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What is sin? Is it simply wrongdoing? Why do its effects linger over time? In this sensitive, imaginative, and original work, Gary Anderson shows how changing conceptions of sin and forgiveness lay at the very heart of the biblical tradition. Spanning nearly two thousand years, the book brilliantly demonstrates how sin, once conceived of as a physical burden, becomes, over time, eclipsed by economic metaphors. Transformed from a weight that an individual carried, sin becomes a debt that must be repaid in order to be redeemed in God's eyes. Anderson shows how this ancient Jewish revolution in thought shaped the way the Christian church understood the death and resurrection of Jesus and eventually led to the development of various penitential disciplines, deeds of charity, and even papal indulgences. In so doing it reveals how these changing notions of sin provided a spur for the Protestant Reformation. Broad in scope while still exceptionally attentive to detail, this ambitious and profound book unveils one of the most seismic shifts that occurred in religious belief and practice, deepening our understanding of one of the most fundamental aspects of human experience.
Since the Garden of Eden sin has ravaged people's lives, leaving behind a plethora of troubling problems such as anxieties, fears, insecurities, confusion, unbelief, bitterness, sexual hang-ups, and even addictions. Most people look for answers in all the wrong places. They ought to look within. They ought to look at i. i is the "self-life." i is the core of the fallen human nature. i is the realm where sin grows and flourishes. i: the root of sin exposed unravels the mystery of the corrupted human nature, and convincingly proves that all of man's struggles with sin can be traced to the pride-driven "self-life" that emerges from it. Rather than relying on trendy quick-fixes, this book digs deeply into the treasures of Scripture to provide struggling believers everything they need to deal with their problems at the root level: the inescapable, ever-present i.
Zakhar Prilepin’s novel-in-stories, Sin, has become a literary phenomenon in Russia, where it was published in 2007. It has been hailed as the epitome of the spirit of the opening decade of the 21st century, and was called “the book of the decade” by the prestigious Super Natsbest Award jury. Now available for the first time in English, it not only embodies the reality of post-perestroika Russia, but also shows that even in this reality, just like in any other, it is possible to maintain a positive attitude while remaining human. Zakharka is young, strong, in love with love and with life’s random, telling moments. In the episodes of his life, presented here in non-chronological order, we see him as a little boy, a lovelorn teenager, a hard-drinking grave-digger, a nightclub bouncer, a father, and a soldier in Chechnya. He even writes poetry, and his stylistically varied verses are presented in the penultimate chapter of the book. Loving life, he looks boldly, and even with curiosity, into the face of death – taking pictures of the deceased at a funeral, staring with agitation at the entrails of a just-disembowelled pig, chronicling the death of a childhood friend – and values the freedom of not fearing his own end. It is family that ultimately defines happiness for Zakharka; but it is also family that makes him realize, on the desolate Chechen border, that his love for them has deprived him of this freedom. Sin offers a fascinating glimpse into the recent Russian past, as well as its present, with its unemployment, poverty, violence, and local wars – social problems that may be found in many corners of the world. Zakhar Prilepin presents these realities through the eyes of Zakharka, taking us along on the life-affirming journey of his unforgettable protagonist.
A timely study of the troubling links between religion, morality, and sex and the tendancies of secular institutions to use religion to regulate sexual life.
From marital infidelity to global war, the world is obviously broken, leaving people desperate to find an explanation for our universal sin problem. In the latest addition to the Theology in Community series, Christopher Morgan and Robert Peterson have assembled an interdisciplinary team of evangelical thinkers to explore the biblical doctrine of sin from a variety of angles. Among other contributors, popular scholar D. A. Carson discusses the contemporary significance of sin; seasoned professor Paul House details sin in the Old Testament law, prophets, and writings; and New Testament expert Douglas Moo explores sin from Paul's vantage point. This team of top-notch scholars offers modern readers a comprehensive overview of this oft-neglected, biblical theme so that readers might learn to live better in a sinful world. Part of the Theology in Community series.
Is celibacy the only moral alternative to marriage? Should the widowed be allowed to form intimate relationships without remarrying? Should the church receive homosexuals into its community and support committed gay and lesbian relationships? Should congregations publicly and liturgically witness and affirm divorces? Should the church's moral standards continue to be set by patriarchal males? Should women be consecrated bishops? Bishop Spong proposes a pastoral response based on scripture and history to the changing realities of the modern world. He calls for a moral vision to empower the church with inclusive teaching about equal, loving, nonexploitative relationships.
Mr. Sin-I should have run the other way. Paid my tab and gone back to my room. But he was there. And he was... everything. I figured what's the harm in letting passion rule my decisions for one night? So what if he looks like the Devil in a suit. I'd be leaving in the morning. Flying home, back to my pleasant but predictable life. I'd never see him again.-Except I do. In the last place I expected. And now everything I've worked so hard for is in jeopardy. -We can't stop what we've started, but this is bigger than the two of us. -And when his past comes back to haunt him, love might not be enough to save me.
I'm so sick of watching the world spin by. Of letting people think I'm plain and boring, too afraid to just be myself. Then I see him. John. He's strength and fury and unapologetic. He's everything I want. And everything I wish I was. He won't want me, but that doesn't matter. The sight of him is all the inspiration I need to finally shatter this glass house I've built around myself. Only he does want me. And when our worlds collide, details we can't see become entwined, twisting together, trapping us in an invisible trap. But when it all goes wrong, I don't know if I'll be able to break free of the chains binding us, or if I'll suffocate in the process.
An examination of the moral sickness of our time.