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A fourth collection from a prize-winning poet whose "gift is breathtaking" (Naomi Shihab Nye) Eugene Gloria's Sightseer in This Killing City captures the surreal and disorienting feelings of the present. In the wake of recent presidential elections in the United States and in the Philippines, Gloria's latest collection sharpens his obsession with arrivals and departures, gun violence, displacement, cultural legacy, and the bitter divisions in America. Through the voice of Nacirema, the central persona of the collection, we are introduced to a character who chooses mystery and inhabits landscapes fraught with beauty and brutality. Gloria quotes melodies from seventies soul and jazz, blending the urban lament of Thelonious Monk and John Coltrane with the idiom of Stevie Wonder and Fela Kuti. Sightseer in this Killing City is an argument for grace and perseverance in an era of bombast and bullies.
A fourth collection from a prize-winning poet whose "gift is breathtaking" (Naomi Shihab Nye) Eugene Gloria's Sightseer in This Killing City captures the surreal and disorienting feelings of the present. In the wake of recent presidential elections in the United States and in the Philippines, Gloria's latest collection sharpens his obsession with arrivals and departures, gun violence, displacement, cultural legacy, and the bitter divisions in America. Through the voice of Nacirema, the central persona of the collection, we are introduced to a character who chooses mystery and inhabits landscapes fraught with beauty and brutality. Gloria quotes melodies from seventies soul and jazz, blending the urban lament of Thelonious Monk and John Coltrane with the idiom of Stevie Wonder and Fela Kuti. Sightseer in this Killing City is an argument for grace and perseverance in an era of bombast and bullies.
A third collection from an award-winning poet, author of Sightseer in this Killing City, whose "gift is breathtaking" (Naomi Shihab Nye) The themes of identity, relationships, and the poet's sense of origin are at the heart of Eugene Gloria's rich and captivating new collection. The title poem weaves together Japan's sixteenth-century warlord Hideyoshi with a meditation about the poet's father's dementia; "Here on Earth" embraces post-racial America and the speaker's own sense of displacement in the Midwest. In elegy and psalm, as well as ancient forms from Asia such as the haibun and pantoum, these elegant and passionate poems enact rage, civility, love, travel, and art as well as explore Gloria's own fears of frailty and erasure.
The peculiar and moving story of a Congolese boy's coming-of-age amid the political strife of postcolonial Congo His nickname is Matapari, which means "trouble." He is an African child of the '90s--brilliant, mischievous, postcolonial, postmodern-caught in the crossfire of a chaotically liberated African country. Matapari grows up in a world of talking drums, the Internet, and satellite TV, a world of dictators who remake themselves as democrats overnight. His uncle is a stooge for the dictator; his father is a scholarly recluse obsessed with proving that blacks played key roles in Western history. Matapari is a young man in the middle--but the shrewdness and wit with which he tells his often riotously funny story set him apart from his relatives and countrymen. Emmanuel Dongala uses the ingenious viewpoint of a child to show up the telltale world of adults--and to show how one preserves one's independence in a corrupt and violent society.
A new collection from a poet of "wily verve" whose work is "filled with more satire and jeopardy than anything going today" (Terrance Hayes) Mark Yakich's fifth collection of poetry is a dynamic and discerning journey of devotion and temptation in pursuit of the divine. Not trifling in ambiguity but diving headlong into it, Spiritual Exercises wrestles with popular gods as much as with personal ghosts. From autism to eroticism, from benediction to excommunication, and from grief to gratitude, this collection lays bare a full spectrum of emotional life, showing us how grace can be as playful as it is sincere.
Winner of Weatherford Award for Best Poetry Book about Appalachia A poet acclaimed for "uncompromising, honest poems that sound like no one else" (The Rumpus) now offers considerations of the natural world and humans' place within it in ecopoetry of both ambitious reach and elegant refinement Rose McLarney has won attention as a poet of impressive insight, craft, and a "constantly questioning and enlarging vision" (Andrew Hudgins). In her third collection, Forage, she continues to weave together themes she loves: home, heritage, the South, animals, water, the environment. These intricately sequenced poems take up everything from animals' symbolic roles in art and as indicators of ecological change to how water can represent a large, troubled system or the exceptions of smaller, purer tributaries. At the confluence of these poems is a social commentary that goes beyond lamenting environmental degradation and disaster to record--and augment--the beauty of the world in which we live.
“Suspenseful, riveting . . . Achieves a universality that is movingly personal.” —The New York Times The explosively provocative, award-winning drama set in a country that has just emerged from a totalitarian dictatorship Gerardo Escobar has just been chosen to head the commission that will investigate the crimes of the old regime when his car breaks down and he is picked up by the humane doctor Roberto Miranda. But in the voice of this good Samaritan, Gerardo's wife, Paulina Salas, thinks she recognizes another man—the one who raped and tortured her as she lay blindfolded in a military detention center years before. Relentlessly paced and filled with lethal surprises, Death and the Maiden is an inquest into the darker side of humanity—one in which everyone is implicated and justice itself comes to seem like a fragile, perhaps ambiguous invention.
From Midwestern bars to Brooklyn apartments, narrative poems that find millennials adrift--in political upheaval and personal crisis--and trying to find their way back to one another Winner of the 2018 National Poetry Series competition, selected by Brenda Shaughnessy These poems tell the story of a generation in crisis: at odds with its own ideals, precariously (or just un-) employed, and absolutely terrified of seeing itself in the planet's future. Is our contemporary moment pure tragedy, or a dark joke? Can it be both? Cutting back and forth in time and ranging between elegiac lyrics and autobiographical accounts of a group of poets moving from Iowa to Brooklyn in the years just before and after the 2016 election, Fear of Description reinvigorates the prose poem, exploring the slippery terrain between grief and friendship, artifice and technology, writing and ritual, hauntings and obsessions--searching for joy in art but instead finding it in pitch darkness.
Winner of the 2022 Rebekah Johnson Bobbitt National Prize for Poetry In a new collection that is "a force of nature" (Amy Gerstler), renowned Native poet Heid E. Erdrich applies her rich inventive voice and fierce wit to the deforming effects of harassment and oppression. Little Big Bully begins with a question asked of a collective and troubled we - how did we come to this? In answer, this book offers personal myth, American and Native American contexts, and allegories driven by women's resistance to narcissists, stalkers, and harassers. These poems are immediate, personal, political, cultural, even futuristic object lessons. What is truth now? Who are we now? How do we find answers through the smoke of human destructiveness? The past for Indigenous people, ecosystem collapse from near-extinction of bison, and the present epidemic of missing and murdered Indigenous women underlie these poems. Here, survivors shout back at useless cautionary tales with their own courage and visions of future worlds made well.
“Organs of Little Importance is a riotous feat...Ferocious. Funny. Deeply intelligent. Adrienne Chung leaves a charred wake.” —Solmaz Sharif, author of Customs and Look From National Poetry Series winner Adrienne Chung, a debut poetry collection about psychology, love, and memory Taking its title from Darwin’s On the Origin of Species, Adrienne Chung’s debut collection asks why we cling so dearly to the vestigial parts of our psychologies—residues of first impressions, thought spirals to nowhere, memories that persist despite outliving their usefulness. The speaker in these poems tries to wear more color, indulges in Y2K nostalgia and falls in and out of love; a Jungian psychoanalyst has a field day with her dreams. While Darwin was perplexed and ultimately dismissive of these seemingly useless body parts, Organs of Little Importance reframes and repositions the apparent uselessness of our compulsions, superstitions, errant thoughts, and other selves. In diptychs and ghazals, sonnets and lullabies, Chung collects and preserves pieces of psychological debris as one would care for precious heirlooms, revealing their surprising potential to become sites of meaning and connection.