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The Spanish conquest of Peru was motivated by the quest for precious metals, a search that resulted in the discovery of massive silver deposits in what is now southern Bolivia. The enormous flow of specie into the world economy is usually attributed to the Spanish imposition of a forced labor system on the Indigenous population as well as the introduction of European technology. This narrative omits the role played by thousands of independent miners, often working illegally, who at different points in history generated up to 30 percent of the silver produced in the region. In this work, Mary Van Buren examines the long-term history of these workers, the technology they used, and their relationship to successive large-scale mining. The methods of historian Bertell Ollman, particularly a dialectical approach and “doing history backwards,” are used to examine small-scale mineral production in Porco, Bolivia. The research is based on nine seasons of archaeological fieldwork and historical research, with a particular focus on labor and technology. Van Buren argues that artisanal mineral production must be understood in relation to large-scale mining rather than as a traditional practice and that the Bolivian case is a culturally specific instantiation of a broader economic phenomenon that began under colonial regimes.
This book explores coinage and related object types as an important form of material culture that is crucial to interrogating interactions between coloniser and colonised. Money, Coinage and Colonialism is a much overdue treatment of coinage and money in debates around ancient and recent colonial practices. It argues that coinage offers unique opportunities to study interactions and effects of the meeting between colonisers and colonised, as well as the economic, political and ideological interactions between colonial communities and the state of origin. It is argued that the study of coins and other means of exchange may reveal less apparent and under-communicated processes, values and discourses in the study of colonial environments and projects, with commonalities informing a larger "global history" approach. A broad picture is built from numerous case studies, spanning from Classical Greek colonies to European colonial enterprises of the Modern period, exploring colonial histories, settings, ideology and resistance. Particular attention is paid to the role of coins in identity construction; to ambiguity, hybridity and creolisation of monetary objects in colonial contexts; and to specific uses of coins that tell of violence, oppression and resistance as well as of networks, acculturation and globalisation. Composed of chronologically broad and diverse case studies from colonial contexts, this book is for researchers in colonial and post-colonial archaeology as well as archaeological and cultural-historical numismatics.
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.
'Three years ago the doomsayers were predicting the end. Financial apocalypse. But the system survived. Because the system works. Time to take advantage of the goodies on offer.'1978, New York. John Anderson is barely out of college and has landed himself a job on Wall Street. His dreams of unimaginable wealth, travel and power are made a reality as he jets around the globe selling loans to developing countries eager to borrow. And there are plenty - Mexico, Brazil, Argentina.But cracks in the banks' excessive lending strategy soon start to show. Despite the warning signs - and their consciences - John and his colleagues continue to pursue their targets, threatening to leave them all financially, and morally, bankrupt.Labyrinth premiered at Hampstead Theatre, London, in September 2016.
“Hypnotic….It is ever tempting to try to fathom his restless spirit and his determination to challenge fate.” —Janet Maslin, New York Times Werner Herzog (Grizzly Man) is one of the most revered and enigmatic filmmakers of our time, and Fitzcarraldo is one of his most honored and admired films. More than just Herzog’s journal of the making of the monumental, problematical motion picture, which involved, among other things, major cast changes and reshoots, and the hauling (without the use of special effects) of a 360-ton steamship over a mountain , Conquest of the Useless is a work of art unto itself, an Amazonian fever dream that emerged from the delirium of the jungle. With fascinating observations about crew and players—including Herzog’s lead, the somewhat demented internationally renowned star Klaus Kinski—and breathtaking insights into the filmmaking process that are uniquely Werner Herzog, Conquest of the Useless is an eye-opening look into the mind of a cinematic master.
Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx. Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe. Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably. This classic is now further honored by Isabel Allende's inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.
With an introduction by award-winning novelist Barbara Kingsolver In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce the population by half. . While he did all this, he carefully constructed an image of himself as a deeply feeling humanitarian. Winner of the Duff Cooper Prize in 1999, King Leopold’s Ghost is the true and haunting account of this man’s brutal regime and its lasting effect on a ruined nation. It is also the inspiring and deeply moving account of a handful of missionaries and other idealists who travelled to Africa and unwittingly found themselves in the middle of a gruesome holocaust. Instead of turning away, these brave few chose to stand up against Leopold. Adam Hochschild brings life to this largely untold story and, crucially, casts blame on those responsible for this atrocity.
When Tom Taylor's father created the mega-popular Tommy Taylor fantasy novels, he catapaulted his son into low-level celebrity. As Tom's life begins to take on eerie and deadly parallels with Tommy's, he's drawn into a strange literary underworld where the power of storytelling is as strong as any spell.
The Case-Book of Sherlock Holmes includes ‘"The Adventure of the Illustrious Client", "The Adventure of the Blanched Soldier", "The Adventure of the Mazarin Stone", "The Adventure of the Three Gables", "The Adventure of the Sussex Vampire", "The Adventure of the Three Garridebs", "The Problem of Thor Bridge", "The Adventure of the Creeping Man", "The Adventure of the Lion's Mane", "The Adventure of the Veiled Lodger", "The Adventure of Shoscombe Old Place" & "The Adventure of the Retired Colourman". Rip-roaring and spine-chilling, these stories have been intriguing readers for generations.
The Routledge Handbook of the Archaeology of Indigenous-Colonial Interaction in the Americas brings together scholars from across the hemisphere to examine how archaeology can highlight the myriad ways that Indigenous people have negotiated colonial systems from the fifteenth century through to today. The contributions offer a comprehensive look at where the archaeology of colonialism has been and where it is heading. Geographically diverse case studies highlight longstanding theoretical and methodological issues as well as emerging topics in the field. The organization of chapters by key issues and topics, rather than by geography, fosters exploration of the commonalities and contrasts between historical contingencies and scholarly interpretations. Throughout the volume, Indigenous and non-Indigenous contributors grapple with the continued colonial nature of archaeology and highlight Native perspectives on the potential of using archaeology to remember and tell colonial histories. This volume is the ideal starting point for students interested in how archaeology can illuminate Indigenous agency in colonial settings. Professionals, including academic and cultural resource management archaeologists, will find it a convenient reference for a range of topics related to the archaeology of colonialism in the Americas.