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Dorothy Adams and Ethan Barns live in an idyllic little town called Redwood, Alberta, and once again trouble is brewing. Dorothy’s Bed and Breakfast, in fact, her entire life has come under attack by the media and a powerful group called the Puritans. It seems they won’t let her past stay in the past so that she can move on. The question is why? Dorothy’s boyfriend, Ethan Barns, the Chief of Police, is too busy to help her because he is overwhelmed with the murder of an old friend, a drug cartel, and the protection of two cute little boys who he has sworn to protect. How do they all connect? What is the motive for the murder? Will Ethan ever have the time to propose to Dorothy? Will Dorothy ever be able to put her past behind her? Will the two little boys live to see the dawn of another day? If Dorothy solves everything her way, life is about to get very interesting in Redwood, Alberta.
Before his wedding, Nermesa Klandes, an elite warrior of Aquilonia, must deliver important documents to an ally of the king and unwittingly becomes immersed in a plot to assassinate King Conan. Original.
When the Afghan National Police training center in Kabul is attacked by jihadists, Major Michael Parson accompanies wounded soldiers on planes bound for Germany only to discover that several of the planes have been sabotaged.
A novel of courage and terror from the author of Sand and Fire and The Warriors... Estimated time of arrival: Never... When a terrorist bombing strikes a police training center in Kabul, Afghanistan, many are killed. The wounded, including Sergeant Major Sophia Gold, are loaded onto a C-5 Galaxy bound for Germany. But after takeoff, aircraft commander Michael Parson receives a message: the jihadists have placed bombs on planes leaving Afghanistan—and his is one of them. They are trapped in the air. And if they descend, they will die.As the air­craft deteriorates and the patients grow worse, Parson, Gold, and the crew are pushed to the breaking point—and their biggest challenge has yet to show itself. For the enemy is already closer than any of them can dare to imagine… "Fans of Clancy, Coonts, and Dale Brown need to add Young to their must-read lists." (Booklist)
When Samantha Henderson ran into trouble recovering a lost statue in the Peruvian jungle, Daniel McCullough believed he'd made the right decision in not promoting her at Finders, Inc. But when forced to work together to track down the figurine—and the mysterious man who had it—Daniel and Sam came face-to-face with a network of dangerous suspects. Each day brought them closer to finding their silent enemy, even as their feelings for each other intensified.
Rhonda Rivera seeks to dispel the “silent enemy” that is at war with Christians and President Donald J. Trump in this call to action. While the enemy—Satan—is very silent, he is plaguing our nation. But by remaining faithful and staying strong in prayer, this enemy can be defeated and Trump’s mission to bring prayer back to schools and society at large can be accomplished. The author praises Trump for standing up for the unborn, noting that he’s said on many occasions that every child is a gift from God. Trump said, “Together we must protect the sanctity of every human life, and when we glimpse the image of a baby in the womb, we glimpse the majesty of God’s creation, and when we hold a newborn in our arms, we know the love that each newborn brings to a family.” The author’s earnest prayer is to lead others to the understanding that it is the Lord alone who can rewrite history and keep us safe until His return. He is in this battle with us—and we will win.
Framed around the author's experience of spiritual warfare, Silence Satan introduces readers to the two warring plans for their lives: Satan's (who kills, steals, and destroys) and God's (who gives abundant life). It then reveals the various ways Satan tries to silence and destroy this generation with wounds, accusations, lies, and deceit and how to stand strong against them.
Charting the intersection of technology and ideology, cultural production and social science, Fatimah Tobing Rony explores early-twentieth-century representations of non-Western indigenous peoples in films ranging from the documentary to the spectacular to the scientific. Turning the gaze of the ethnographic camera back onto itself, bringing the perspective of a third eye to bear on the invention of the primitive other, Rony reveals the collaboration of anthropology and popular culture in Western constructions of race, gender, nation, and empire. Her work demonstrates the significance of these constructions--and, more generally, of ethnographic cinema--for understanding issues of identity. In films as seemingly dissimilar as Nanook of the North, King Kong, and research footage of West Africans from an 1895 Paris ethnographic exposition, Rony exposes a shared fascination with--and anxiety over--race. She shows how photographic "realism" contributed to popular and scientific notions of evolution, race, and civilization, and how, in turn, anthropology understood and critiqued its own use of photographic technology. Looking beyond negative Western images of the Other, Rony considers performance strategies that disrupt these images--for example, the use of open resistance, recontextualization, and parody in the films of Katherine Dunham and Zora Neale Hurston, or the performances of Josephine Baker. She also draws on the work of contemporary artists such as Lorna Simpson and Victor Masayesva Jr., and writers such as Frantz Fanon and James Baldwin, who unveil the language of racialization in ethnographic cinema. Elegantly written and richly illustrated, innovative in theory and original in method, The Third Eye is a remarkable interdisciplinary contribution to critical thought in film studies, anthropology, cultural studies, art history, postcolonial studies, and women's studies.