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“Wise, lucid, compassionate, and refreshingly to the point, this is a book after Chekhov’s own heart. Carol Apollonio, one of the few people to have made a serious attempt to retrace Chekhov’s steps on his epic journey from Moscow to eastern Siberia, proves to be an excellent guide both to his remarkable life and to the many facets of his literary world. It is as enjoyable to spend time with her as it is with the master himself.” —Rosamund Bartlett, author of Chekhov: Scenes from a Life, and translator of About Love and Other Stories. Born in the port city of Taganrog in southern Russia, Anton Chekhov (1860-1904) survived a difficult childhood with an abusive father and put himself through school (while supporting his family), qualifying as a physician in 1884. At the same time he began practicing medicine, he also became celebrated for his short fiction, which redefined the genre with its formal innovations and psychological depth. His first serious play, The Seagull, was booed at its premiere in 1896, but—along with his other plays Uncle Vanya, Three Sisters, and The Cherry Orchard—it came to be seen as a masterpiece, bringing a new realism to the theater and to acting, which continues to reverberate today. Afflicted with ill health for much of his life, Chekhov died of tuberculosis at the age of 44, prematurely depriving the world of a great writer and a great humanist. In Simply Chekhov, Professor Carol Apollonio provides a concise and accessible introduction to Chekhov, both within his time and place (Russia on the eve of revolution) and as a master of world literature. Readers will meet the major figures of Chekhov’s era—as well as his colorful family, lovers, colleagues, and friends—and gain an appreciation for the ways in which this real-life cast of characters are reflected in Chekhov’s stories and plays. Drawing on insights from her more than three decades of Chekhov scholarship, Apollonio not only presents strikingly original insights into Chekhov’s major works, but explores the concerns—from the place of humans in the natural world to the threat of homelessness—that made him such a compelling figure and that remain relevant to the crises we face today.
In 1890, the thirty-year-old Chekhov, already knowing that he was ill with tuberculosis, undertook an arduous eleven-week journey from Moscow across Siberia to the penal colony on the island of Sakhalin. Now collected here in one volume are the fully annotated translations of his impressions of his trip through Siberia and the account of his three-month sojourn on Sakhalin Island, together with his notes and extracts from his letters to relatives and associates.Highly valuable both as a detailed depiction of the Tsarist system of penal servitude and as an insight into Chekhov's motivations and objectives for visiting the colony and writing the expose, Sakhalin Island is a haunting work which had a huge impact both on Chekhov's career and on Russian society.
In 1890 the Russian author Chekhov undertook an historic journey across Siberia to the convict island of Sakhalin. A hundred years later, in an isolated artist's retreat, a Soviet film unit prepares to commemorate his journey by using a technique that will cause their chosen actor to not only play the role of the playwright, but to believe that he is Chekhov. But the situations Mikhail acts out diverge wildly from known biographical facts when Chekhov hears of an explosion in the Tunguska region of Siberia. Yet the real Tunguska explosion occurred in 1908 - so how could Chekhov have possible heard of it in 1890?
Of the thirty volumes in the authoritative Academy edition of Chekhov's collected works, fully twelve are devoted to the writer's letters. This is the first book in English or Russian addressing this substantial—though until now neglected—epistolary corpus. The majority of the essays gathered here represent new contributions by the world's major Chekhov scholars, written especially for this volume, or classics of Russian criticism appearing in English for the first time. The introduction addresses the role of letters in Chekhov's life and characterizes the writer's key epistolary concerns. After a series of essays addressing publication history, translation, and problems of censorship, scholars analyze the letters' generic qualities that draw upon, variously, prose, poetry, and drama. Individual thematic studies focus on the letters as documents reflecting biographical, cultural, and philosophical issues. The book culminates in a collection of short, at times lyrical, essays by eminent scholars and writers addressing a particularly memorable Chekhov letter. Chekhov's Letters appeals to scholars, writers, and theater professionals, as well to a general audience.
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Anton Chekhov is revered as a boldly innovative playwright and short story writer - but he wrote more than just plays and stories. In this book, the author introduces readers to some other sides of Chekhov.
Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, "You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin." In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work, and to present both in a more genuine, insightful, and personal way. Editor and translator Thomas Gaiton Marullo subtitles About Chekhov "The Unfinished Symphony," because although Bunin did not complete the work before his death in 1953, he nonetheless fashioned his memoir as a moving orchestral work on the writers' existence and art. . . . "Even in its unfinished state, About Chekhov stands not only as a stirring testament of one writer's respect and affection for another, but also as a living memorial to two highly creative artists." Bunin draws on his intimate knowledge of Chekhov to depict the writer at work, in love, and in relation with such writers as Tolstoy and Gorky. Through anecdotes and observations, spirited exchanges and reflections, this memoir draws a unique portrait that plumbs the depths and complexities of two of Russia's greatest writers.
A major achievement--Callow examines Chekhov's life within the context of the evolution of his art, making the reader acutely aware of the hidden ground from which his work sprang and on which his life stood. A beautifully written biography by a novelist, poet, and biographer.
Eminent critic Richard Gilman examines each of Chekhov's full-length plays, showing how they relate to each other, to Chekhov's short stories, and to his life. Gilman places the plays in the context of Russian and European drama and the larger culture of the period, and the reasons behind the enduring power of these classic works.
The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays.