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The margravial court astronomer Simon Marius, was involved in all of the new observations made with the recently invented telescope in the early part of the seventeenth century. He also discovered the Moons of Jupiter in January 1610, but lost the priority dispute with Galileo Galilei, because he missed to publish his findings in a timely manner. The history of astronomy neglected Marius for a long time, finding only the apologists for the Copernican system worthy of attention. In contrast the papers presented on the occasion of the Simon Marius Anniversary Conference 2014, and collected in this volume, demonstrate that it is just this struggle to find the correct astronomical system that makes him particularly interesting. His research into comets, sunspots, the Moons of Jupiter and the phases of Venus led him to abandon the Ptolemaic system and adopt the Tychonic one. He could not take the final step to heliocentricity but his rejection was based on empirical arguments of his time. This volume presents a translation of the main work of Marius and shows the current state of historical research on Marius.
The appearance of three comets in the autumn of 1618 touched off a controversy of such proportions that its effects are still inextricably associated with some of the most dramatic events marking the dawn of our modern era. This volume contains the principal works, in English translation, that were published during the extended controversy between Galileo and the Jesuits over the nature of comets, concluding with a commentary by Johann Kepler. The controversy of of both scientific and philosophical significance because it was in this connection that Galileo disclosed his conception of scientific method, which has been vastly influential on the course of modern thought. The principal work, Il Saggiatore (The Assayer), is also of extraordinary literary merit; it is considered the greatest polemic ever written in the domain of physical science.
The invention of the telescope at the dawning of the 17th century has revolutionized humanity's understanding of the Universe and our place within it. This book traces the development of the telescope over four centuries, as well as the many personalities who used it to uncover brand-new revelations about the Sun, Moon, planets, stars and distant galaxies. Starting with early observers such as Thomas Harriot, Galileo, Johannes Hevelius, Giovanni Domenico Cassini, Robert Hooke and Christian Huygens, the book explores how these early observers arrived at essentially correct ideas concerning the objects they studied. Moving into the 18th and 19th centuries, the author describes the increasing sophistication of telescopes both large and small, and the celebrated figures who used them so productively, including the Herschels, Charles Messier, William Lassell and the Earls of Rosse. Many great discoveries were also made with smaller instruments when placed in the capable hands of the Struve dynasty, F.W. Bessel, Angelo Secchi and S.W Burnham, to name but a few. Nor were all great observers of professional ilk. The book explores the contributions made by the 'clerical astronomers,' William Rutter Dawes, Thomas William Webb, T.E.R Philips and T.H.E.C Espin, as well as the lonely vigils of E.E. Barnard, William F. Denning and Charles Grover. And in the 20th century, the work of Percival Lowell, Leslie Peltier, Eugene M. Antoniadi, Clyde Tombaugh, Walter Scott Houston, David H. Levy and Sir Patrick Moore is fully explored. Generously illustrated throughout, this treasure trove of astronomical history shows how each observer's work led to seminal developments in science, and providing key insights into how we go about exploring the heavens today.
The origins of the telescope have been discussed and debated since shortly after the instrument's appearance in The Hague in 1608. Civic and national pride have led local dignitaries, popular writers, and numerous scholars to search the archives and to construct sharply divergent histories. Did the honor of the invention belong to the Dutch, to the Italians, to the English, or to the Spanish? And if the city of Middelburg in the Netherlands was, in fact, the cradle of the instrument, was the "true inventor" Hans Lipperhey or his rival Zacharias Jansen? Or was the instrument there before anyone knew it? Over the past several decades, a group of historians and scientists have sought out new documents, re-examined familiar ones, and tested early lenses and telescopes. This volume contains the proceedings of a symposium held in Middelburg in September 2008 to mark 400 years of the telescope. The essays in it, taken as a whole, present a new and convincing account of the origins of the instrument that changed mankind's vision of the universe.
"A brilliant and readable book…a rich study of humankind's restless spirit." —Candice Millard, New York Times Book Review Greeted with coast-to-coast acclaim on publication, Fernández-Armesto's ambitious history of world exploration sets a new standard. Presenting the subject for the first time on a truly global scale, Fernández-Armesto tracks the pathfinders who, over the past five millennia, lay down the routes of contact that have drawn together the farthest reaches of the world. The Wall Street Journal calls it "impressive...a huge story [told] with gusto and panache." To the Washington Post, "Pathfinders is propelled by an Argonaut of an author, indefatigable and daring. It's a wild ride." And in a front-page review, the Seattle Times hails its "tart and elegant presentation...full of surprises. Fernández-Armesto's lively mind, pithy phrasing, and stunningly thorough and diverse knowledge are a constant pleasure." A plenitude of illustrations and maps in color and black and white augment this rich history. In Pathfinders, winner of the 2007 World History Association Book Prize, we have a definitive treatment of a grand subject.
This book studies the Dutch mathematician Simon Stevin (1548-1620) as a new type of ‘man of knowledge’. Stevin exemplifies a wider trend of polymathy in the early modern period. Polymaths played a crucial role in the transformation of European learning.
Magisterial in vision, sweeping in scope, this monumental work presents a seamless account of Japanese society during the modern era, from 1600 to the present. A distillation of more than fifty years’ engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience. Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan’s ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes: the social engineering begun with the founding of the shogunate in 1600, the emergence of village and castle towns with consumer populations, and the diffusion of samurai values in the culture. Marius Jansen covers the making of the modern state, the adaptation of Western models, growing international trade, the broadening opportunity in Japanese society with industrialization, and the postwar occupation reforms imposed by General MacArthur. Throughout, the book gives voice to the individuals and views that have shaped the actions and beliefs of the Japanese, with writers, artists, and thinkers, as well as political leaders given their due. The story this book tells, though marked by profound changes, is also one of remarkable consistency, in which continuities outweigh upheavals in the development of society, and successive waves of outside influence have only served to strengthen a sense of what is unique and native to Japanese experience. The Making of Modern Japan takes us to the core of this experience as it illuminates one of the contemporary world’s most compelling transformations.
Written by a leading expert on comets, this textbook is divided into seven main elements with a view to allowing advanced students to appreciate the interconnections between the different elements. The author opens with a brief introductory segment on the motivation for studying comets and the overall scope of the book. The first chapter describes fundamental aspects most usually addressed by ground-based observation. The author then looks at the basic physical phenomena in four separate chapters addressing the nucleus, the emitted gas, the emitted dust, and the solar wind interaction. Each chapter introduces the basic physics and chemistry but then new specific measurements by Rosetta instruments at comet Churyumov-Gerasimenko are brought in. A concerted effort has been made to distinguish between established fact and conjecture. Deviations and inconsistencies are brought out and their significance explained. Links to previous observations of comets Tempel 1, Wild 2, Hartley 2, Halley and others are made. The author then closes with three smaller chapters on related objects, the loss of comets, and prospects for future exploration. This textbook includes over 275 graphics and figures – most of which are original. Thorough explanations and derivations are included throughout the chapters. The text is therefore designed to support MSc. students and new PhD students in the field wanting to gain a solid overview of the state-of-the-art.
In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.
in 55 BC Caesar's army gathers in the north of Gaul, preparing to drive invading Germanic peoples from Gaul and traverse the dangerous northern sea to punish the tribes of Britannia for assisting Gaulish rebels.