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Long before postmodern or deconstructionist ideas became current, Simone Weil was concerned with recognizing the absence of consistency and the continual presence of reversals and contradictions in life. She was someone for whom the task of clarifying her perceptions of reality and meaning was an ongoing one. She challenged contemporary views on such complex issues as human nature, good and evil, divinity and truth. Weil's work offers a voice for those segments of society that are generally under-represented, misrepresented or totally silent in conventional historical and philosophical writings. In this introduction to Simone Weil's ideas, and the political and intellectual circumstances of her work, the authors make Weil's complex and at times elusive ideas accessible to readers. They delineate how her ideas evolved, and provide compelling excerpts from her writings to let her speak for herself. In addition, the authors provide their own interpretation of Weil's work.
Simone Weil was a remarkable woman: a teacher, a factory worker, a field hand, a traveler, and a frontline volunteer in the Spanish Civil War; yet she found time to write and to philosophize about life and religion. Her short life (1909-43) spanned two world wars, al­though she did not live to see the end of the second one. The reac­tions of this French Jewish woman to some of the facets of these conflicts may seem surprising; her sympathies and affirmations were perhaps too extreme, but she did think for herself in an un­orthodox and challenging way and had a passionate sense of justice. Mr. Rees believes that this book may contain more illumina­tion for the present world's spiritual needs than any other twentieth-­century commentary. Some of Simone Weil's proposals concerning patriotism, obligations, freedom of expression, and the needs of the soul may seem Utopian, but they would not be unreasonable in a society adopting her moral code. Simone Weil was an intellectual with an essentially tragic view of life, but she was not removed from the everyday life. Her thought was unique and cannot be classified. She was neither a re­actionary nor a progressive but a great soul and a brilliant mind, as T. S. Eliot expressed it, "with a kind of genius akin to that of the saints." Since she explored problems which confront modern man, the reader will find thoughtful stimulation in her work. In a previ­ous book, Brave Men, the author likened her to D. H. Lawrence--both lonely visionaries suffering from a devouring spiritual hunger. This book gives a condensed but penetrating account of Miss Weil's interests. Since her writings cover more than philosophy and religion, the reader will feel compelled to become more familiar with her work.
Simone Weil was a remarkable woman: a teacher, a factory worker, a field hand, a traveler, and a frontline volunteer in the Spanish Civil War; yet she found time to write and to philosophize about life and religion. Her short life (1909–43) spanned two world wars, al­though she did not live to see the end of the second one. The reac­tions of this French Jewish woman to some of the facets of these conflicts may seem surprising; her sympathies and affirmations were perhaps too extreme, but she did think for herself in an un­orthodox and challenging way and had a passionate sense of justice. Mr. Rees believes that this book may contain more illumina­tion for the present world’s spiritual needs than any other twentieth-­century commentary. Some of Simone Weil’s proposals concerning patriotism, obligations, freedom of expression, and the needs of the soul may seem Utopian, but they would not be unreasonable in a society adopting her moral code. Simone Weil was an intellectual with an essentially tragic view of life, but she was not removed from the everyday life. Her thought was unique and cannot be classified. She was neither a re­actionary nor a progressive but a great soul and a brilliant mind, as T. S. Eliot expressed it, “with a kind of genius akin to that of the saints.” Since she explored problems which confront modern man, the reader will find thoughtful stimulation in her work. In a previ­ous book, Brave Men, the author likened her to D. H. Lawrence—both lonely visionaries suffering from a devouring spiritual hunger. This book gives a condensed but penetrating account of Miss Weil’s interests. Since her writings cover more than philosophy and religion, the reader will feel compelled to become more familiar with her work.
Biography of the French philosopher, Christian mystic, and social activist Simone Weil (1909-1943). Unrevised and unpublished proofs.
Hailed by Andre Gide as the patron saint of all outsiders, Simone Weil's short life was ample testimony to her beliefs. In 1942 she fled France along with her family, going firstly to America. She then moved back to London in order to work with de Gaulle. Published posthumously The Need for Roots was a direct result of this collaboration. Its purpose was to help rebuild France after the war. In this, her most famous book, Weil reflects on the importance of religious and political social structures in the life of the individual. She wrote that one of the basic obligations we have as human beings is to not let another suffer from hunger. Equally as important, however, is our duty towards our community: we may have declared various human rights, but we have overlooked the obligations and this has left us self-righteous and rootless. She could easily have been issuing a direct warning to us today, the citizens of Century 21.
Introducing the Selected Works of Simone Weil
Simone Weil (1909-1943) was a philosopher, theologian, political activist, and mystic whose work endures among the greatest spiritual thinking in human history. Born and educated in Paris, she was devoted to advocating for disenfranchised citizens around the world. Called the 'saint of all outsiders' by Andre Gide, Weil's compassion for the plight of the working class and the armed forces fueled her enlightened treatises and existential inquiries.
Over fifty years after her death, Simone Weil (1909-1943) remains one of the most searching religious inquirers and political thinkers of the twentieth century. Albert Camus said she had a "madness for truth." She rejected her Jewishness and developed a strong interest in Catholicism, although she never joined the Catholic church. Both an activist and a scholar, she constantly spoke out against injustice and aligned herself with workers, with the colonial poor in France, and with the opressed everywhere. She came to believe that suffering itself could be a way to unity with God, and her death at thirty-four has been recorded as suicide by starvation. This extraordinary study is primarily a topography of Weil's mind, but Thomas Nevin is persuaded that her thought is inextricably bound to her life and dramatic times. Thus, he not only addresses her thoughts and her prejudices but examines her reasons for entertaining them and gives them a historical focus. He claims that to Weil's generation the Spanish War, the Popular Front, the ascendance of Hitlerism, and the Vichy years were not mere backdrops but definitive events. Nevin explores in detail not only matters of continuing interest, such as Weil's leftist politics and her attempt to embrace Christianity, but also hitherto unexamined aspects of her life and work which permit a deeper understanding of her: her writings on science, her work as a poet and dramatist, and her selective friendships. The thread uniting these topics is her struggle to maintain her independence as a free thinker while resisting community such as Judaism could have offered her. Her intellectual struggles eloquently reveal the desperate isolation of Jews torn between the lure of assimilation and the tormented dignity of their communal history. Nevin's massive research draws on the full range of essays, notebooks, and fragments from the Simone Weil archives in Paris, many of which have never been translated or published. Originally published in 1991. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
A brilliant portrait of a beloved and controversial figure in twentieth-century spirituality. Simone Weil (1906-1943) was a writer and philosopher who devoted her life to a search for God—while avoiding membership in organized religion. She wrote with the clarity of a brilliant mind educated in the best French schools, the social conscience of a grass-roots labor organizer, and the certainty and humility of a mystic—and she persistently carried out her search in the company of the poor and oppressed. Robert Coles's study of this strange and compelling figure includes the details of her short, eventful life: her academic career, her teaching, her political and social activism, and her mystical experiences. Coles also analyzes the major themes her life encompassed: her politics, her Jewish identity, her moral concerns, her intellect, and her experience of grace. This is the best, most accessible introduction to the woman who was a spiritual influence on the life and work of so many, among them T. S. Eliot, Flannery O'Connor, Adrienne Rich, and Albert Camus. Robert Coles, M.D., was awarded the Pulitzer Prize for his five-volume Children of Crisis series. He is Professor of Psychiatry and Medical Humanities at Harvard Medical School and the James Agee Professor of Social Ethics at Harvard University, and is the author of many books, including The Spiritual Life of Children, The Moral Life of Children, and Dorothy Day: A Radical Devotion.
In the 1930s, Georges Bataille proclaimed a ferociously religioussensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacred.Bataille enacts a monstrousmode of reading and writing in his approaches to other thinkers and artists-a mode at once agonistic and intimate. Ecce Monstrum examines this mode through investigations of Bataille's sacrificialinterpretations of Kojve's Hegel and Friedrich Nietzsche; his contentious relationship with Simone Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist Andr Breton and his attempt to displace surrealism with hyperchristianity; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille's religious sensibility