old farm-house of Lantrig, heritage and home of the Trenoweths as far as tradition can reach, and Heaven knows how much longer, stands some few miles N.W. of the Lizard, facing the Atlantic gales from behind a scanty veil of tamarisks, on Pedn-glas, the northern point of a small sandy cove, much haunted of old by smugglers, but now left to the peaceful boats of the Polkimbra fishermen. In my grandfather's time however, if tales be true, Ready-Money Cove saw many a midnight cargo run, and many a prize of cognac and lace found its way to the cellars and store-room of Lantrig. Nay, there is a story (but for its truth I will not vouch) of a struggle between my grandfather's lugger, the Pride of Heart, and a certain Revenue cutter, and of an unowned shot that found a Preventive Officer's heart. But the whole tale remains to this day full of mystery, nor would I mention it save that it may be held to throw some light on my grandfather's sudden disappearance no long time after. Whither he went, none clearly knew. Folks said, to fight the French; but when he returned suddenly some twenty years later, he said little about sea-fights, or indeed on any other subject; nor did many care to question him, for he came back a stern, taciturn man, apparently with no great wealth, but also without seeming to want for much, and at any rate indisposed to take the world into his confidence. His father had died meanwhile, so he quietly assumed the mastership at Lantrig, nursed his failing mother tenderly until her death, and then married one of the Triggs of Mullyon, of whom was born my father, Ezekiel Trenoweth.
By Arthur Quiller-Couch is a gripping English novel set in the picturesque landscape of Cornwall. Quiller-Couch's narrative is a thrilling blend of treasure troves, murder mysteries, and intrigue. The rugged and mysterious Cornwall setting adds depth and authenticity to this captivating story.
Jan Berry, leader of the music duo Jan & Dean from the late 1950s to mid-1960s, was an intense character who experienced more in his first 25 years than many do in a lifetime. As an architect of the West Coast sound, he was one of rock 'n' roll's original rebels--brilliant, charismatic, reckless, and flawed. As a songwriter, music arranger, and record producer for Nevin-Kirshner Associates and Screen Gems-Columbia Music, Berry was one of the pioneering self-produced artists of his era in Hollywood. He lived a dual life, reaching the top of the charts with Jan & Dean while transitioning from college student to medical student, until an automobile accident in 1966 changed his trajectory forever. Suffering from brain damage and partial paralysis, Jan spent the rest of his life trying to come back from Dead Man's Curve. His story is told here in-depth for the first time, based on extensive primary source documentation and supplemented by the stories and memories of Jan's family members, friends, music industry colleagues, and contemporaries. From the birth of rock to the bitter end, Berry's life story is thrilling, humorous, unsettling, and disturbing, yet ultimately uplifting.