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Lou Andreas-Salome (1861-1937) was a writer and disciple of Freud who became a practicing analyst. For over two decades she and Freud kept up an intensive correspondence. Freud found in her a perceptive appreciater and amplifier of his ideas, and Frau Andreas found him a sympathetic critic of her own. Their exchanges on theoretical topics and clinical experiences, their admiring friendship, and the glimpses of their personalities make this collection invaluable for readers interested in the history of psychoanalysis. The book includes an introduction and notes by Ernst Pfeiffer, Lou Andreas-Salome's literary executor.
"Immensely readable...a significant piece of scholarship."—Fred Volkmer, New York Sun He would become one of the most important poets of the twentieth century; she a muse of Europe's fin-de-siècle thinkers and artists. In this collection of letters, a finalist for the PEN USA translation award, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that spans thirty years and shifting boundaries: as lovers, as mentor and protégé, and as deep personal and literary allies.
The daughter of an illustrious Russian general, Lou von Salome left her home in the heart of Tsarist Russia to conquer intellectual Europe at the tender age of 18. Eventually settling in Germany, she became a best-selling novelist, a groundbreaking essayist, and a well-known literary critic. In addition to all this, Salome was a real-life muse for some of the most brilliant men of her time. This biography tells the story of Salome's entire life and career, focusing on her young adulthood; celibate marriage with linguistics scholar Carl Friedrich Andreas; rumored affairs with Friedrich Nietzsche, Rainier Maria Rilke, and several other authors and poets; and her relationship with Sigmund Freud, which was marked most notably by their contrasting views of psychoanalysis.
This English translation of Friedrich Nietzsche in seinen Werken offers a rare, intimate view of the philosopher by Lou Salomé, a free-thinking, Russian-born intellectual to whom Nietzsche proposed marriage at only their second meeting. Published in 1894 as its subject languished in madness, Salomé's book rode the crest of a surge of interest in Nietzsche's iconoclastic philosophy. She discusses his writings and such biographical events as his break with Wagner, attempting to ferret out the man in the midst of his works. Salomé's provocative conclusion -- that Nietzsche's madness was the inevitable result of his philosophical views -- generated considerable controversy. Nietzsche's sister, Elisabeth Förster-Nietzsche, dismissed the book as a work of fantasy. Yet the philosopher's longtime acquaintance Erwin Rohde wrote, "Nothing better or more deeply experienced or perceived has ever been written about Nietzsche." Siegfried Mandel's extensive introduction examines the circumstances that brought Lou Salomé and Nietzsche together and the ideological conflicts that drove them apart.
Includes 133 documents never before made public and 138 previously published only in part, this volume collects the complete correspondence of Freud to his closest friend during the period that saw the birth of psychoanalysis.
Originally published as: Die erotik. Frankfurt am Main: Literarische anstalt R'utten & Loening, 1910.
Presents the memoirs of the great spirit of her time, the legendary Lou Andreas-Salome, who defied convention as a feminist, psychoanalyst, and author.
As a psychoanalyst and author, Lou Andreas-Salome traverses the mystery of sexuality in much of her work. This book, comprised of two texts originally written for adolescents, uniquely explores sexual education and the collision of sexuality and religion across the lifespan.The first piece, "Three Letters to a Young Boy" (1917), is a psychoanalytic fairy tale. The letters offer an interesting version of the evolution of sexual knowledge from childhood through adolescence. The second piece, "The Devil & His Grandmother" (1922), merges sexuality with religion, encapsulating three ages of woman child, to a lost soul and the Devil's bride, to the Devil's Grandmother. Written in charmingly convoluted dialogue, this work has a cinematic, fanciful feel. Both pieces dispense with academic formality and point to a relaxed new phase in Salome's writing life. Interestingly, this tone can also be detected in her blossoming correspondence with Sigmund Freud, which contrasts starkly with her sombre letters to Rainer Maria Rilke.It is with the spirit of free thinking demonstrated in these two selections, perhaps informed by Salome's experimentation with free association, that the reader is transported to a new theatre of Salome's imagination.