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This volume of Dickens' public readings includes "A Christmas Carol," "The Chimes," "The Story of Little Dombey," "The Poor Traveller," "Boots at the Holly-Tree Inn," "Mrs. Gamp," "Bardell and Pickwick," "David Copperfield," "Nicholas Nickleby at the Yorkshire School," "Mr. Bob Sawyer's Party," "Doctor Marigold," and "Sikes and Nancy."
On November 14, 1868 Charles Dickens organized a special reading to a select audience to get their opinion on whether or not Sikes and Nancy, the telling of the horrific murder of Nancy by Bill Sikes in Oliver Twist, should be added to his repertoire of public readings of his works. William Charles Kent (1823-1902), editor, journalist, and Dickens' friend, was among those chosen to witness this test reading. Here he gives an account of the event. Most in the audience, Kent among them, felt the reading was sensational and should be added. A few worried about possible hysteria in the audience and the reading's effect on Dickens' already frail health. Dickens read the account with such passion that his pulse soared during its performance. Dickens added Sikes and Nancy to his farewell reading tour of Britain.
"Academic fans of Dickens's early novels will be gratified by John Bowen's Other Dickens: Pickwick to Chuzzlewit, a ringing defense of the novels Dickens wrote in the first half of his career.... Bowen [demonstrates] a mastery of the body of Dickens criticism.... We owe Bowen a debt of gratitude for delineating so eloquently the politically radical Dickens and for helping us better appreciate his exquisite humor, deep insight into the human condition, and consummate artistry."--College Literature.
The story of Oliver Twist - orphaned, and set upon by evil and adversity from his first breath - shocked readers when it was published. After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.
This work offers an original interpretation of the mothers of the protagonists in Dickens's autobiographical novels. Taking Julia Kristeva's psychoanalytic concept of abjection and Mary Douglas's anthropological analysis of pollution as its conceptual framework, the book argues that Dickens's primary emotional response towards the mother who abandoned him to work in a blacking warehouse was disgust, and suggests that we can trace similar signs of disgust in the narrators of his fictional autobiographies, David Copperfield, Bleak House, and Great Expectations. The author provides a close reading of Dickens's autobiographical fragment and opens up the possibility that Dickens's feelings towards his mother actually bore a significant influence on his fiction. The book closes with a provocative discussion of Dickens's compulsive Sikes and Nancy public readings.
Provides biographical, physical and critical appraisal of each of Dickens characters.
But these debates, as Ree shows in illuminating detail, were distorted by systematic misunderstandings of the nature of language and the five senses. Ree traces the botched attempts to make language visible, and he charts the tortuous progress and final recognition of sign systems as natural languages in their own right."--BOOK JACKET.
(Limelight). Blumenfeld convincingly argues that the basic techniques of acting apply whether the actor is performing onstage or in a sound studio. Numerous practice exercises help the actor to speak the words of a text that can be enhanced by the varying sounds of the human voice.