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This is the first Oxford India Paperback printing of this collection. Vijay Tendulkar has been in the vanguard of the Indian theatre for almost forty years. These five plays, translated from the original Marathi, are some of his best known, most socially relevant and also most controversial.
Silence! The court is in session (1967), the first Tendulkar's play to become part of the New Indian Drama phenomenon of the sixties and the first significant modern Indian play in any language to centre on woman as protagonist and victim. With its production Tendulkar became the center of a general controversy. He had already acquired the epithet of "the angry young man" of Marathi theatre but now he was definitely marked out as a rebel against the established values of fundamentally orthodox society.
Liza Long, the author of “I Am Adam Lanza’s Mother"—as seen in the documentaries American Tragedy and HBO®'s A Dangerous Son—speaks out about mental illness. Like most of the nation, Liza Long spent December 14, 2012, mourning the victims of the Newtown shooting. As the mother of a child with a mental illness, however, she also wondered: “What if my son does that someday?” The emotional response she posted on her blog went viral, putting Long at the center of a passionate controversy. Now, she takes the next step. Powerful and shocking, The Price of Silence looks at how society stigmatizes mental illness—including in children—and the devastating societal cost. In the wake of repeated acts of mass violence, Long points the way forward.
This selection, containing lectures by Tendulkar and essays on his works by scholars and critics, is an insight into his creative intellect as a writer willing to take on society and its conscience-keepers!
This book is a collection of plays by one of India's best-known playwrights, and offers for the first time his best known plays published previously by OUP, together in a single volume. The Introduction is by Samik Bandhopadhya, and the plays included are Kamala, Silence! The Court is in Session, Sakharam Binder, The Vultures, Encounter in Umbugland, Kanyadaan, A Friend's Story and Ghashiram Kotwal.
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Why do some people pray in agreement with Gods will, heart and timing, yet the desired answers do not come? Why would God not respond when we pray from the earnestness of our hearts? What is the problem, or better yet, what is the solution? Robert Henderson believes the answer is found in where your prayer actually takes place. We must direct our prayer towards the Courts of Heaven and not only the battlefield. Robert shows that it is in the courtrooms of Heaven where our breakthroughs can be found. When you learn to operate there you will see your answers unlocked and released. This book will teach you the legal processes of Heaven and how to operate in its courts. When you get off the battlefield and into the courtroom you can grant God the legal clearance to fulfill His passion and answer your prayers.
The Book Is A Commentary On Indian Dramatic Theory And Some Selected Contemporary Indian Plays. Drama Is An Active Literary Art Form. Although Films And Television Have Become Very Vital In Our Times, Still Direct Experience Of The Theatre Cannot Be Replaced. The Book Provides General Commentary On Plays By Karnad, Tendulkar, And Ezekiel. The Reader Is Expected To Get An Insight Into Bharat Muni S Views On The Art Of Drama As Well As Some Very Popular Plays Of Our Times. Needless To Say That The Book Is In Series Of Many Such Other Books Where The Editor And The Contributors Believe Indian English Studies To Have Come Of Age. The Book, Among Such Others, Trumpets The Victory Of Indian English Studies In India. This Is Indeed A Welcome Change From Previously Held Puritan View Of English Studies Being Totally Alien. Magic Is Produced When English As A Language Weds The Indian Soil Or When We Apply Indigenous Tools To Study English Literary Texts.