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Paleography, which often overlaps with archaeology, deciphers ancient inscriptions and modes of writing to reveal the knowledge and workings of earlier societies. In this now-classic paleographic study of China, Tsuen-Hsuin Tsien traces the development of Chinese writing from the earliest inscriptions to the advent of printing, with specific attention to the tools and media used. This edition includes material that treats the many major documents and ancient Chinese artifacts uncovered over the forty years since the book's first publication, as well as an afterword by Edward L. Shaughnessy. Written on Bamboo and Silk has long been considered a landmark in its field. Critical in this regard is the excavation of numerous sites throughout China, where hundreds of thousands of documents written on bamboo and silk--as well as other media--were found, including some of the earliest copies of historical, medical, astronomical, military, and religious texts that are now essential to the study of early Chinese literature, history, and philosophy. Discoveries such as these have made the amount of material evidence on the origins and evolution of communication throughout Chinese history exceedingly broad and rich, and yet Tsien succeeds in tackling it all and building on the earlier classic work that changed the course of study and understanding of Chinese paleography.
This is a study of one of China's most influential regional musical traditions, the Jiangnan sizhu - string and wind music - of Shanghai. The in-depth approach adopted reveals much about Chinese musical culture.
Arthur Sze has rare qualifications when it comes to translating Chinese: he is an award-winning poet who was raised in both languages. A second-generation Chinese-American, Sze has gathered over 70 poems by poets who have had a profound effect on Chinese culture, American poetics and Sze's own maturation as an artist. Also included is an informative insightful essay on the methods and processes involved in translating ideogrammic poetry. MOONLIGHT NIGHT by Tu Fu can only look out alone at the moon. From Ch'ang-an I pity my children who cannot yet remember or understand. Her hair is damp in the fragrant mist. Her arms are cold in the clear light. When will we lean beside the window and the moon shine on our dried tears? Sze's anthology features poets who have become literary icons to generations of Chinese readers and scholars. Included are the poems of the great, rarely translated female poet Li Ching Chao alongside the remorseful exile poems of Su Tung-p'o. This book will prove a necessary and insightful addition to the library of any reader of poetry in translation. The poets include: T'ao Ch'ien Wang Han Wang Wei Li Po Tu Fu Po Chü-yi Tu Mu Li Shang-yin Su Tung-p'o Li Ch'ing-chao Shen Chou Chu Ta Wen I-to Yen Chen Arthur Sze is the author of six previous books of poetry, including The Redshifting Web and Archipelago. He has received the Asian American Literary Award for his poetry and translation, a prestigious Lannan Literary Award, and was recently a finalist for the Leonore Marshall Poetry Prize. He teaches at the Institute of American Indian Arts. from A Painting of a Cat Nan Ch'uan wanted to be reborn as a water buffalo, but who did the body of the malicious cat become? Black clouds and covering snow are alike. It took thirty years for clouds to disperse, snow to melt. -Pa-ta-shan-jen (1626-1705) The Last Day Water sobs and sobs in the bamboo pipe gutter. Green tongues of banana leaves lick at the windowpanes. The four sur
The Tsinghua University bamboo-strip manuscripts are among the most extraordinary collections of ancient texts discovered in China to date. In Introduction to the Tsinghua Bamboo-Strip Manuscripts, Liu Guozhong, one of the scholars intimately involved in editing the Tsinghua strips, offers a straightforward overview to the complexities inherent in researching this collection. Liu provides an invaluable glimpse into how these artifacts were cleaned, preserved, and prepared for publication, while also situating them within a history of similar finds. He moreover explores in detail a number of crucial questions raised by the Tsinghua strips, from the transmission of the Shangshu and the nature of the oft-neglected Yi Zhoushu, to the implications these texts have for our understanding of early Western Zhou history.
An exploration of Chinese art and culture, Bamboo in China shines a light on this relatively unknown craft. The noted British scholar Joseph Needham concluded from his thorough study of the history of Chinese science and technology that the "East Asian civilization is none other than a bamboo civilization" and China is just the cradle of that bamboo civilization. Since bamboo has been used for thousands of years in China and in many aspects of daily life, it became an influential part of the Chinese culture. With the tributes to bamboo and the extolling of its strengths, it was further blended into China's Confucian, Buddhist and Taoist thinking to give birth to a cultural phenomenon uniquely Chinese that has since spread far and wide. This beautifully illustrated book presents a vivid history of bamboo in China: The uses of bamboo in daily life, production, musical instruments, transportation, architecture and landscaping, hydraulic engineering and the military Traditional treatments of bamboo by Chinese artisans, including two main artistic processing techniques. Bamboo wares with a unique Chinese flavor such as fans, oilpaper umbrellas, and mats and curtains
Geschiedenis van zijde wat betreft teelt en toepassing in kleding en andere producten, daarnaast komen verschillende modeontwerpers aan bod alsmede de toekomst van deze stof.
Books of Fate and Popular Culture in Early China is a comprehensive introduction to the daybook manuscripts found in Warring States, Qin, and Han tombs (453 BCE-220 CE) and intended for use in daily life.
In Women of the Silk Gail Tsukiyama takes her readers back to rural China in 1926, where a group of women forge a sisterhood amidst the reeling machines that reverberate and clamor in a vast silk factory from dawn to dusk. Leading the first strike the village has ever seen, the young women use the strength of their ambition, dreams, and friendship to achieve the freedom they could never have hoped for on their own. Tsukiyama's graceful prose weaves the details of "the silk work" and Chinese village life into a story of courage and strength.
The Silk Manuscripts from Zidanku, Changsha (Hunan), are the only preImperial Chinese manuscripts on silk found todate. Dating to the turn from the 4th to the 3rd centuries BC (Late Warring States period), they contain several short texts concerning basic cosmological concepts, arranged in a diagrammatic arrangement and surrounded by pictorial illustrations. As such, they constitute a unique source of information complementing and going beyond what is known from transmitted texts. This is the first in a twovolume monograph on the Zidanku manuscripts, reflecting almost four decades of research by Professor Li Ling of Peking University. While the philological study and translation of the manuscript texts is the subject of Volume Two, this first volume presents the archaeological context and history of transmission of the physical manuscripts. It records how they were taken from their original place of interment in the 1940s and taken to the United States in 1946; documents the early stages in the research on the finds from the Zidanku tomb and its reexcavation in the 1970s; and accounts for where the manuscripts were kept before becoming the property, respectively, of the Arthur M. Sackler Foundation, New York (Manuscript 1), and the Freer and Sackler Galleries, Smithsonian Institution (Manuscripts 2 and 3). Superseding previous efforts, this is the definitive account that will sets the record straight and establishes a new basis for future research on these uniquely important artifacts.
Guo Qiyong’s edited volume on contemporary Chinese philosophy offers a detailed look at research on Chinese philosophy published from 1949-2009 in Mainland China and Taiwan. The chapters in this volume are broken down into either major themes or time periods in the history of Chinese philosophy. In each chapter after summarizing significant aspects of a particular theme or time period, lists are drawn up of the most important works, along with comments on their individual contributions. This volume allows readers to both familiarize themselves with specific texts and become immersed in the more general philosophical discourse surrounding the history of Chinese philosophy. It provides an in-depth look into serious debates and major discoveries in Chinese language philosophical scholarship from 1949-2009.