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Vaudeville actress Leah Randall took on her most daring role ever when she impersonated missing heiress Jessie Carr in order to claim Jessie's inheritance in The Impersonator. Now that the dust has settled around that tumultuous time in her life, Leah has adopted Jessie's name as her own and moved to Hollywood, where she's taken a modest but steady job in the silent film industry. Jessie's thrilled when Bruno Heilmann, a movie studio bigwig, invites her to a party. She's even more delighted to run into a face from her past at that party. But the following day, Jessie learns that sometime in the wee hours of the morning both her old friend and Bruno Heilmann were brutally murdered. She's devastated, but with her skill as an actress, access to the wardrobes and resources of a film studio, and a face not yet famous enough to be recognized, Jessie is uniquely positioned to dig into the circumstances surrounding these deaths. But will doing so put her own life directly in the path of a murderer? With Silent Murders, MB/MWA First Crime Novel Competition winner Mary Miley has crafted another terrifically fun mystery, this time set in the dizzying, dazzling heart of jazz-age Hollywood.
It begins with murder of an elderly tramp. To his gentlemen-of-the-road peers he was known as Stuck-up Sam'. The only unusual aspect of the crime was a square of cardboard tied to the last surviving button of the tramp's ragged overcoat and on which was written the word Three.' death after death followed, the perpetrator being clear about his targets.
**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
Literature and Union opens up a new front in interdisciplinary literary studies. There has been a great deal of academic work--both in the Scottish context and more broadly--on the relationship between literature and nationhood, yet almost none on the relationship between literature and unions. This volume introduces the insights of the new British history into mainstream Scottish literary scholarship. The contributors, who are from all shades of the political spectrum, will interrogate from various angles the assumption of a binary opposition between organic Scottish values and those supposedly imposed by an overbearing imperial England. Viewing Scottish literature as a clash between Scottish and English identities loses sight of the internal Scottish political and religious divisions, which, far more than issues of nationhood and union, were the primary sources of conflict in Scottish culture for most of the period of Union, until at least the early twentieth century. The aim of the volume is to reconstruct the story of Scottish literature along lines which are more historically persuasive than those of the prevailing grand narratives in the field. The chapters fall into three groups: (1) those which highlight canonical moments in Scottish literary Unionism--John Bull, 'Rule, Britannia', Humphry Clinker, Ivanhoe and England, their England; (2) those which investigate key themes and problems, including the Unions of 1603 and 1707, Scottish Augustanism, the Burns Cult, Whig-Presbyterian and sentimental Jacobite literatures; and (3) comparative pieces on European and Anglo-Irish phenomena.
—Inside the mind of one of the nation’s most feared thrill killers— “Silent Rage” is the shocking true history of serial killer Carroll Edward “Eddie” Cole. Raised by an abusive mother and weak father, Cole accomplished his first murder before he was ten years old. He went on to murder at least 14 women. Sexual attacks, necrophilia, and cannibalization peppered his wanderings. Backed by 32 weeks of exclusive interviews with Cole and years of exhaustive research, Michael Newton paints one of the most chilling true portraits of the development of a sociopathic personality ever made available to the public. Newton traces Cole’s gruesome career across four decades, until Cole’s execution by the state of Nevada. ***** They are law enforcement’s most elusive prey. More dangerous than hitmen, gang assassins, and crowd snipers, the “recreational killer” is almost impossible to capture. Choosing their victims at random, drifting from town to town, their brutal crimes leave a smoking trail of bloodshed across the nation—and many of them are never apprehended until they decide to turn themselves in. This year, 3,500 “thrill killings” will go unsolved. Cole’s story is a searing lesson in the horror of crimes like this—and the terrifying inability of our society to prevent them.
Welcome to Broadway - and to an unthinkable crime! Former theatre starlet turned amateur sleuth Jessie Beckett gets mixed up in murder when an on-stage shooting turns all too real. New York, 1926. It's not like Jessie Beckett goes around looking for murders to solve, but the vaudeville star turned movie script girl has a natural talent for it. After a lifetime on stage, she's sensitive to details that other people miss. So when leading theater star Allen Crenshaw is shot live on stage during a performance of hit Broadway show Rules of Engagement - a horrified Jessie watching from the second row - she knows she has to act fast before Allen's co-star, the beautiful Norah Rose, goes down for murder. After all, it was Norah who fired the fateful bullet . . . even if the shooting was all part of the show. Jessie investigates those closest to Allen - the presence of her theater companion, the superstar Adele Astaire, opening doors wherever they go - and finds only enemies. With the suspects for the disliked actor so numerous, can she uncover the truth in time to save Norah - or will the killer silence her too? Packed with real-life stars of the stage and screen, this page-turning romp through the boards and backstreets of Broadway is a perfect pick for readers who enjoy Jazz Age mysteries with intrepid female sleuths.
Serial killers are nothing like the ones we know through films or literary texts. They are not crime geniuses, but tormented beings with mental disorders and an exacerbated narcissism. Discover the behavior patterns and the stories of the most terrible criminals.
In 1920s Hollywood, Mary Pickford’s script girl is out to solve a murder with “a little sparkle [and] some wily Prohibition-era shenanigans . . . a great read” (Booklist). Former vaudevillian Jessie Beckett has found work as a script girl—with a sideline in sleuthing—at Pickford-Fairbanks Studios, run by the silent film stars Mary Pickford and Douglas Fairbanks. When actress Ruby Glynn is wrongly convicted of murder, Pickford asks Jessie to help clear her friend’s name. But it won’t be easy. The victim was found stabbed in her bedroom with Ruby lying unconscious on the floor, holding a bloody knife. Jessie’s investigation sends her back through the Midwest vaudeville circuit, where she encounters old friends, new dangers, and her sometime-beau David seemingly involved in some shady dealings. Now it’ll take all her wits and ingenuity to find the killer without accidentally playing her own death scene. “With a well-developed and surprising plot twist, an appealing, resourceful amateur detective, and fascinating period details, this entertaining historical will delight fans of Old Hollywood.” —Library Journal