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This book brings together new approaches to the study of Sikh religion, culture and ethnicity being pursued in the diaspora by Sikh academics in western universities in Britain and North America. An important aspect of the volume is the diversity of topics that are engaged - including film and gender theory, theology, hermeneutics, deconstruction, semiotics and race theory - and brought to bear on the individual contributors' specialism within Sikh studies, thereby helping to explode previously static dichotomies such as insider vs. outsider or history vs. tradition. The volume should have strong appeal both to an academic market including students of politics, religious studies and South Asian studies, and to a more general English-speaking Sikh readership.
Through a study of Sikh extremism in the Punjab, the author argues that ethnic identities are not fixed and permanent, but are dynamic and need to be sociologically contextualized in order to be properly understood.
This basic guide and resource book targets four fields--religious studies, history, world literature, and ethnic or migration studies--in which Sikhism is now receiving greater attention. The authors explain the problems of studying and interpreting Sikhism, and opportunities for integrating Sikh studies into a broader curriculum in each field. They also provide a sense of the Sikh community's own approach to education, and evaluate materials and approaches at the North American university level. Included are a sample syllabus with an explanatory essay, a bibliographical guide, a glossary, and a general bibliography. Gurinder Singh Mann's review of his course on Sikhism is an effective mini-guide to the field as a whole.
An accessible introduction to the world's fifth largest religion, this work presents Sikhism's meanings and myths, and its practices, rituals, and festivals, also addressing ongoing social issues such as the relationship with the Indian state, the diaspora, and caste.
Identifying himself as both an Indian and a Canadian but first and foremost a Sikh, Tara Singh has shuttled back and forth between Canada and India for most of his life, finding personal harmony while incorporating two very different countries and cultures into his life. Tara Singh was raised within an amritdhari, or baptised, Sikh tradition in a small village in Punjab, India; his values and identity are firmly rooted in Punjabi Sikh culture. As a child and adolescent he suffered mercilessly from his father's verbal and physical cruelty, but the support that he drew from his village environment and his religion gave him strength. He married, according to traditional practices, the woman that his family had arranged for him to wed. Sponsored by his sister, Tara Singh emigrated to Canada in the early 1950s and settled in British Columbia. He came alone, without his wife and children, as most Punjabis did. His greatest initial shock in Canada was his experience with racism, and its impact on his relatives who tried to persuade him to shave his beard and abandon his turban - two sacred symbols of the Sikh. Refusing to betray his beliefs, he resisted the relentless pressure of his family just as he later fought against the exploitation of immigrants in the saw mills where he worked. Tara Singh became active in fighting for immigrant rights and protecting the Sikh faith in Canada. The Four Quarters of the Night is more than one man's life story: his single voice reveals much about the collective experience of immigrants. Tara Singh's narrative presents an evocative picture of a newcomer's experiences in a land of foreign customs, culture, and religious beliefs. Hugh Johnston, to whom Tara Singh told his story, has created a unique and invaluable document in immigration and ethnic history.
Articles on Sikh doctrines and polity.
In attempting to carve out a place for themselves in local and global contexts, young Sikhs mobilize efforts to construct, choose, and emphasize different aspects of religious and cultural identification depending on their social setting and context. Young Sikhs in a Global World presents current research on young Sikhs with multicultural and transnational life-styles and considers how they interpret, shape and negotiate religious identities, traditions, and authority on an individual and collective level. With a particular focus on the experiences of second generation Sikhs as they interact with various people in different social fields and cultural contexts, the book is constructed around three parts: 'family and home', 'public display and gender', and 'reflexivity and translations'. New scholarly voices and established academics present qualitative research and ethnographic fieldwork and analyse how young Sikhs try to solve social, intellectual and psychological tensions between the family and the expectations of the majority society, between Punjabi culture and religious values.
Central to this story is a young Sikh boy, who explores what it means to be "different just like you''. The first page turn encourages deeper conversations about identity and belonging with the question: "Do you know who I am?"Join this little human's quest of self-discovery through the metaphor of a lion's mane.The narrative's rhythm flows alongside the red fabric of a dastaar (turban worn by members of the Sikh community), strengthening the character's identity with each new word stitched into the dastaar."When we learn something new, it makes each of us stronger."Skipping Stones Honor Book Award Winner for Multicultural and International Awareness.