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In 1904, the Americans exhibited over 1,100 native Filipinos, including Neritos, Igorot, Moros, and Visayans at the Louisiana Purchase Exposition in Saint Louis, Missouri ... the Philippine Exhibition, though a huge success with the public, proved controversial because of its racist and imperial features, and the stigma it inflicted on Filipinos.
In Ornamental Nationalism: Archaeology and Antiquities in Mexico, 1876-1911, Seonaid Valiant examines the Porfirian government’s reworking of indigenous, particularly Aztec, images to create national symbols. She focuses in particular on the career of Mexico's first national archaeologist, Inspector General Leopoldo Batres. He was a controversial figure who was accused of selling artifacts and damaging sites through professional incompetence by his enemies, but who also played a crucial role in establishing Mexican control over the nation's archaeological heritage. Exploring debates between Batres and his rivals such as the anthropologists Zelia Nuttall and Marshall Saville, Valiant reveals how Porfirian politicians reinscribed the political meaning of artifacts while social scientists, both domestic and international, struggled to establish standards for Mexican archaeology that would undermine such endeavors.
The wealth of information in this collection should be mined for generations by social scientists and historians of science, technology, and industry. It not only introduces the literature to the scholar, but provides a guide to a varied range of exposition publications.