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Krystian Leonard is a sophomore in high school and entered her first pageant at age 14. She wrote Shining Scars as a way to reach out to children healing with visible scars. Krystian developed and created her own non-profit organization Shining S.C.A.R.S. at age 15 as a result of the scars she endured. She spends countless hours volunteering and promoting her organization as well as competing in pageantry. Growing up she experienced first-hand the trials and self-esteem issues associated with visible scars. Healing with visible scars left Krystian feeling damaged and ashamed. She found the strength she needed to overcome her self-image and entered her first beauty pageant at the age of 14. One year later she summoned the courage to compete in the Miss America Scholarship Organization. As part of her application, Krystian was to choose a platform for which she would become an advocate. She wanted to choose a platform she could be passionate about, and thus Shining S.C.A.R.S. was born.
Ruth Wallace knows she can only hide the scars on her arms for so long. Cutting herself doesn’t make her problems disappear, but at least it helps her cope. Ruth needs to find some way, any way, to heal her scars—the ones she hides and the ones she can’t—before something terrible happens. The seventh book in the TrueColors teen fiction series, Blade Silver deals with cutting, guilt, psychology, and healing. Includes discussion questions.
By night, the winged warrior Antony Medichi fights the death vampires who threaten his world. By day, he hunts the rogue vampires who invade Mortal Earth. But deep in his heart rages the fiercest battle of all—his soul-searing passion for the one mortal he is sworn to protect...the one woman he is doomed to love. Parisa Lovejoy is so beautiful, and so powerful, that Antony cannot fight the feelings she arouses. But his unexpected love only intensifies his strength as her Guardian—a strength that is put to the ultimate test when Parisa is abducted. Her captor, Commander Greaves, enslaves mortal women for their blood. If Parisa hopes to survive—and ascend—she must forge an even deeper bond with Antony...in the flames of eternity. Caris Roane's Wings of Fire is sizzling, passionate paranormal romance.
"I'm scared and scarred but I’ve survived" Tom Wilson was raised in the rough-and-tumble world of Hamilton—Steeltown— in the company of World War II vets, factory workers, fall-guy wrestlers and the deeply guarded secrets kept by his parents, Bunny and George. For decades Tom carved out a life for himself in shadows. He built an international music career and became a father, he battled demons and addiction, and he waited, hoping for the lies to cease and the truth to emerge. It would. And when it did, it would sweep up the St. Lawrence River to the Mohawk reserves of Quebec, on to the heights of the Manhattan skyline. With a rare gift for storytelling and an astonishing story to tell, Tom writes with unflinching honesty and extraordinary compassion about his search for the truth. It's a story about scars, about the ones that hurt us, and the ones that make us who we are. From Beautiful Scars: Even as a kid my existence as the son of Bunny and George Wilson seemed far-fetched to me. When I went over it in my head, none of it added up. The other kids on East 36th Street in Hamilton used to tell me stories of their mothers being pregnant and their newborn siblings coming home from the hospital. Nobody ever talked about Bunny's and my return from the hospital. In my mind my birth was like the nativity, only with gnarly dogs and dirty snow and a chipped picket fence and old blind people with short tempers and dim lights, ashtrays full of Export Plain cigarette butts and bottles of rum. Once, when I was about four, I asked Bunny, "How come I don't look anything like you and George? How come you are old and the other moms are young?" "There are secrets I know about you that I’ll take to my grave," she responded. And that pretty well finished that. Bunny built up a wall to protect her secrets, and as a result I built a wall to protect myself.
Slip into a lush world of magic, stardust, and monsters in this spellbinding contemporary fantasy from debut author Georgia Summers. For centuries, the Everlys have seen their best and brightest disappear, taken as punishment for a crime no one remembers, for a purpose no one understands. Their tormentor, a woman named Penelope, never ages, never grows sick – and never forgives a debt. Violet Everly was a child when her mother left on a stormy night, determined to break the curse. When Marianne never returns, Penelope issues an ultimatum: Violet has ten years to find her mother, or she will take her place. Violet is the last of the Everly line, the last to suffer. Unless she can break the curse first. Her hunt leads her into a seductive magical underworld of power-hungry scholars, fickle gods and monsters bent on revenge. And into the path of Penelope's quiet assistant, Aleksander, who she knows cannot be trusted – and yet to whom she finds herself undeniably drawn. With her time running out, Violet will travel the edges of the world to find Marianne and the key to the city of stardust, where the Everly story began.
The Harper’s Quine At the May Day dancing at Glasgow Cross, Gil Cunningham sees not only the woman who is going to be murdered, but her murderer as well. Gil is a recently qualified lawyer whose family still expect him to enter the priesthood. When he finds the body of a young woman in the new building at Glasgow Cathedral he is asked to investigate, and identifies the corpse as the runaway wife of cruel, unpleasant nobleman John Semphill. With the help of Maistre Pierre, the French master-mason, Gil must ask questions and seek a murderer in the heart of the city. The Nicholas Feast Glasgow 1492. Gil Cunningham remarked later that if he had known he would find a corpse in the university coalhouse, he would never have gone to the Arts Faculty feast. In this mysterious adventure Gil Cunningham returns to his old university for the Nicholas Feast, where he and his colleagues are entertained by a play presented by some of the students. One of the actors, William Irvine, is later found murdered and Gil assisted by Alys, begins to disentangle a complex web of espionage and blackmail involving William's tutors and fellow students. Matters are further complicated by the arrival of Gil's formidable mother who is determined to inspect his betrothed. Little do Alys and Gil realise that it will be she who provides the final, vital key to unmask the murderer and lay his motives clear. The Merchant’s Mark The barrel should have contained books - instead it held treasure and a severed head... Gil Cunningham and his old acquaintance, Glasgow merchant Augie Morison, expecting a delivery of books from the Low Countries, report the gruesome substitute to the Provost, and at the inquest the next morning Morison is accused of the murder and imprisoned. He appeals to Gil, who sets out with his friend and future father in law Maistre Pierre, the French master-mason, to find the treasure's owner, trace the barrel and identify the dead man. The trail they follow leads them from the court of James IV at Stirling via a cooper's yard in Linlithgow, to another death on the bare slopes of the Pentland Hills. St Mungo’s Robin The warden of St Serf's has been found dead in the almshouse garden. He appears to have been killed on the previous night but there are those who are convinced he was present at that morning's service, The elderly residents, the almshouse nurse and Humphrey, her deranged favourite, have all been set against one another by the dead man's scheming - and then there is the discarded mistress and almshouse ghost to consider. Tracing the dead man's last movements between the Cathedral precinct and the shores of the Clyde, Gil Cunningham is both helped and hindered by his two sisters who have come to Glasgow for his wedding to Alys. An uncanny event followed by the arrival of Gil's godfather, precipitates the crisis. Finally, it is Alys who helps Gil identify the warden's killer.
Five teenagers struggle to find their way out of prostitution.