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Savannah Grace's best selling, award winning saga of her family's four-year-long backpacking adventure continues. "Backpacks and Bra Straps" picks up where "I Grew My Boobs in China" leaves off, offering insights into how family dynamics are affected by such intensive togetherness as well as a candid, intriguing look at world-wide travel and the camaraderie of the backpacking community, told from a perceptive young woman's viewpoint. This second instalment of her Sihpromatum series takes us to Russia, Kazakhstan, Kyrgyzstan, through Western China and Tibet, and finally, to watch the sun rise over Mount Everest in Nepal. Savannah's initial reluctance to travel and the personal growth she documents distinguishes this raw tale from most travel memoirs. See website for photos and more info... www.sihpromatum.com
Featured on Good Morning America, the front page of Cosmopolitan.com, Travel + Leisure, POPSUGAR, Harper's Bazaar, Good Housekeeping, Redbook, HelloGiggles, Woman's Day, and Country Living. After purchasing one-way flights from New York City to Paris, Kyle James and his girlfriend Ashley quit their day jobs, planned futures, and daily paradigms to see as much of the world as they could. In 114 days, they trekked across 15 countries and 38 cities with nothing but their backpacks, their smartphones, and each other. Not Afraid of the Fall is the unvarnished story of their off-the-cuff journey: from cliff-jumping off Croatia's untouched coasts, to bathing with rescued elephants in Thailand; from crashing mopeds on gravelly mountain roads in Santorini, to hitchhiking with strangers in rental cars in Hungary. Part travel memoir, part love letter to those staring at the walls of a corporate cubicle, Not Afraid of the Fall is an inspiring book that captures the sweet mysteries of life on the road and an empowering narrative for anyone who has ever uttered the words "maybe next year."
Let's use our wounds to show others a way through their pain, to give them hope, to help them find strength and perseverance. Debbie allows the reader to see into her lifetime of abuse. She shows how she slowly let go of anger, sadness, grief and trauma, and replaced it with love, happiness, forgiveness, tolerance, determination and gratitude. After developing Complex Post-Traumatic Stress Disorder (C-PTSD) and Psychogenic Non-Epileptic Seizures (PNES), Debbie is forced to face the past she has buried deep inside her. As the bricks come tumbling down she becomes sicker; she is eventually forced to give up her twenty-five-year career as a counsellor. As each trigger from her past surfaces, Debbie learns to knock them down and decides to use her life experiences to help others. This book will open the public's eyes and show how the effects of childhood trauma and abuse can be a recipe for mental illness.
I have been to every province in China, and the book is made up of travel stories about the places I have been and the experiences I have had. For instance, I have been hosted in first-class establishments in Shanghai, been drunk with miners in Inner Mongolia, wandered out in the Gobi desert, and nearly been sick on the embalmed body of Chairman Mao. This book is about being a Western expat adjusting to life in Asia, first in Hong Kong and then in Shanghai. It is about negotiating with local people on whether prostitutes are required after dinner, singing Chinese songs in the middle of meetings, and finding the only spot in the country without an army of tourists spoiling the photos. I wish to share travel and living stories from Hong Kong and every province in China, through the eyes of one fascinated, curious, worried, reckless, adventurous, queasy, stunned, and quite tired English expat.
Unlike Rick Sammon's 39 other best-selling and photo-rich books, Photo Therapy Motivation and Wisdom - Discovering the Power of Pictures, has no photographs between the covers. Yet, Rick feels as though it is his most important work. He trusts this book will make you think - hard - about your photography, and about how using your brain, the best photo "accessory," will help you become a better photographer. Or as stated by famed black-and-white landscape photographer Ansel Adams, "The single most important component of a camera is the twelve inches behind it." It's not that Rick is tired of having to "lug around a camera," as Lewis Hine said, it's just that he thinks the motivational and inspirational message of this book is better expressed without showing his own pictures. Rather, in reading the 35,000-word text, he'd like you to imagine your own pictures - and potential pictures - while he is describing a situation, process, technique, feeling or emotion. Chapters include: Emotional Intelligence for Photographers, Seeing vs. Looking, Creating Your Own Reality, It's Never Too Late to Be What You Might Have Been, Light and Color Therapy, Learning is Health, and What Does Your Photography Mean to You? The book also includes more than 20 "missions" that you can accept in your quest to expand your photographic horizons. This very personal book is filled with Rick's photo and life wisdom - wisdom he has gained by spending almost an entire lifetime - starting in the late 1950's with developing pictures in his parents' basement - involved in photography in many forms and fashions. You will find many inspirational quotes in this book. One of Rick's favorites: "When you are through changing, you are through." - Bruce Barton
One woman’s quest to learn Mandarin in Beijing, Arabic in Beirut, and Spanish in Mexico, with her young family along for the ride. Imagine negotiating for a replacement carburetor in rural Mexico with words you’re secretly pulling from a pocket dictionary. Imagine your two-year-old asking for more niunai at dinner—a Mandarin word for milk that even you don’t know yet. Imagine finding out that you’re unexpectedly pregnant while living in war-torn Beirut. With vivid and evocative language, Christine Gilbert takes us along with her into foreign lands, showing us what it’s like to make a life in an unfamiliar world—and in an unfamiliar tongue. Gilbert was a young mother when she boldly uprooted her family to move around the world, studying Mandarin in China, Arabic in Lebanon, and Spanish in Mexico, with her toddler son and all-American husband along for the ride.Their story takes us from Beijing to Beirut, from Cyprus to Chiang Mai—and also explores recent breakthroughs in bilingual brain mapping and the controversial debates happening in linguistics right now. Gilbert’s adventures abroad prove just how much language influences culture (and vice versa), and lead her to results she never expected. Mother Tongue is a fascinating and uplifting story about taking big risks for bigger rewards and trying to find meaning and happiness through tireless pursuit—no matter what hurdles may arise. It’s a treat for language enthusiasts and armchair travelers alike.
A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs, following the life of a bar dancer raised amid poverty and abuse, opening the door into the inner sanctums of Bollywood, and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks. As each individual story unfolds, Mehta also recounts his own efforts to make a home in Bombay after more than twenty years abroad. Candid, impassioned, funny, and heartrending, Maximum City is a revelation of an ancient and ever-changing world.
A story of visiting—and surviving—every nation on Earth: “Part travel adventure tale and part madcap farcical comedy . . . Hunter Thompson meets Anthony Bourdain.” —Chicago Tribune This is the inspiring story of an ordinary guy who achieved two great goals that others had told him were impossible. First, he set a record for the longest automobile journey ever made around the world, during the course of which he blasted his way out of minefields, survived a breakdown atop the Peak of Death, came within seconds of being lynched in Pakistan, and lost three of the five men who started with him, two to disease, one to the Vietcong. After that—although it took him forty-seven more years—Albert Podell set another record by going to every country on Earth. He achieved this by surviving riots, revolutions, civil wars, trigger-happy child soldiers, voodoo priests, robbers, pickpockets, corrupt cops, and Cape buffalo. He went around, under, or through every kind of earthquake, cyclone, tsunami, volcanic eruption, snowstorm, and sandstorm that nature threw at him. He ate everything from old camel meat and rats to dung beetles and monkey’s brain. And he overcame attacks by crocodiles, hippos, anacondas, giant leeches, flying crabs—and several beautiful girlfriends who insisted that he stop this nonsense and marry them. Albert Podell’s Around the World in 50 Years is a remarkable tale of quiet courage, dogged persistence, undying determination, and an uncanny ability to extricate himself from one perilous situation after another—and return with some of the most memorable, frightening, and hilarious adventure stories you have ever read. “Even if your desire for exotic travel never takes you out of your reading chair, you’ll find Podell a fascinating companion.” —Bookpage “Unquestionably entertaining . . . There is never a dull moment.” —Kirkus Reviews
Old School Photography is a must-have modern manual for learning how to create great photographs with a 35mm film camera. Famed YouTube personality Kai Wong expertly and humorously shares 100 essential tips for selecting and using film cameras, shooting with film and various lenses, and employing specific techniques to ensure you can get great results quickly. Known for his breadth of knowledge and quick wit, Kai Wong delivers an informative and entertaining read on how to take great film photos. • An informative and entertaining read on how to take great film photos • A must-have guide for those new to old-school film techniques • A much-needed book for the current resurgence of vintage 35mm film cameras Renewed interest in film photography has surged in the past few years, both among those rediscovering their past passion and those discovering it for the first time. Vintage cameras that had previously lost their value are now often worth more than they first sold for due to high demand amongst enthusiasts, students, and collectors. Film manufacturers have even started reissuing long discontinued stocks—for example, Kodak's much-loved and recently re-released classic Ektachrome slide film. In our modern world, billions of people have access to instantaneous photography on their mobile phones, but as a result there has been a resurgent desire for a more tactile, physical, unaltered, and thus honest medium. Much of which, ironically, ends up on the internet, with photography fans and influencers sharing their images across Instagram, Flickr, YouTube, and the like. More so than with digital photography, film photography requires a sense of craft, skill, patience, technical knowledge, and a trial-and-error process that results in a greater sense of accomplishment. Old School Photography is both enlightening and humorous, and attracts a new generation of fans who are eager to experiment with film cameras, make prints, and post their film photographs online.
In 1953, twenty-four-year old Nicolas Bouvier and his artist friend Thierry Vernet set out to make their way overland from their native Geneva to the Khyber Pass. They had a rattletrap Fiat and a little money, but above all they were equipped with the certainty that by hook or by crook they would reach their destination, and that there would be unanticipated adventures, curious companionship, and sudden illumination along the way. The Way of the World, which Bouvier fashioned over the course of many years from his journals, is an entrancing story of adventure, an extraordinary work of art, and a voyage of self-discovery on the order of Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance. As Bouvier writes, “You think you are making a trip, but soon it is making—or unmaking—you.”