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The witch as a cultural archetype has existed in some form since the beginning of recorded history. Her nature has changed through technological developments and sociocultural shifts--a transformation most evident in her depictions on screen. This book traces the figure of the witch through American screen history with an analysis of the entertainment industry's shifting boundaries concerning expressions of femininity. Focusing on films and television series from The Wizard of Oz to The Craft, the author looks at how the witch reflects alterations of gender roles, religion, the modern practice of witchcraft, and female agency.
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
A sigil is an intensely powerful magickal tool that any modern witch should consider adding to their repertoire. Sigils can help manifest your desires, ward off evil, and add deeper levels of meaning to your spells. You don’t have to be an artist to create a sigil—anyone can do it. Sigil Craft is Lia Taylor’s must-have guide to creating sigils, including step-by-step instructions using various methods including the Magic Square and Austin Osman Spare, as well as an overview of sigils throughout history, from Agrippa to modern chaos magick, from medieval grimoires and prehistoric cave paintings to the graphic novels of Grant Morrison. Taylor shares how to charge your sigils, incorporate them into your creative endeavors, and heighten the power of your sigils through the shoaling technique. This immensely useful book is fully illustrated with Taylor’s art, and is a fascinating guide to an increasingly popular practice.
This cinefile’s guidebook covers the horror genre monstrously well! Find reviews of over 1,000 of the best, weirdest, wickedest, wackiest, and most entertaining scary movies from every age of horror! Atomic bombs, mad serial killers, zealous zombies, maniacal monsters lurking around every corner, and the unleashing of technology, rapidly changing and dominating our lives. Slasher and splatter films. Italian giallo and Japanese city-stomping monster flicks. Psychological horrors, spoofs, and nature running amuck. You will find these terrors and many more in The Horror Show Guide: The Ultimate Frightfest of Movies. No gravestone is left unturned to bring you entertaining critiques, fascinating top-ten lists, numerous photos, and extensive credit information to satisfy even the most die-hard fans. Written by a fan for fans, The Horror Show Guide helps lead even the uninitiated to unexpected treasures of unease and mayhem with lists of similar motifs, including ... Urban Horrors Nasty Bugs, Mad Scientists and Maniacal Medicos Evil Dolls Bad Hair Days Big Bad Werewolves Most Appetizing Cannibals Classic Ghost Stories Fiendish Families Guilty Pleasures Literary Adaptations Horrible Highways and Byways Post-Apocalyptic Horrors Most Regrettable Remakes Towns with a Secret and many more. With reviews on many overlooked, underappreciated gems, new devotees and discriminating dark-cinema enthusiasts alike will love this big, beautiful, end-all, be-all guide to an always popular film genre. With many photos, illustrations, and other graphics, The Horror Show Guide is richly illustrated. Its helpful appendix of movie credits, bibliography, and extensive index add to its usefulness.
An official guide to Buffy the Vampire Slayer describes the mythology and influences behind the monsters, ghouls, and characters through interviews with the creators and details of the episodes.
Millions of Americans have been thrilled, scared, titillated, and shocked by exploitation movies, low budget films with many scenes of sex, violence, and other potentially lurid elements. The term derives from the fact that promoters of such films exploit the contents in advertising that plays up the sexual or violent aspects of the films. This is the first comprehensive study of the American exploitation film to be published. It discusses five distinct genres: the teen movie, the sexploitation film, the martial arts movie, the blaxploitation film and the lawbreaker picture. Contained within these genres are many popular American film types, including beach movies, biker pictures, and women's prison movies. The study provides a history and sociopolitical analysis of each genre, focusing on significant films in those genres. It also discusses the economics of exploitation films and their place in the motion picture industry, the development of drive-in theaters, the significance of the teenage audience, and the effect of the videocassette. Finally, the book applies major film and cultural theories to establish an aesthetic for evaluating the exploitation film and to explore the relationship between film and audience.
• Explores the author’s extensive connections with infamous occultists and organizations, including Genesis P-Orridge and Thee Temple Ov Psychick Youth, Anton LaVey and the Church of Satan, and the Ordo Templi Orientis • Details the underlying occult impulses and magical experiences guiding the author’s artistic journey, his experiences in psychedelic culture and the punk subculture, and his experimentation with sex magic, occulture, and sigil magic What does it mean to live a life as an occultist? There may be no single answer, but for Carl Abrahamsson, it has entailed work in music, art, and film as well as deep engagement with renowned occult figures and organizations for more than 40 years. Illustrating the possibilities of a life infused with magic, Abrahamsson reflects on his decades spent in the company of some of the most unconventional thinkers of the late 20th and early 21st centuries. He reveals his involvement with psychedelic culture, the punk subculture, and numerous occult figures and organizations, including Genesis P-Orridge and Thee Temple Ov Psychick Youth, Anton LaVey’s Church of Satan, the Ordo Templi Orientis, and a branch of the American Golden Dawn. Interwoven with his occult experiences and meetings with infamous practitioners of magic, Abrahamsson describes his evolution as a multidisciplinary artist, always imbuing his diverse artistic practice with a developing occult philosophy. He also details his ongoing efforts to disseminate the occult arts via publishing companies like Psychick Release, Looking Glass Press, Edda Publishing, Trapart Books, and the occultural journal The Fenris Wolf—as well as fieldwork in Tibet, Nepal, and India through the Institute of Comparative Magico-anthropology. Through each encounter and reflection on the magical, shamanic, and mystical practices that structured his own life, Abrahamsson illuminates how it’s possible to experience a life of wisdom and miracles.
Beginning in the 1960s through its heyday in the 1970s and beyond, the telefilm remains an important cultural artefact masquerading as disposable entertainment. Made specifically for the small screen, within the tight constraints of broadcasting standards, what these humble movies lacked in budget and star appeal, they made up for in other ways. Often they served as an introduction to genre films, particularly horror, mirroring their theatrical counterparts with a focus on sinister cults, women in prison, haunted houses and even animals in revolt. They were also a place to address serious contemporary issues—drugs, prostitution, sexual violence and justice—albeit in a cosy domestic environment. Production of telefilms continues to this day, but their significance within the history of mass media remains under-discussed. Are You in the House Alone? seeks to address this imbalance in a series of reviews and essays by fans and critics alike. It looks at many of the films, the networks and names behind them, and also specific genres—everything from Stephen King adaptations to superheroes to true-life dramas. So, kickback and crack open the TV guide once more for the event that is the Movie of the Week!
Nichols and May. John Belushi. Bill Murray. Chris Farley. Tina Fey. Mike Myers. Stephen Colbert. For nearly a half century, Del Close—cocreator of the Harold, director for the Second City, San Francisco's the Committee, and the ImprovOlympic, and “house metaphysician” for Saturday Night Live—influenced improvisational theater's greatest comedic talents. His students went on to found the Groundlings in Los Angeles, the Upright Citizens Brigade in both New York and Los Angeles, and the Annoyance Theatre in Chicago. But this Pied Piper of improv has gone largely unrecognized outside the close-knit comedy community. Del was never one to let the truth of his life stand in the way of a good story—and yet the truth is even more fascinating than the fiction. In his early years, he traveled the country with Dr. Dracula's Den of Living Nightmares, knew L. Ron Hubbard before Scientology, and appeared in The Blob. Del cavorted with the Merry Pranksters, used aversion therapy to recover from alcoholism, and kicked a cocaine habit with the help of a coven of witches. And when he was dying, Del bequeathed his postmortem skull to the Goodman Theatre for use in its productions of Hamlet—a final legend that lives on, long beyond the death of the father of long-form improvisation.