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PS I can't stay away He'd broken his 'no office affair' policy once and lost his best assistant. Now, businessman Ayden Stewart needs Maya Richardson back...at any price. Taking the job, Maya tells herself that the years apart have cooled their chemistry. So why are they breaking rule number one again...and again? Ayden makes her want what she can never have - real love. Will it be different this time? - CEO Alexander Bajoran is shocked when a baby is left in his boardroom with a note stating he's the father. The mother must be unforgettable one-night stand, Jessica Taylor. When Jessica returns Alex won't let her walk away with his son. After discovering that she's connected to his biggest rival, Alex wonders if the pregnancy was really an accident. What will he gamble to keep his newfound family? - Businessman Matt Strickland's newest employee, nanny Tess Kelly, is worlds away from the requirements stated in his advertisement. Matt's sexiness is off the scale, but Tess thinks his capacity for fun shows room for improvement. She's used to bringing out the best in her charges, but it's a whole different game with her gorgeous boss, who's determined to keep things professional...
This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.
For a SEAL undercover on a top conspiracy, attraction could be dangerous… Raised on a ranch and trained as a Navy SEAL, Benjamin "Montana" Raines has a work ethic that's unshakable—even in the midst of a beautiful and jaded CIA operative. A dangerous conspiracy threatens the United States, and Benjamin has a new case. And a new partner. Kate McKenzie has been burned before. And now she is paired with someone she's supposed to trust against her deeper instincts. In the cutthroat world of millionaires and politicians in Washington, DC, Kate and Benjamin must go undercover to prevent an attack. But as the risks to their safety heighten, so does their undeniable attraction to one another… SEAL of My Own
Drawing on the most important studies in psychology, human aggression, anthropology, and primatology, and on hundreds of original interviews conducted over a period of more than 20 years, this groundbreaking treatise urges women to look within and to consider other women realistically, ethically, and kindly and to forge bold and compassionate alliances. Without this necessary next step, women will never be liberated. Detailing how women's aggression may not take the same form as men's, this investigation reveals—through myths, plays, memoir, theories of revolutionary liberation movements, evolution, psychoanalysis, and childhood development—that girls and women are indeed aggressive, often indirectly and mainly toward one another. This fascinating work concludes by showing that women depend upon one another for emotional intimacy and bonding, and exclusionary and sexist behavior enforces female conformity and discourages independence and psychological growth.
From the Booker Prize winner and national bestselling author, reflections on gardening, art, literature, and life Penelope Lively takes up her key themes of time and memory, and her lifelong passions for art, literature, and gardening in this philosophical and poetic memoir. From the courtyards of her childhood home in Cairo to a family cottage in Somerset, to her own gardens in Oxford and London, Lively conducts an expert tour, taking us from Eden to Sissinghurst and into her own backyard, traversing the lives of writers like Virginia Woolf and Philip Larkin while imparting her own sly and spare wisdom. "Her body of work proves that certain themes never go out of fashion," writes the New York Times Book Review, as true of this beautiful volume as of the rest of the Lively canon. Now in her eighty-fourth year, Lively muses, "To garden is to elide past, present, and future; it is a defiance of time."
Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available.
Hugh Dempsey recounts his interesting and varied careers as journalist, historian, archivist and museum administrator.
This first book published on film noir established the genre--a classic, at last in translation.
The Essential Cult TV Reader is a collection of insightful essays that examine television shows that amass engaged, active fan bases by employing an imaginative approach to programming. Once defined by limited viewership, cult TV has developed its own identity, with some shows gaining large, mainstream audiences. By exploring the defining characteristics of cult TV, The Essential Cult TV Reader traces the development of this once obscure form and explains how cult TV achieved its current status as legitimate television. The essays explore a wide range of cult programs, from early shows such as Star Trek, The Avengers, Dark Shadows, and The Twilight Zone to popular contemporary shows such as Lost, Dexter, and 24, addressing the cultural context that allowed the development of the phenomenon. The contributors investigate the obligations of cult series to their fans, the relationship of camp and cult, the effects of DVD releases and the Internet, and the globalization of cult TV. The Essential Cult TV Reader answers many of the questions surrounding the form while revealing emerging debates on its future.
When Denise Levertov died on December 20, 1997, she left behind forty finished poems, which now form her last collection, This Great Unknowing. Few poets have possessed so great a gift or so great a body of work—when she died at 74, she had been a published poet for more than half a century. The poems themselves shine with the artistry of a writer at the height of her powers.