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Just about everyone is familiar with the Nike Air Jordan shoe, but just when did the practice of attaching an athlete’s name to a shoe become common practice? This text takes you from the beginning of the signature shoe industry, and through the 1980s when the popularity of signature shoes accelerated. At the start of the ‘90s, just about every footwear company was producing a signature shoe, and looking for the next charismatic spokesperson, when they saw the dollars Nike was making with the Jordans. Eventually, signature shoes entered all facets of popular culture and were taken for granted by the public. Before long, it wasn’t just the most well-known and marketable athletes getting their own shoe. Athletes in Major League Baseball, the Women’s National Basketball Association, National Association for Stock Car Auto Racing, Formula One, the Professional Golfers’ Association, the National Football League, musicians, and even the National Hockey League had their own footwear to go along with the mainstays of the NBA and professional tennis circuits.
Come take a closer look at ordinary footwear, like sneakers, or children's toys and Saturday cartoon TV shows, or make a comparison between Don Quixote and John Rambo of the Sylvester Stallone movie. Although some regard popular culture as "shallow," this book reveals that it is more often complex, deep, meaningful and subject to the style changes we associate with high art. Bergesen shows how complex philosophical ideas of reincarnation are embedded in Transformer toys; how sneakers have gone through a life cycle of style types; why the decline of empires like Spain and the United States led to fictional characters like Don Quixote and Rambo; and why monsters from Japan look different than those from the United States.
Resource added for the Prototype and Design program 106142.
A celebration of the iconic shoes and superstars who have defined the sport for decades, A History of Basketball in Fifteen Sneakers tells the story of hoops as only shoes can. The ultimate book for both hoops fans and sneaker obsessives, A History of Basketball in Fifteen Sneakers is an exciting and fascinating look at the sport written with authority and experience by former Complex and SLAM magazine editor Russ Bengtson. From primeval Converse Chuck Taylor All Stars to baroque Reebok Pumps and myth-making Air Jordans to super-high-tech Nike Adapt BBs, each chapter breaks down how a specific sneaker defined an era of basketball, transformed the culture, or changed the game. With full-color sneaker photographs and detailed illustrations throughout, the book is a kaleidoscopic celebration of the players, styles, and iconic moments that have shaped hoops both on and off the court. Topics include: Walt Frazier's PUMA Clydes and the New York City street game; Michael Jordan's first signature Air Jordan and the birth of the modern global basketball superstar; Nike Air Swoopes and the evolution of the women’s game; sneaker tech and the rise of retro; and much more.
"Meticulously researched and beautifully produced." Times Literary Supplement "A big and beautiful book." Journal of British Studies "A definitive history of the sports shoe." Amber Butchart, fashion historian "A necessary book [and] a great read." Samuel Smallidge, Archivist, Converse "Both educational and entertaining." Scene Point Blank The story of the sneaker's rise from the first Victorian tennis shoes to the Nike Air Max and beyond. Moving from the athletic field to the shopping mall, Thomas Turner tells a fresh story of the evolution of the sports shoe against the changing landscape of society, sport, fashion, industry, and technology. The Sports Shoe takes us on a journey from the first Victorian tennis shoes to the sneaker of today, to the adidas Superstar and the innovative technologies of Nike Air Max. Featuring newly uncovered archival material and historic images showcasing key personalities, vintage marketing and common perceptions of this hugely desirable product, this book is a must-have for any sneaker collector, historian of popular culture, or anyone interested in the place of athletic footwear in our lives today.
“Evanovich…with a dash of CSI.” – Publishers Weekly (review of Lucky Stiff) Everyone Has a Hidden Talent As the Chief Problem Solver for the Babylon, Las Vegas’s most over-the-top destination, solving the occasional murder is in Lucky’s job description. A rapier wit, her weapon of choice. LUCKY BASTARD Tonight, someone turned a young woman, a Jimmy Choo embedded in her carotid, into a hood ornament for the latest Ferrari in the Babylon’s dealership. And one of the big-name players in a huge poker tournament ends up dead. Are the two deaths related? Lucky starts making connections putting her in the crosshairs of a killer. Her former lover, Teddie, comes back from his rock tour to deliver a bombshell. Then life deals another major complication to her personal life…and it’s not going to be pretty. Can Lucky handle the fallout and catch a killer? A light, funny, romantic mystery providing a Vegas escape appropriate for anyone looking for a good laugh. Get your copy today! AN INTERVIEW WITH DEBORAH COONTS Why did you decide to write humor? I’m not sure I decided to add snark to the Lucky books, specifically to Lucky’s own voice, it just happened that way. When I was a kid, my mouth always got me into trouble. Finally, I’ve found a way to harness the sarcasm for the Forces of Good—or at least in a way not to anger my grandmother. And when Lucky started talking to me, she had a strong dose of sass in her. The Lucky O'Toole Vegas Adventure series is hard to categorize. Is that by design? When I set out to write Wanna Get Lucky?, I knew I wanted to write a romp through Las Vegas. I had the characters and the setting but no real understanding of narrative drive. So, I threw a young woman out of a tour helicopter into the middle of the Pirate Show and let the story unfold. A bit of murder to keep the plot moving, some wisecracking and Vegas mischief to make you laugh, and some romance to keep it interesting. A bit of a mash up, but it works. PRAISE FOR Lucky Bastard “If you’re entertained by sex, innuendo and a few fantasies you’d like to see played out—and who isn’t?—you ought to have Lucky and her extended Vegas family (So Damn Lucky, 2012, etc.) on speed dial.” - Kirkus Reviews, starred review “This fast, funny, frantic Vegas-set series offers great laughs as well as compelling mystery and intriguing continuing characters. You’ll want to spend more time with Lucky, the daughter of a former madam and a mobster.” - RT Book Reviews “…the talented Coonts takes the reader on another wild ride through Sin City.” - Booklist “Lucky’s sass and snark make for fun reading…” - Publishers Weekly
During the 1980s Black athletes and other athletes of color broadened the popularity and profitability of major-college televised sports by infusing games with a “Black style” of play. At a moment ripe for a revolution in men’s college basketball and football, clashes between “good guy” white protagonists and bombastic “bad boy” Black antagonists attracted new fans and spectators. And no two teams in the 1980s welcomed the enemy’s role more than Georgetown Hoya basketball and Miami Hurricane football. Georgetown and Miami taunted opponents. They celebrated scores and victories with in-your-face swagger. Coaches at both programs changed the tenor of postgame media appearances and the language journalists and broadcasters used to describe athletes. Athletes of color at both schools made sports apparel fashionable for younger fans, particularly young African American men. The Hoyas and the ’Canes were a sensation because they made the bad-boy image look good. Popular culture took notice. In the United States sports and race have always been tightly, if sometimes uncomfortably, entwined. Black athletes who dare to challenge the sporting status quo are often initially vilified but later accepted. The 1980s generation of barrier-busting college athletes took this process a step further. True to form, Georgetown’s and Miami’s aggressive style of play angered many fans and commentators. But in time their style was not only accepted but imitated by others, both Black and white. Love them or hate them, there was simply no way you could deny the Hoyas and the Hurricanes.
An ethnographic study of the residents of a violent West Chicago neighborhood and how they cope from day to day. As with war, much of our focus on inner-city violence is on the death toll, but the reality is that far more victims live to see another day and must copy with their injuries—both physical and psychological—for the rest of their lives. Renegade Dreams is their story. Walking the streets of one of Chicago’s most violent neighborhoods, Laurence Ralph talks to parents, grandparents, and pastors, to activists and gang leaders, to the maimed and the hopeful, to aspiring rappers, athletes, or those who simply want safe passage to school or a steady job. Seeking to understand how they cope, he ultimately shows that the injuries they carry are—like dreams—a crucial form of resilience. Praise for Renegade Dreams “A tour de force—extremely well written and engaging, and replete with original insights. Once I began reading Ralph’s book, I had a difficult time putting it down. His field research is fascinating. And his explicit discussion of the interconnections of inner-city injury with government and community institutions, as well as how it is related to historical and social processes, is a major contribution.” —William Julius Wilson, author of The Truly Disadvantaged “Ralph’s Chicago is peopled by characters we’ve seen before . . . but they breathe and bounce throughout his pages like more than just rehashed stock figures in some ongoing morality play about urban black pathology. Thoroughly researched and powerfully told, Renegade Dream is a paradigm-shifting anthropological rejoinder to popular stereotypes and scholarly cant about “inner-city violence,” its causes, and its aftermath.” —John L. Jackson Jr., author of Thin Description “Astounding in its clarity and groundbreaking in its power. . . . The textures and rhythms of Ralph’s realist narrative are charged with critical insight and transcendental significance, making ethnography into a work of art.” —João Biehl, author of Vita “Theoretically rich and superbly written, this book exposes what is hidden in plain sight: the full humanity of people whose lives are greater than the sum of their pain and peril.” —Khalil Gibran Muhammad, author of The Condemnation of Blackness “An elegant, poetic, and sympathetic look at a West Side Chicago neighborhood [Ralph] calls Eastwood. . . . Recommended for readers interested in contemporary urban neighborhoods and Chicago history. An absorbing read for those who enjoyed the blend of history and narrative in William Shaw’s West Side: Young Men & Hip Hop in L.A..” —Library Journal
Proceedings of the 6th International Conference on Intelligent Human Systems Integration (IHSI 2023): Integrating People and Intelligent Systems, February 22–24, 2023, Venice, Italy
The New Latino Studies Reader is designed as a contemporary, updated, multifaceted collection of writings that bring to force the exciting, necessary scholarship of the last decades. Its aim is to introduce a new generation of students to a wide-ranging set of essays that helps them gain a truer understanding of what itÕs like to be a Latino in the United States. Ê With the reader, students explore the sociohistorical formation of Latinos as a distinct panethnic group in the United States, delving into issues of class formation; social stratification; racial, gender, and sexual identities; and politics and cultural production. And while other readers now in print may discuss Mexican Americans, Puerto Ricans, Cubans and Central Americans as distinct groups with unique experiences, this text explores both the commonalities and the differences that structure the experiences of Latino Americans. Timely, thorough, and thought-provoking, The New Latino Studies Reader provides a genuine view of the Latino experience as a whole. Ê