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Siena is often referred to as the 'City of the Virgin' and the 'City of the Palio'. The special devotion of the Sienese to the Virgin began in the thirteenth century and in times of danger the Sienese have regularly rededicated their city to the Madonna, who is also celebrated in the twice-yearly festival of the Palio. Siena, Civil Religion and the Sienese examines Sienese devotion to the Virgin from the medieval period until the present day. Exploring how the Palio has become the principal means of sustaining and celebrating Sienese culture, values and identity - including popular devotion to the Virgin - Parsons shows how this festival stands in continuity with the earlier civil religion of medieval and renaissance Siena. Drawing on insights from recent discussion of the role of civil religion in medieval and renaissance Italy, the USA and modern Britain, this book explores how civil religion sustains the Sienese sense of their history, identity and uniqueness through a variety of beliefs, rituals, ceremonies and symbols. Highly illustrated and including a full bibliography, this book breaks new ground in interpreting Sienese devotion to the Virgin and to the Palio in terms of 'civil religion'.
This title was first published in 2002: Perspectives on Civil Religion introduces the concept of civil religion, examines the use of the concept in recent scholarship and investigates examples of civil religion in the contemporary world. The book sets out to explore tensions and complexities in the relationship between the 'sacred' and the 'secular', and draws on two major case studies for in-depth illustration of key issues. It looks first at the development of rituals of remembrance from the American civil war, British and American responses to the two world wars and the controversial Vietnam Veterans Memorial in Washington. It then considers civil religion in the Italian city of Siena, especially in relation to the Palio of Siena and Sienese devotion to the Virgin. The five textbooks and Reader that make up the Religion Today Open University/Ashgate series are: From Sacred Text to Internet; Religion and Social Transformations; Perspectives on Civil Religion; Global Religious Movements in Regional Context; Belief Beyond Boundaries; Religion Today: A Reader
This book examines the origins, development and history of the cult of Saint Catherine of Siena. Gerald Parsons argues that the cult of Catherine of Siena constitutes a remarkable example of the cult of a particular saint which, across more than six centuries, has been the vehicle for an evolving sequence of civil religious rituals and meanings. He shows how the cult of this particular saint developed, firstly, as an expression of Sienese civil religion; secondly, as a focus for Italian civil religion; and finally into an expression of European civil religion. Instead of the predominantly devotional - and frequently essentially hagiographical - approach of much of the literature on Catherine of Siena, Parsons examines the significance of her cult from the perspective of civil religion and the social history of religion.
In The Lay Saint, Mary Harvey Doyno investigates the phenomenon of saintly cults that formed around pious merchants, artisans, midwives, domestic servants, and others in the medieval communes of northern and central Italy. Drawing on a wide array of sources—vitae documenting their saintly lives and legends, miracle books, religious art, and communal records—Doyno uses the rise of and tensions surrounding these civic cults to explore medieval notions of lay religiosity, charismatic power, civic identity, and the church's authority in this period. Although claims about laymen's and laywomen's miraculous abilities challenged the church's expanding political and spiritual dominion, both papal and civic authorities, Doyno finds, vigorously promoted their cults. She shows that this support was neither a simple reflection of the extraordinary lay religious zeal that marked late medieval urban life nor of the Church's recognition of that enthusiasm. Rather, the history of lay saints' cults powerfully illustrates the extent to which lay Christians embraced the vita apostolic—the ideal way of life as modeled by the Apostles—and of the church's efforts to restrain and manage such claims.
Interdisciplinary approaches to the material culture of the middle ages, from illuminated manuscripts to church architecture.
This book examines the origins, development and history of the cult of Saint Catherine of Siena. Gerald Parsons argues that the cult of Catherine of Siena constitutes a remarkable example of the cult of a particular saint which, across more than six centuries, has been the vehicle for an evolving sequence of civil religious rituals and meanings. He shows how the cult of this particular saint developed, firstly, as an expression of Sienese civil religion; secondly, as a focus for Italian civil religion; and finally into an expression of European civil religion. Instead of the predominantly devotional - and frequently essentially hagiographical - approach of much of the literature on Catherine of Siena, Parsons examines the significance of her cult from the perspective of civil religion and the social history of religion.
Public religious practice lay at the heart of civic society in late medieval Europe. In this illuminating study, Andrew Brown draws on the rich and previously little-researched archives of Bruges, one of medieval Europe's wealthiest and most important towns, to explore the role of religion and ceremony in urban society. The author situates the religious practices of citizens - their investment in the liturgy, commemorative services, guilds and charity - within the contexts of Bruges' highly diversified society and of the changes and crises the town experienced. Focusing on the religious processions and festivities sponsored by the municipal government, the author challenges much current thinking on, for example, the nature of 'civic religion'. Re-evaluating the ceremonial links between Bruges and its rulers, he questions whether rulers could dominate the urban landscape by religious or ceremonial means, and offers new insight into the interplay between ritual and power of relevance throughout medieval Europe.
This sixth volume in the AVISTA series considers medieval travel from a variety of interdisciplinary perspectives, placing the physical practice of transportation in the larger context of medieval thought about the world and its meaning. The papers included cover vehicle design and logistical management, the practicalities of how travellers oriented themselves, and the symbolism of the landscapes and maps created in the Middle Ages.
In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
In an era when ease of travel is greater than ever, it is also easy to overlook the degree to which voyages of the body – and mind – have generated an outpouring of artistry and creativity throughout the ages. Exploration of new lands and sensations is a fundamental human experience. This volume in turn provides a stimulating and adventurous exploration of the theme of travel from an art-historical perspective. Topical regions are covered ranging from the Grand Tour and colonialism to the travels of Hadrian in ancient times and Georgia O’Keeffe’s journey to the Andes; from Vasari’s Neoplatonic voyages to photographing nineteenth-century Japan. The scholars assembled consider both imaginary travel, as well as factual or embellished documentation of voyages. The essays are far-reaching spatially and temporally, but all relate to how art has documented the theme of travel in varying media across time and as illustrated and described by writers, artists, and illustrators. The scope of this volume is far-reaching both chronologically and conceptually, thereby appropriately documenting the universality of the theme to human experience.