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Woman has been defined in classic political theory as elusive yet dangerous, by her nature fundamentally destructive to public life. In the view of Linda M. G. Zerilli, however, gender relations shape the very grammar of citizenship. In deeply textured interpretations of Rousseau, Burke, and Mill, Zerilli recasts our understanding of woman as the agent of social chaos and makes a major advance for feminist political theory.
1. Political Theory as a Signifying Practice -- 2. "Une Maitresse Imperieuse": Woman in Rousseau's Semiotic Republic. The Maternal Voice. The Field of Female Voice and Vision. Making a Man. The Semiotic Republic -- 3. The "Furies of Hell": Woman in Burke's "French Revolution" Terror and Delight. Burke's Reflections as Self-Reflections. Breaking the Code. The Furies at Versailles -- Postscript: The Maternal Republic -- 4. The "Innocent Magdalen": Woman in Mill's Symbolic Economy. Political Economy of the Body. Political Economy of the Female Body. Angel in the House. Angel out of the House. The Innocent Magdalen -- 5. Resignifying the Woman Question in Political Theory.
DIVBarlow documents the history of “woman” as a category in twentieth century Chinese history, tracing the question of gender through various phases in the literary career of Ding Ling, a major modern Chinese writer./div
With the continued expansion of the literary canon, multicultural works of modern literary fiction and autobiography have assumed an increasing importance for students and scholars of American literature. This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray. This case book presents a thought-provoking overview of critical debates surrounding The Woman Warrior, perhaps the best known Asian American literary work. The essays deal with such issues as the reception by various interpretive communities, canon formation, cultural authenticity, fictionality in autobiography, and feminist and poststructuralist subjectivity. The eight essays are supplemented an interview with the author and a bibliography.
What happens in a tradition that links citizenship with soldiering when women become citizens? Citizen Soldiers and Manly Warriors provides an in-depth analysis of the theory and practice of the citizen-soldier in historical context. Using a postmodern feminist lens, Snyder reveals that within the citizen-soldier tradition, citizenship and masculinity are simultaneously constituted through engagement in civic and martial practices.
Misogyny is of course not the whole story of medieval discourse on women: medieval culture also envisaged a case for women. But hitherto studies of profeminine attitudes in that periods culture have tended to concentrate on courtly literature or on female visionary writings or on attempts to transcend misogyny by major authors such as Christine de Pizan and Chaucer. This book sets out to demonstrate something different: that there existed from early in the Middle Ages a corpus of substantial traditions in defence of women, on which the more familiar authors drew, and that this corpus itself consolidated strands of profeminine thought that had been present as far back as the patristic literature of the fourth century. The Case for Women surveys extant writings formally defending women in the Middle Ages; breaks new ground by identifying a source for profeminine argument in biblical apocrypha; offers a series of explorations of the background and circulation of central arguments on behalf of women; and seeks to situate relevant texts by Christine de Pizan, Chaucer, Abelard, and Hrotsvitha in relation to these arguments. Topics covered range from the privileges of women, and pro-Eve polemic, to the social and moral strengths attributed to women, and to the powerful modelsfrequently disruptive of patriarchal complacencypresented by Old and New Testament women. The contribution made by these emphases (which are not to be confused with feminism in a modern sense) to medieval constructions of gender is throughout critically assessed, and the book concludes by asking how far defenders were controlled by, or able to query, assumptions about what was natural (and therefore imagined inflexible) in gender theory.
This collection of essays includes studies of women's political writings from Christine de Pizan to Mary Wollstonecraft and explores in depth the political ideas of the writers in their historical and intellectual context. The volume illuminates the limitations placed on women's political writings and their broader political role by the social and scholarly institutions of early modern Europe. In so doing, the authors probe legal and political restraints, distinct national and state organisation, and assumptions concerning women's proper intellectual interests. In this endeavour, the volume explores questions and subjects traditionally ignored by historians of political thought and little considered even by current feminist theorists, groups who give slight attention to women's political ideas or place women's writings within the social and intellectual structures from which they emerged and which they helped to shape.
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Matthes (U. of Maryland) stages a conversation between feminism and republicanism to analyze the linkage between "founding stories" of republics, sexual violence, and gender hierarchy. While pointing out the differences in the retellings of Lucretia's rape by Livy, Machiavelli, and Rousseau, she argues that their commonality is in appropriating the classical tale to support the view that the alternative to violence is citizenship and politics infused with common good notions of agency, action, and community. Annotation copyrighted by Book News Inc., Portland, OR