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The bestselling and award-winning author of Brooklyn, Colm Tóibín, returns with a stunning collection of stories—“a book that’s both a perfect introduction to Tóibín and, for longtime fans, a bracing pleasure” (The Seattle Times). Critics praised Brooklyn as a “beautifully rendered portrait of Brooklyn and provincial Ireland in the 1950s.” In The Empty Family, Tóibín has extended his imagination further, offering an incredible range of periods and characters—people linked by love, loneliness, desire—“the unvarying dilemmas of the human heart” ( The Observer, UK). In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party. The Empty Family will further cement Tóibín’s status as “his generation’s most gifted writer of love’s complicated, contradictory power” ( Los Angeles Times ).
Against a background of Continental literary movements, Auchard explores the structures of silence in the novels and tales of Henry James. He develops their dynamics in terms of plot and action as he draws out their disturbing philosophical implications. The book relates James to the reaction against nineteenth-century materialism, which was symbolism, to the potency of decadence, to the century's pulses of mysticism, even to its wave of aestheticized Catholicism, and it brings James up to the edge of the modern abyss. In presenting the distinction between the symbolic richness of positive silences and the decadent void of negative silences, the work provides original scholarship of the highest order, both on James and on the extensive literature of silence, symbolism, and decadence. Silence in Henry James may indeed be a source of integrity, vitality, and fertility, but it plays out its subtle dialectic on the edge of nothingness and sometimes on the brink of collapse.
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"Private investigator and fixer Paul Samson hasn't spoken to his erstwhile friend Denis Hisami in over a year. He just has accepted a dangerous assignment searching for a missing American businessman in Russia when he receives a call from Hisami asking him for a meeting. Hisami has a bombshell to drop: a woman called Anastasia Christakos has been kidnapped, and Hisami wants Samson to find her. There's just one small problem: Anastasia left Paul for Hisami, and was the cause of their rift. Nevertheless, how can Paul refuse? It soon becomes clear that Anastasia is being held by parties with Russian connections in order to manipulate Hisami's business dealings. Is there a connection to Hisami's past as a member Kurdish special-forces and intelligence? It will take all of Samson's courage and guile to find out - and meanwhile the life of the only woman he has ever loved hangs in the balance."--Publisher description.
Finalist for the Pulitzer Prize Finalist for National Book Critics Circle Award (Biography) One of the Best Books of 2012: The New Yorker, Wall Street Journal, Guardian, The Millions, Kirkus Reviews, Boston Phoenix A revelatory biography of the American master as told through the lens of his greatest novel. Henry James (1843–1916) has had many biographers, but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism, and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra, an eminent literary critic, shows how this novel—the scandalous story of the expatriate American heiress Isabel Archer—came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James’s family, the European literary circles—George Eliot, Flaubert, Turgenev—in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand’s The Metaphysical Club and McCullough’s The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.
Beware The Silence stands as a testament to the enduring allure and inherent mystery of the unsaid, the unexplained, and the eerily quiet moments that precede a storm. Spanning an impressive range of literary styles, from the gothic to the speculative, the realist to the supernatural, this collection delves into the silence that speaks volumes, exploring themes of isolation, the unknown, and the uncanny. This anthology is notable not just for its breadth but also for its depth, featuring standout pieces that showcase the unique intersections of culture, time, and psychology, marking a significant contribution to the literary landscape. The authors and editors represented in Beware The Silence collectively bring a rich mosaic of backgrounds, from the well-trodden halls of classic literature by Jane Austen and Charles Dickens to the shadowy corners explored by H. P. Lovecraft and Edgar Allan Poe. These authors, hailing from varied eras and regions, contribute to a multifaceted exploration of the anthology's theme, each drawing from their unique personal, historical, and cultural contexts. Their works reflect the diverse literary movements they belonged to, from Romanticism to Victorian literature, from realism to the birth of modern horror and speculative fiction, enriching the reader's understanding of how silence can signify across different temporal and cultural landscapes. Beware The Silence invites readers into a rich tapestry of narratives that promise to captivate, haunt, and challenge. It stands as a unique opportunity to traverse a wide spectrum of human emotion and experience, offering insights into the often underexplored themes of silence and the unsaid. For scholars, students, and enthusiasts of literature, this collection provides not only a voyage into the many facets of silence but also fosters a dialogue between the past and present, the said and the unsaid, making it a must-read for anyone intrigued by the complexities that define the human condition.
J. D. Salinger was an author in 1951 when he published The Catcher in the Rye. Is he one now? Was Henry Roth an author during the sixty years that separated Call It Sleep, his literary debut, from his second novel, Mercy of a Rude Stream? To show us how silence can be produced and consumed as a literary text, Myles Weber takes a provocative look at four revered authors who battled writer's block or simply ceased publishing. The careers of Tillie Olsen, Henry Roth, J. D. Salinger, and Ralph Ellison suggest that an unproductive twentieth-century author could command serious critical attention and remain a literary celebrity by offering the public volumes of silence, which became read and admired like any other text. Weber sees periods of nonpublication as texts that are consumed by the literary public--and sometimes produced deliberately by inactive writers and their handlers. However, his aim is not to criticize individual authors but to reveal connections between literature as a commodity and authorship as a profession. As Weber looks at the particular circumstances of each author's silence, he brings to them an understanding of such topics as the cult of celebrity, intellectual property law, the complicity of the media and the academy in engendering and then maintaining an author's silence, and mass production and distribution. By helping us to look in new ways at authorial silence not just as a biographical fact or a creative problem but also as a marketing opportunity, Consuming Silences injects energy into debates about the nature of literary production and the cultural place of authors who do not publish.
When a beloved mystery author’s visit causes a stir in their small Mississippi town, librarian Charlie Harris and his cat Diesel must outwit a fiction fanatic turned real-life killer. It’s National Library Week, and the Athena Public Library is planning an exhibit to honor the centenary of famous novelist Electra Barnes Cartwright—creator of the beloved Veronica Thane series. Charlie has a soft spot for Cartwright’s girl detective stories (not to mention an extensive collection of her books!). When the author agrees to make a rare public appearance, the news of her whereabouts goes viral overnight, and series devotees and book collectors converge on Athena. After all, it’s rumored that Cartwright penned Veronica Thane stories that remain under wraps, and one rabid fan will stop at nothing—not even murder—to get hold of the rare books...