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Sigüenza is a little known gem among the historical cities in Spain, situated in the province of Guadalajara about hundred and thirty kilometers north from Madrid. Sigüenza can be one of the oldest cities in Spain, much older that the 900 years celebrated in 2024. Sigüenza like other towns in the region is unique as it did not experience the industrial revolution. That is why visiting it is a great opportunity to discover almost intact Medieval and Renaissance architecture. Sigüenza has also been the scene of many battles throuhout its history. The region was populated since the Paleolitic. Very rich water sources attracted people from early on. The river Henares runs through Sigüenza. Two other rivers flow on its flanks, Rio Dulce and Rio Salado. Rio Salado (the Salted river) makes it very rich in natural salt extracted in salt pans. Situated on the high plateau of Castille, Sigüenza is about over 1000 meters above sea level.
This book is a critical study placing both Sigüenza and his narrative within the Spanish American baroque era.
Sigüenza is celebrating 900 years since the Reconquista from the Muslims 12-14 July 2024. The town is also putting in a candidature for World Cultural Heritage and is working to develop the town and environs as a tourist destination. The town has special significance for the authors, who wish Sigüenza a great future.
Encompass the sweep of changing Western thought on the Aztecs from Cortes to the present.
Essays on key aspects of cultural, religious, and intellectual life in early modern Spain.
In the seventeenth century, even as the Spanish Habsburg monarchy entered its irreversible decline, the capital of its most important overseas territory was flourishing. Nexus of both Atlantic and Pacific trade routes and home to an ethnically diverse population, Mexico City produced a distinctive Baroque culture that combined local and European influences. In this context, the American-born descendants of European immigrants—or creoles, as they called themselves—began to envision a new society beyond the terms of Spanish imperialism, and the writings of the Mexican polymath Carlos de Sigüenza y Góngora (1645-1700) were instrumental in this process. Mathematician, antiquarian, poet, and secular priest, Sigüenza authored works on such topics as the 1680 comet, the defense of New Spain, pre-Columbian history, and the massive 1692 Mexico City riot. He wrote all of these, in his words, "out of love for my patria." Through readings of Sigüenza y Góngora's diverse works, Baroque Sovereignty locates the colonial Baroque at the crossroads of a conflicted Spanish imperial rule and the political imaginary of an emergent local elite. Arguing that Spanish imperialism was founded on an ideal of Christian conversion no longer applicable at the end of the seventeenth century, More discovers in Sigüenza y Góngora's works an alternative basis for local governance. The creole archive, understood as both the collection of local artifacts and their interpretation, solved the intractable problem of Spanish imperial sovereignty by establishing a material genealogy and authority for New Spain's creole elite. In an analysis that contributes substantially to early modern colonial studies and theories of memory and knowledge, More posits the centrality of the creole archive for understanding how a local political imaginary emerged from the ruins of Spanish imperialism.